Reporter Paul Hobbs joins the Kiwis congregating at the Cannes Film Festival for this 2004 One Network News report. Hobbs is on the French Riviera to hear about two of the most expensive New Zealand stories yet to win funding: historical drama River Queen and vampire tale Perfect Creature. Hobbs hints at budgets north of $20 million. Among the Kiwis talking things up are NZ Film Commission Chief Executive Ruth Harley, River Queen investor Eric Watson, and director Roger Donaldson. Cliff Curtis pops by, and Fat Freddy's Drop lay down some party tunes.

In this episode from a series made for high school music students, Dallas Tamaira and DJ Mu recall Fat Freddy's Drop's early history as a duo with just turntables and a microphone in a vibrant Wellington scene. They reveal an aversion to rehearsals, preferring to develop their music in a live setting and Mu demonstrates the component parts of their song 'Midnight Marauders' on his secret weapon — an Akai sampler capable of emulating all of the instruments in their sound. His verdict that every school should have one may not have gladdened principals' hearts.

This episode from The Living Room is presented by Wellington band Trinity Roots. First stop is a dans paleis, where competitors (including Fat Freddys' DJ Mu) tweak samples in a battle for the MPC heavyweight title. Then Dunedin artist Phil Frost tours his studio, talks skulls and bones and skate video Tulgonia Two (where broken ankles are the price of filming mad tricks). Poet Cameron Hockly takes his words to Te Awamutu's streets; and mainlander Peter King lathe cuts bespoke records for clients from the Beastie Boys to Trinity Roots (whose True LP is cut here).  

This is the bloopers reel from the 2013 TV2 series for young people. Presenters Alex Tarrant and Niwa Whatuira feature prominently. Whatuira states the obvious when meeting some Diwali drummers, singers Anika Moa and Ria Hall need some practice as a presenting duo, Tarrant drops the mic (but not in a good way), actor Shavaughn Ruakere has trouble with Shortland Street’s sliding doors, Stan Walker provides a dodgy intro to his music video, Fat Freddy members Dallas and Ian fluff their lines, and Whatuira chats up an interviewee. Plus there are festival and playground photo bombs.

Set in a Grey Lynn fish'n'chip shop, this clip delivers a killer kai moana concept, when it's revealed that the greasy takeaway is merely a front for the club downstairs. Winner of Best Music Video at the 2006 Vodafone NZ Music Awards, the video features a host of cameos in addition to the members of Fat Freddy's Drop: including Danielle Cormack, Ladi6, John Campbell and Carol Hirschfeld. It was directed by Mark 'Slave' Williams, sometime MC for the band. The track was part of Fat Freddy's first studio album Based on a True Story, one of the biggest-selling in Kiwi history.

30 Arthur Street was a Wellington musical institution. For more than 18 years the building was used as rehearsal space and studio, in which time 20 plus albums and nine feature film scores were partly or wholly recorded there. Directed by Plan 9 composer David Donaldson, this impressionistic documentary chronicles some of the building's musical history, plus its destruction to make way for a bypass. Among the musicians featured are Toby Laing from Fat Freddys Drop, drummer Anthony Donaldson, and ex-Mutton Bird David Long.

This sci-fi telefeature for kids follows the adventures of runaways Peter (Toby Laing) and Maggie (Toni Driscoll), who meet when Maggie’s attempt to get Picnic bars on a five finger discount go awry and "rich brat" Peter is on the lam on a 10-speed. After falling into a grave of golden light at a farm cemetery, they wake up in the house of the strange Piper family. Laing is now trumpeter for Fat Freddys Drop, and a young Kerry Fox appears briefly as a policewoman in the opening. Scripted by veteran Ken Catran, the telefeature was re-cut from a four-part series.

Night of the Red Hunter was a 1989 sci-fi series for kids that followed the adventures of runaways Peter (Toby Laing) and Maggie (Toni Driscoll). After falling into a grave of golden light at a farm cemetery, they come into the orbit of the strange Piper family who give an extraterrestrial twist to Kiwi small town gothic. Written by Ken Catran, and produced by Chris Hampson, the TVNZ production was one of the final shows made by Avalon's Drama Department. The series was recut as a telefeature. Laing is now better known as trumpeter for Fat Freddys Drop.

Age Pryor is a Wellington-based multi-instrumentalist known for his association with creative collective Fly My Pretties, and for his own solo work. Pryor's recordings include collaborations with Wellington musical luminaries from Fat Freddys Drop, Trinity Roots, The Black Seeds and Wellington International Ukelele Orchestra. His musical style blends folk, groove, funk, rock and reggae.

Fly My Pretties is a musical collaboration put together by Barnaby Weir of the Black Seeds. The all-star outfit - who come together for live performances - has included members of the Phoenix Foundation, Fat Freddys Drop and Paselode. The group began as a one-off project - a sellout multimedia show performed, filmed and recorded over four nights at Bats Theatre in Wellington in 2004, which was released as a live album and DVD. The one-off nature of the project has expanded nationwide to equally well-received shows.