South Pacific Pictures marked its 30th anniversary in 2018. With drama production at its core, this collection highlights the production company’s prodigious output. The collection spans everything from Marlin Bay to Westside — including hit movies Sione's Wedding and Whale Rider  — plus the long-running and beloved Shortland Street. In the backgrounder, longtime SPP boss John Barnett reminisces, and charts the company’s history.

Packed with creatures and landscapes that quite simply boggle the mind, the Nature Collection showcases New Zealand's impressive menagerie of nature and wildlife films. Many of the titles were made by powerhouse company NHNZ, which began around 1977 as the Natural History Unit, a small, southern outpost of state television. In this backgrounder, Peter Hayden — who had a hand in more than a few of these classic films — guides viewers through just what the Nature Collection has to offer.

This collection of 40 classic Kiwi TV series offers up images spanning 50 years. The titles range from Gloss to Gliding On, from Olly Ohlson to Nice One Stu, from Ready to Roll to wrestlers. In this special backgrounder, Stuff's James Croot writes about favourite moments of Kiwi TV. The list is in rough chronological order of when each series debuted.

After countless romances, breakups and revelations — plus the odd psycho and crashing helicopter — Shortland Street turned 25 in May 2017. Made on the run, sold round the globe, the Kiwi soap opera juggernaut has provided a launchpad for dozens of actors and behind the scenes talents. Alongside best of clips, the very first episode, musical moments and favourite memories from the cast, Shortland star turned director Angela Bloomfield writes about how the show has changed here, while Mihi Murray backgrounds how it began — and how it reflects New Zealand.

This collection gathers classic screen moments for the pavlova and pohutukawa season: from broadcasting icons (Goodnight Kiwi, Thingee), to barbies, bickering and beer. Families come together to eat and drink (Alison Holst, Peta Mathias, Graham Kerr), and fall apart (in full-length dramas from Niki Caro and Gregory King). Plus the Ghost Chips guy, and a Santa with tattoos.

Two families spend the day at a deserted beach on the hottest day of the summer in this short film which marks a directing debut for long time producer and production manager Dorthe Scheffmann. While husbands and children occupy themselves, Margie (Donogh Rees) discovers a terrible secret about her friend Anne (Elizabeth Hawthorne) and her marriage. Margie’s explosive reaction shatters the languor created by the overexposed footage in this Hamburg Film Festival prize-winner (which was also selected for competition at Cannes and Telluride).

Movie Vermilion follows composer Darcy (Jennifer Ward-Lealand) over a summer month, as her daughter prepares to marry. Darcy sees colours when she plays musical notes, but after seeing the colour vermilion she is prompted to secretly make her own plans. The exploration of motherhood, family and female friendship marks the feature debut of director Dorthe Scheffmann (Cannes-selected 1995 short film The Beach). The ensemble cast includes Theresa Healey, Goretti Chadwick (Game of Bros), and newcomer Emily Campbell. The production team were 85 per cent female.

In writer/director Max Currie’s debut feature, a magician conjures his greatest illusion – a little boy – to try to help return happiness to his wife and family after the loss of their son. But the trick falls apart when a child abduction hunt closes in on them. Everything We Loved was funded through the NZ Film Commission’s Escalator film scheme, and produced by Tom Hern (The Dark Horse, I’m Not Harry Jenson) and Luke Robinson. It was chosen for the ‘New Voices/New Visions’ section of the Palm Springs Film Festival and premieres locally at the 2014 International Film Festival.

A family reunion is the perfect vehicle to introduce the characters of this early TV3 soap. Set in a rural hamlet just south of the Bombay Hills, it revolves around the Johnstone family who have farmed the area for 100 years; but times are changing and, following the market crash, so are their fortunes. Beneath the surface of reunion civilities lurks a marriage in tatters, a prodigal son returned, a family inheritance spat and a mystery teenager (Simone Kessell) confusing the bloodlines. The cast included Liddy Holloway, Peter Elliott and a young Karl Urban.

Pioneering soap opera Close To Home first screened in May 1975. For just over eight years, middle New Zealand found their mirror in the life and times of Wellington’s Hearte clan. At its peak in 1977, nearly one million viewers tuned in twice weekly to watch the series, which was co-created by Michael Noonan and Tony Isaac. They initially only agreed to make it on condition they got approval for The Governor. The popular family saga carved a regular niche for local drama on screen; the demands of creating a regular show helped develop the skills of Kiwi actors and crew.