NZ On Screen's Car Collection is loaded with vehicles of every make and vintage, as a line-up of legendary Kiwis get behind the wheel — some acting the part. The talent includes Bruce McLaren, Scott Dixon, Bruno Lawrence, a clever canine, and a great many bent fenders. Onetime car show host Danny Mulheron tells tales, and picks out some personal favourites here.
NFU drama Men and Super Men is a barbed chronicle of a workplace where harmony is a distant dream. Intended as a how-not-to guide for ‘management bodies’, the film sees patronising factory supervisor Ferguson (actor Eddie Wright in fine form) trying to increase productivity by constantly changing systems. Meanwhile a trio on the factory floor (Paul Holmes, Peter McCauley and Close to Home’s Stephen Tozer) react with bullying and barely suppressed defiance. It was an open secret when the film was made that some of the characters were inspired by NFU staff.
In this edition of her 2005 TV series, broadcaster Kim Hill interviews then union leader Andrew Little. Little is advocating for a five percent pay increase for members of the Engineering, Printing and Manufacturing Union (now E tū). Little bemoans lack of investment in training and argues for "growing the real value of wages" in a booming economy, while Hill grills the campaign’s potential effect on businesses and Little’s political ambitions. Little went on to become President of the Labour Party. In 2011 he was elected as a list MP, and led the party from 2014 to 2017.
In Moynihan, secretary of the carpenters’ union Leo Moynihan (Ian Mune) — with orange mini and leather jacket — has to navigate the shark-infested waters of 70s industrial relations. The first NZ-Australia co-production (with ABC) was devised by union organiser Earle Spencer and Jane Galletly (a rare credit in the then-male dominated industry). It was the first series made by TV One’s drama department; it won viewers as well as Feltex awards for best drama and Mune’s performance. The changing face of Wellington, including an under-construction Beehive, features.
Ian Mune is Leo Moynihan, secretary of the carpenters’ union, who — with orange mini and leather jacket — has to navigate the shark-infested waters of 70s industrial relations. In this episode, earthquake regulations, a shifty minister and stand-over tactics from worksite agitators, count amongst Moynihan’s workplace problems. At home he has to introduce lecturer girlfriend Sarah to his young son. The NZ-Australia co-production (with ABC) was the first drama series made by TV One’s drama department. It won Feltex awards for best drama and Mune’s performance.
This extended episode of First Hand sees a couple at an economic crossroads, and making the decision to move into self-employment. After finding their jobs in Auckland compromised, Alec and Sheena McDonald set out to find and buy their own dairy in a small North Island town. They end up in Awakeri, near Whakatāne. The lifestyle transition is far from trouble-free, as the couple must negotiate the worlds of bureaucracy and banking to insure their new business stays afloat. The documentary provides insights into running a small business during a time of economic reform.
After years of success manufacturing shoes, employing struggling members of the South Auckland community, and feeding hungry kids with the proceeds, entrepreneur Karroll Brent-Edmondson hit hard times in 1998. This 70-minute documentary follows Brent-Edmondson as she attempts to get her business back on track, and avoid liquidation, under the guidance of a committee led by Dick Hubbard. Brent-Edmondson was named 1995 Māori Businesswoman of the Year, and went on to feature in Top Shelf documentary A Hell of a Ride. She passed away in June 2006.
Campbell Live was Three's flagship current affairs programme for a decade. Despite a public campaign to save it, the show ended on 29 May 2015. This final episode presents a greatest hits reel. Alongside acclaimed reporting (Novopay, the Pike River mine disaster and collapse of Solid Energy, the 2011 Christchurch Earthquake) there are campaigns for healthy school lunches, and to get the All Blacks to play in Samoa; plus marvellous moments like the 2011 Rugby World Cup final. An emotional John Campbell tautokos his team, and signs off: "Ka kite anō and a very good evening indeed."
In 2000 the Employment Relations Act was passed into law in New Zealand, replacing the Employment Contracts Act. The bill proved controversial: some suggested it placed unfair obligations on employers, while others claimed it restored much-needed rights to workers that had been undermined. This Assignment episode explores both angles. Among them, business owner John Holm argues that he shouldn’t be told how to treat his employees, while union leaders and Alliance Party MP Laila Harré all argue that without the bill, workers will continue to be exploited.
Written by Fiona Samuel and produced by Ginette McDonald, Face Value is a series of monologues by three women with very different stories to tell, but who share a quest for inner happiness. In House Rules, the inimitable Davina Whitehouse gives a poignant performance as Miss Judd, a housekeeper of 22 years who is forced to reassess her life and situation after her employer’s death. Propriety at all costs is the rule of the day. House Rules is another example of Samuel’s ability to create memorable and subtly complex female characters.