This collection celebrates rugby in New Zealand as it has been seen onscreen: from classic bios and tour docos, to social history, dramas and protest. In the accompanying backgrounders, broadcaster Keith Quinn looks at the on air history of rugby in NZ; and playwright David Geary asks if rugby is a religion, and argues it is a good test of character.
Our Stars of Ballet, a short documentary from ballet teacher turned NFU director Kathleen O'Brien, tracks the careers of New Zealand ballet icons Rowena Jackson and Alexander Grant, who both achieved success as principal dancers for major ballet companies in England. The film follows their visit to Wellington with the Royal Ballet in 1959; Jackson picnics by the harbour with dancer husband Philip Chatfield, while Grant visits Mt Victoria. The film ends with Jackson performing her famed multiple fouttés en tournant, for which she held the world record in 1959.
Before X Factor there was New Faces, before Masterchef ... Graham Kerr, before Country Calendar there was ... er, Country Calendar. This collection picks the screen gems from the decade that gave Kiwi pop culture, "miniskirts, teenagers — and television." Peter Sinclair, Sandy Edmonds, Howard Morrison, and Ray Columbus star. Do your mod's nod and C'mon!
This National Film Unit doco illustrates the early days of the Royal New Zealand Ballet. Performances from the company’s touring program include Bournonville’s Napoli, kiwi Arthur Turnbull’s Do-Wack-A-Do, a quirky 1930s flapper themed production (also with a NZ composer, Dorothea Franchi) and the tulle and poise of Fokine’s Les Sylphides. Prismatic Variations, choreographed by ballet company founder Poul Gnatt, and produced by another dance icon Russell Kerr, is the finale for this tribute to those who have made New Zealanders “ballet conscious.”
Debbie Dorday is best known for her cabaret shows, where she performed as both a dancer and a comedian.
This showcase for Arthur Baysting's sleazy, comedic alter-ego Neville ("on the level") Purvis ("at your service") is notorious for containing the first use of the f-word on a New Zealand television show. As a result, Baysting was banned and crossed the Tasman to find work (an irony given the show's anti-Australian jokes). Surviving segments from the show include a launch by PM Rob Muldoon, a tour of Avalon, a performance by Limbs Dance Company (including Mary-Jane O'Reilly), a visit to the Close to Home set, an interview with a garden gnome fan, and some Mark II Zephyr worship.
In 1969 Kiwi music legend John Rowles was in his early 20s, and flush with UK success: appearing on Top of the Pops and celebrating a single – ‘If I Only Had Time’ – which got to number three in the British charts. This fly on the wall documentary records his homecoming tour, complete with cigars, turtlenecks, rehearsals, press interviews, dancing, hongi and a civic reception in Kawerau (where he’d been fired from a mill job five years before, for arriving late). Rowles launches single ‘M’Lady’, soon to top the NZ charts, and reflects on how he's changed since leaving Kawerau.
Canadian-born documentary filmmaker Leanne Pooley’s award-winning films have examined some of the most potent issues of New Zealand’s recent history - from euthanasia, to sport and politics, to controversial court verdicts. She has also sensitively paid tribute to some of our foremost artists - dancer Douglas Wright, and beloved comedians and singers The Topp Twins.
In New Zealand for his 1983 Serious Moonlight tour, David Bowie stops for a cigarette with Radio with Pictures, to talk about past, present and future projects. Bowie mentions recording hit album Let’s Dance in three weeks, and briefly touches on mysterious music and screen projects, and the "very funny" Ziggy Stardust concert film. Also mentioned: his opinions on Jagger versus McCartney, his desire to work again with Iggy Pop, and how he feels about making the cover of Time magazine. The interview is bookended with brief footage of Bowie's opening number at Athletic Park.
This infectious clip marks one of the only Kiwi music videos to have been made independently of state television in the 1970s. Spats toured their eclectic brand of music from Blerta's old bus, then found fame after morphing into The Crocodiles. In this track vocalist Fane Flaws demonstrates a TV screen can make a valid performance tool, and regular Spats accomplices Limbs Dance Company add some moves of their own. The video was directed by Flaw's old Blerta colleague Geoff Murphy while Spats was on tour. 'New Wave Goodbye' ultimately ended up on Crocodiles album Tears.