This collection celebrates women and feminism in New Zealand — the first country in the world to give all women the vote. We shine the light on a line of female achievers: suffrage pioneers, educators, unionists, politicians, writers, musicians, mothers and feminist warriors — from Kate Sheppard to Sonja Davies to Shona Laing. In her backgrounder, TV veteran and journalism tutor Allison Webber writes how the collection helps us understand and honour our past, asks why feminism gets a bad rap, and considers the challenges faced by feminism in connecting past and present.
Florian Habicht first won attention for 2003's Woodenhead, a fairytale about a rubbish dump worker and a princess. By then Habicht had already made his first feature-length documentary. Many more docos have followed: films that celebrate his love for people, and sometimes drift into fantasy. In this collection, watch as the idiosyncratic director meets fishermen, Kaikohe demolition derby drivers (both watchable in full), legends of Kiwi theatre and British pop, and beautiful women carrying slices of cake through New York. Ian Pryor writes here about the joys of Florian Habicht.
It's hard to reduce legendary band Split Enz down to a single sound or image. Soon after forming in 1973, they began dressing like oddball circus performers, and their music straddled folk, vaudeville and art rock. Later the songs got shorter, poppier and — some say —better, and the visuals were toned down...but you could never accuse the Enz of looking biege. With Split Enz co-founder Tim Finn turning 65 in June 2017, this collection looks back at one of Aotearoa's most successful and eclectic bands. Writer Michael Higgins unravels the evolution of the Enz here.
Paul Henry surprises bungy jumping entrepreneur Alan John Hackett at Auckland Airport with the immortal words, "This is your life". The many guests in this 70-min. special include childhood go-kart friends, bungying celebs and police boat chief Lloyd McIntosh, who recalls the day he witnessed Hackett leaping off Auckland Harbour Bridge as "a highlight from his career". Hackett later stole up, and leapt off, the Eiffel Tower (less Man on a Wire, more man with rubber rope). Adds his mother Margaret: "I'm buggered if I consider him famous. He's just AJ."
In 1982 bad weather left Mark Inglis and Phil Doole trapped for 13 days in a crevasse, close to the summit of Aoraki/Mt Cook. No Mean Feat chronicles the path taken by Inglis since — from rescue, and the discovery he would lose his lower limbs, to his reinvention as research scientist, winemaker, and paralympic cyclist. In 2001 cameras followed Inglis back to Cook, where he attempted another climb using custom-designed prosthetic legs. Topped off by stunning aerial footage of Mt Cook, No Mean Feat won best documentary at the 2003 NZ TV Awards.
Hugh Sundae travels to the world's second-largest landlocked country: Mongolia. Normally unenthusiastic about travel or partaking in foods doused in yak butter, Sundae discovers that the presence of a camera adds courage to his journey. The courage proves helpful while sharing accommodation and food in a series of gers (also known as yurts) — portable houses used by the nomads of Central Asia. Sundae's trip includes camels, wrestling, Mongolian throat singing — plus trying to survive a meal made from sour milk and curd, without causing offense.
Merata Mita’s Patu! is a startling record of the mass civil disobedience that took place throughout New Zealand during the winter of 1981, in protest against a South African rugby tour. Testament to the courage and faith of both the marchers and a large team of filmmakers, the feature-length documentary is a landmark in Aotearoa's film history. It staunchly contradicts claims by author Gordon McLauchlan a couple of years earlier that New Zealanders were "a passionless people".
This short documentary follows refugee Mitchell Pham from a Vietnam War prison camp to a new home in New Zealand. Director Sally Tran — a 2013 Killer Films Internship Scholarship recipient — uses an interview with Pham as an adult, and live action mixed with animation to recreate the harrowing childhood journey. DIY more than CGI, the animation process was based on Vietnamese folded paper-craft. Requiring 20 volunteers, the 10,000 animated pieces of paper (and a rich score from The Sound Room) provide suggestive weight to Pham’s story of survival and courage.
Pioneering reality TV show Flatmates trained its cameras on the home life of a bunch of young Gen X/Gen Y Kiwis. In this second episode the flatmates clean up after a party gone wild — the landlord ain't happy — and discuss flat finances, chore rosters, gender politics, and Anzac Day. Christian mourns his first love, a Finnish exchange student. Meanwhile Vanessa's pronouncements on apt lecture-wear reveal why she became a minor celebrity (she later co-hosted youth show The Drum). And cameraman/flattie Craig finds the courage to reveal a complicating crush.
Half a decade before the electronic beats of Oceania, Hinewehi Mohi's debut single is a gentler, more soulful affair — with the constantly moving close-ups of director Niki Caro's video underlining the song’s heartfelt simplicity. Co-written with Doctor Hone Kaa and Ardijah founding member Jay Dee, the song pushes the importance of rising above adversity, and having the courage to evolve as a people and a nation. The latter would be challenged seven years later by another te reo performance from Mohi — of the national anthem at a rugby test match.