Heartland host Gary McCormick visits French Pass in the Marlborough Sounds, where he attends the local sports day, and visits a couple who have lived on remote D'Urville Island for 46 years. Pat and Phil Aston met on the mainland, but have lived their whole married life on D'Urville, where Phil has helped her nine children through Correspondence School, and Pat has done everything from fishing to putting up power lines. At the French Pass sports day, McCormick takes in an Army battle re-construction and an assortment of running races.

Steve Ayson’s supernatural short puts a twist on ‘domestic violence’ as a DIY home renovator fits a set of second-hand french doors to his doer-upper. He discovers that light isn’t all they let in. French Doors won selection to Melbourne and Clermont Ferrand festivals and sold to UK’s Channel 4 and France’s Canal Plus. At Locarno in 2002, Ayson won a ‘Leopard of Tomorrow’ prize, in a year the festival spotlit down-under films. Ayson has gone on to build a global career as a commercials director (including local classics Ghost Chips, and Lotto’s Lucky Dog).

In the northern French town of Le Quesnoy, the names of local streets and landmarks serve notice of a debt to New Zealand. In the final week of World War I Kiwi soldiers freed Le Quesnoy from its German occupiers — thanks partly to a 'magic' ladder, daringly used to scale the town’s 90-foot-high ramparts. Director David Blyth heads to France for the anniversary of Le Quesnoy’s liberation, following the path of one of the liberators: his late grandfather ‘Curly’ Blyth. The doco also includes an interview with Curly, conducted by historian Christopher Pugsley.

In this video, languid Pacific Island imagery (poi, hibiscus, tamariki, breaching whales) and gorgeous reggae pop are contrasted with images of French nuclear testing. There are punchy "no nukes" slogans and graphics but a great performance from the band does the work effortlessly in this simple, well-crafted video. Originally released in 1982, the hit song was re-released in 1995 to protest resumption of testing: "Let me be more specific - get out of the Pacific!"

Standing up for your rights has long linked arms with singing for your rights. This  Spotlight collection brings together some of New Zealand’s great protest songs, with subject matter ranging from Māori pride and resistance ('Parihaka'), to the nuclear free campaign ('French Letter', 'Nuclear Wa...

Katherine Mansfield was born in Wellington on 14 October 1888. She died of tuberculosis at age 34, after writing a series of short stories that would later be seen as a major advance in the medium. This Spotlight collection is based on some of the screen images Mansfield has inspired. A Portrait ...

More than 100,000 New Zealanders served overseas in World War l. Over 18,000 died; at least 40,000 more were wounded. Campaigns involving Kiwis, from Gallipoli to the Western Front, were identity-forming, and the war's effects on society were deep. The World War l Collection is an evolving onscreen remembrance. Military expert Chris Pugsley writes about the collection here. 

NZ On Air began funding local content in 1989. Timing in with the launch of a new funding system, this collection looks back at the 20 most watched NZ On Air-funded programmes over the years (aside from news and sports). Ratings information is only available from 1995, so this is how things have shaped up from 1995 to 2016 — plus some bonus titles. Most of the Top 20 has been captioned. Ex NZ On Air exec Kathryn Quirk tells us here how the complete list rated, while original NZOA boss Ruth Harley remembers how it all began.

This collection celebrates rugby in New Zealand as it has been seen onscreen: from classic bios and tour docos, to social history, dramas and protest. In the accompanying backgrounders, broadcaster Keith Quinn looks at the on air history of rugby in NZ; and playwright David Geary asks if rugby is a religion, and argues it is a good test of character.

Brian Brake is regarded as New Zealand's most successful international photographer. But before heading overseas to work for photo agency Magnum and snapping iconic shots of Picasso and the Monsoon series for Life magazine, he was also an accomplished composer of moving images. He shot or directed many classic films for the NFU, including NZ's first Oscar-nominated film.