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Trio at the Top

Television, 2001 (Full Length)

This documentary uses archive footage and interviews to tell the story of motor-racing legends Bruce McLaren, Denny Hulme, and Chris Amon. The trio topped podiums in the sport's 'golden age' — one of those eras when unlikely Kiwi talent managed to dominate a truly global sport. The Team McLaren racing team that four times Grand Prix winner Bruce McLaren founded in 1966, has been the most successful in Formula One. That same year McLaren and Amon teamed up to win the 24 Hours of Le Mans, and in 1967 Hulme was Formula One world champion. 

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Global Radar - First Episode

Television, 2011 (Full Length Episode)

In this 2011 series Te Radar re-teams with company JAM TV (Off the Radar, Radar’s Patch) to meet people making a difference to sustainability issues. This first episode sees the comedian exploring green motoring: he visits a Kiwi project to make potato starch wing mirrors for a Nottingham F3 racing team; checks out the Trekka (the only NZ designed and mass-produced car) with journalist Todd Niall; rides a battery-powered Citroën in Whangarei, and tinkers with his Dad’s Land Rover. The first season won a 2012 NZ Television Award for Best Information Series.

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Never Say Die

Film, 1988 (Trailer and Excerpts)

After their house explodes and they bump into a gunman, journalist Alf (Temuera Morrision) and his American girlfriend (Beverly Hills Cop’s Lisa Eilbacher) head to the West Coast, on the run from the cops and mysterious forces. The conspiracy plot is mostly an excuse for chases, capers and crashes galore, all imbued with plenty of pell-mell shenanigans (this time heading north in a red Falcon) by Goodbye Pork Pie director Geoff Murphy. The movie marked Temuera Morrison's first big screen starring role. This excerpt sees John Clarke cameo as a used car salesman.

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About Face: Universal Drive

Television, 1985 (Full Length)

Sean's prize possession is a 1958 red and white Ford Fairlane. His sister Annie works in an auto paint shop. But Annie is sick of playing shotgun, while her brother drives. What she wants is Sean's trust, and the chance to use her spraypainting talents to give the Fairlane a new look. After the Fairlane is stolen, the pair find themselves caught up in an adventure which tests their relationship. Writer Debra Daley based the script on a short story she had written about growing up in the ‘car culture' of Henderson, in West Auckland. 

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Caravan of Life - First Episode

Television, 2011 (Full Length Episode)

In this 2011 Jam TV series, reporter Hadyn Jones motors around Aotearoa in a 1966 Ford Falcon and caravan to meet the locals. He starts his engine in Dargaville, where he meets mechanic Ken, who gets the 'blue beast' going; Ange, a mother of three who got a burnout car for her wedding anniversary; he chats with axe-man Jason Wynyard at the Arapohue A&P Show; plus a heap of Dalmatian Kiwis. Critic Karl du Fresne rated the series appointment viewing, with Jones possessing a "rare knack of being able to make them [interviewees] relax and reveal themselves on camera."

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Motormania - Episode Two

Television, 1998 (Full Length Episode)

In this second part of a documentary on Kiwis and cars, host Rita Te Wiata explores motoring in the latter half of the 20th Century. She begins in Christchurch where Ford V8s were a vehicle for post-war romance, then heads to Tahuna for beach racing. Te Wiata pockets the licence she supposedly got in part one and heads to Raglan to look at the car-enabled freedom of the 60s and 70s: surfing, fishing, caravans. While downsides are mentioned (motorways, pollution, accidents), mostly it’s a paean to petrolhead passion. The tour ends with a cruise up Queen St in a muscle car.

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Guarding the Family Silver

Television, 2005 (Full Length)

In 2002, musician Moana Maniapoto was prevented from using her first name to market herself in Germany because it was copyrighted by someone else. That bewildering experience prompted this award-winning doco made with partner Toby Mills. It explores wider issues of commercial exploitation of 'exotic' indigenous cultures by global companies — a vexed area which Western intellectual property law seems ill-equipped to deal with. There are case studies of the good, the bad and the ugly over usage by brands including Lego, the All Blacks, Ford, Moontide and Playstation.

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Wai 262

Film, 2006 (Full Length)

In 1991 six tribes took a major claim to the Waitangi Tribunal, encompassing everything from intellectual rights to management of indigenous fauna. Law professor David Williams describes Wai 262 as “the most important claim the tribunal is ever going to hear”. This backgrounder interviews key claimants from three Northland tribes. In 2011 the Tribunal’s Wai 262 report recommended major law reform, arguing for Crown and Māori to shift to a forward-thinking relationship of “mutual advantage in which, through joint and agreed action, both sides end up better off”. 

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The Dominant Species

Television, 1985 (Full Length)

The Dominant Species is a loopy look at the relationship between people and cars in 1975 Aotearoa ... from an alien's eye view. Nifty animation and special effects intersperse the automotive anthropological survey of Mark IIs, VWs, anti-car activism and car-washing. There's a dream sequence involving a ladykilling Jesus Christ atop a car, and Wagner's Ride of the Valkyries scores a rugby match traffic jam (also used in a famous scene in Apocalypse Now). Filmheads will note the tripped out assembly is flush with formative industry talents (see this guide by director Derek Morton).

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Mercury Lane - Series Two, Episode One

Television, 2003 (Excerpts)

This episode of arts show Mercury Lane features legendary musician Bill Sevesi, and poet Sonja Yelich (mother of musician Lorde). Sevesi takes centre stage: various musician friends join him to reminisce about packing Auckland dance halls in the 50s and 60s (at least until the arrival of 10 o'clock closing). After celebrating his 79th birthday, Sevesi is still as upbeat and music-obsessed as ever, especially when it comes to his beloved steel guitar and ukulele. In the final clip, Sonja Yelich performs her poem Teeth, with wry accompanying visuals from director Fiona Samuel.