Neil Finn formed Crowded House in 1985 with Melbourne musicians Paul Hester and Nick Seymour, after the end of Split Enz. In 1987 Finn-penned single ‘Don’t Dream It’s Over’ reached number two in the United States, helping overcome the disinterest of New Zealand radio. Third album Woodface (which included 'Weather with You') saw the United Kingdom become their largest market. In 1996 a weary Finn broke up Crowded House to go solo, only to revive it for two further albums after Paul Hester's death in March 2005.

It's hard to reduce legendary band Split Enz down to a single sound or image. Soon after forming in 1973, they began dressing like oddball circus performers, and their music straddled folk, vaudeville and art rock. Later the songs got shorter, poppier and — some say —better, and the visuals were toned down...but you could never accuse the Enz of looking biege. With Split Enz co-founder Tim Finn turning 65 in June 2017, this collection looks back at one of Aotearoa's most successful and eclectic bands. Writer Michael Higgins unravels the evolution of the Enz here.

This NZ Music Month collection showcases NZ music television, spun from a playlist of classic documentaries and beloved music shows. From Split Enz to the NZSO, Heavenly Pop Hits to Hip Hop New Zealand, whether you count the beat or roll like this, there’s something here for all ears (and eyes). Plus music writer Chris Bourke gets Ready to Roll with this pop history primer.

This 1993 award-winner was the first Crowded House video made in New Zealand. Director Kerry Brown and producer Bruce Sheridan wanted to emphasise the surreal, fantasy elements of the song, using distinctly Kiwi imagery. Locations included beaches and dense bush on the West Coast, the plains of Central Otago and the Victorian architecture of Oamaru. Scenes of an Anzac Day ceremony and marching girls also highlight the homeland setting. Brown took inspiration from Salvador Dali paintings for the psychedelic effects that were added in post-production.

Evoking nostalgia for summer holidays, Crowded House lark around at the beach with partners, kids and Lester the dog. Shot in the Bellarine Peninsula near Melbourne, the music video features bassist Nick Seymour's 1961 T-Bird convertible, plus a brief shot of the police who pulled him over for driving it unregistered, then took it around the carpark. American record executives were unimpressed with the video, which won more favour in the UK. The first fruit of a writing session by Neil and Tim Finn, the song was one of eight Finn brothers compositions on third Crowded House album Woodface.

Neil Finn has described the lyric to this song as "on the one hand, feeling kind of lost and, on the other hand, sort of urging myself on". The wistful single was Crowded House's breakthrough, hitting number two in the US (and the top spot in Aotearoa, after local radio earlier showed little interest). Australian director Alex Proyas (The Crow) based his video on locations from the band members' childhoods. As Finn walks from room to room, the video also neatly reinforces the band's name. 'Don't Dream It’s Over' remains one of the biggest international hits penned by a Kiwi.

This episode of C4's music series Homegrown Profiles looks at the long and distinguished musical careers of Kiwi music icons Tim and Neil Finn. The programme covers the early days of Split Enz, Neil joining the band at the age of 18, and Tim leaving in 1984; plus Neil forming Crowded House, Tim's short stint in his brother's band, the Finn's solo careers, and their two albums recording as the Finn Brothers. Jane Yee's interview with the brothers is revealing and fascinating, and includes great early Split Enz footage.

This documentary follows a 2001 Neil Finn tour of his bottom-of-the-world homeland. Finn challenged his perfectionist instincts by playing with a changing local line-up at each gig: mostly unknown fans offered a chance to “glisten like a pearl”. The performers ranged from veterans to teen guitarist-singer Jon Hume (four years away from the Australian Top 20 with band Evermore). In Dunedin the performance survives drinking rituals and uninvited stage guests; in another moment, a shy 14-year-old piano prodigy segues from Mozart into Split Enz classic 'I Got You'.

In this one-off documentary Te Radar takes his roving reporter skills to Takaka, and immerses himself in the groovy world of The Gathering. The New Year's dance music festival ran from 1996 to 2002. Radar proves the master of the quote, whether chatting to 'Lords of the Ping', electronic act Pitch Black or avoiding immolation from fire poi enthusiasts ("who doesn't love a fire poi", he says grimly). Watch out for Black Seed Bret McKenzie, laidback DJ star John Digweed and the earnest 'Jesus Food' crew, whose free dosh proves a bit too popular for rival food stalls.

Daffodils is a feature film version of Rochelle Bright's award-winning Kiwi stage musical. Grammy Award-winning singer Kimbra makes her big screen debut, alongside actors Rose McIver (iZombie, The Lovely Bones) and George Mason (Go Girls). The bittersweet musical is based on the true story of a Waikato couple's romance in the 60s, and the pop-rock soundtrack that shaped their lives. The love story features reimaginings of iconic songs from Crowded House, The Exponents and more. Daffodils is helmed by director David Stubbs (Belief: The Possession of Janet Moses).