2013 Arts Foundation Laureate Dean Parker has written extensively for stage, television, radio and print. Alongside his own projects, he has shown himself as a skilled adaptor of everyone from Nicky Hager (The Hollow Men) to Ronald Hugh Morrieson (movie classic Came a Hot Friday).
After countless romances, breakups and revelations — plus the odd psycho and crashing helicopter — Shortland Street turned 25 in May 2017. Made on the run, sold round the globe, the Kiwi soap opera juggernaut has provided a launchpad for dozens of actors and behind the scenes talents. Alongside best of clips, the very first episode, musical moments and favourite memories from the cast, Shortland star turned director Angela Bloomfield writes about how the show has changed here, while Mihi Murray backgrounds how it began — and how it reflects New Zealand.
Sam Neill has acted in forgotten Kiwi TV dramas (The City of No) and classic Kiwi movies (Sleeping Dogs, The Piano, Hunt for the Wilderpeople). His career has taken him from the UK (Reilly: Ace of Spies) to Hawaii (Jurassic Park) to dodgy Melbourne nightclubs (Death in Brunswick). As Neill turns 70, this collection celebrates his range, modesty and style — and the fact he was directing films before winning acting fame. In these backgrounders, friends Ian Mune and Roger Donaldson raise a glass to a talented, self-deprecating actor and fan of good music and pinot noir.
This half-hour portrait of actor and director Ian Mune kicks off at a family wedding. In-between clips illustrating his career, Mune reflects on life as a storyteller, "bullshitter" and goat farmer. He reveals his adaptation process, his loss of confidence after directing Bridge to Nowhere, and how had no idea what he was doing on Sleeping Dogs. He also warns of the dangers of being boring, and the challenges of pulling off a decent commercial. Two years after this documentary aired, Mune returned to glory with the release of his passion project The End of the Golden Weather.
Surveying All Blacks rugby from 1905 until 1967, this wide-ranging documentary is framed around the NZ Rugby Football Union’s 75th jubilee celebrations. The archival gold mine includes matches from the 1905 Originals and 1924 Invincibles tours, and clashes with Springboks, British Lions, Wallabies and French rivals. There's also footage of NZ schoolboy and NZ Māori clashes, and a jubilee match with Australia. Funded by Caltex NZ, the documentary was made by legendary Pacific Films co-founder John O’Shea. Press on the backgrounds tab for a list — in order — of all the matches.
In this 1982 short film, Harry (Goodbye Pork Pie's Kelly Johnson) and Pheno (Donogh Rees) are bored Wellington rebels on a crime spree: tagging, stealing art and hijacking a bus to the badlands of nearby Makara Beach. It was the era of Muldoon, Springbok Tour protests, spacies and dole queues. The film captures the disillusionment of its youth, especially in the outcome of the duo's pursuit by a tyro cop (Duncan Smith). Johnson was fresh from Pork Pie, and Donogh Rees a young actor on the rise. Director Richard Riddiford went on to helm features Arriving Tuesday and Zilch.
This silent 16mm gem shows two legendary All Black teams in action. The film opens with a roll-call of the returning ‘Invincibles’, who — starring fullback George Nepia — were unbeaten on their international tour of 1924/5; and then features match highlights. The second clip opens with rare footage of the 1905 ‘Originals’; before returning to packed 1925 Twickenham for a test match, where the Invincibles perform “the famous Māori War Cry”, show off the Kiwi mascot (intended as a gift for the first team to beat them), meet the Prince of Wales, and defeat England.
This was the 24th edition of New Zealand Mirror, a National Film Unit series promoting NZ to British audiences in the 1950s. The first clip, on rugby's Ranfurly Shield, was deemed “too topical” by the UK distributor, and cut from later editions. The clip in question captures the colour of the national obsession (knuckle bones, livestock parades) at Athletic Park, where Taranaki challenge shield holders Wellington. It was later seen in NZ theatres as a short, playing with 1982 rugby tale Carry Me Back. The latter segments show Kaiapoi ploughing, and Wairakei thermal energy.
Loosely based on the case of a real-life computer dealer who acquired international bank records and later died mysteriously on Auckland Harbour Bridge, Spooked marked Geoff Murphy’s first local movie in 15 years (after time directing in Hollywood). Everyman Kevin (Christopher Hobbs) is caught up in a barrage of intimidation after buying some used computer equipment and unwittingly receiving corporate secrets; Cliff Curtis plays the journalist investigating his case. There are also rare cameos by director Vincent Ward and Goodbye Pork Pie star Kelly Johnson.
Soldiers, rubber bullets and an uncertain future: for the McKenna family, memories of life back in hometown Belfast are hardly rose-tinted. Made shortly before the Good Friday agreement radically altered Northern Ireland’s political landscape, this Immigrant Nation episode opens with Irish expats Mick McKenna and mother Mary. In between making rebel music in Wellington, Mick returns to Belfast and recalls an environment that bred violence. Meanwhile presenter Teresa O’Connor (cousin of West Coast MP Damien O’Connor) delves into her own part-Irish ancestry and identity.