This documentary sees Dean Spanley director Toa Fraser and producer Matthew Metcalfe swap dialogue for dance. Based on The Royal NZ Ballet's acclaimed 2012 production of Giselle, the movie features American Ballet Theatre star Gillian Murphy as the dance-mad villager, wooed by a prince in disguise. Inspired by concert film The Last Waltz, a Leon Narbey-led camera team filmed the performance, with scenes of the lead dancers in Shanghai and New York counterpointing the onstage action. Following its Kiwi festival debut, Giselle screened at the 2013 Toronto Film Festival.
Produced by NHNZ, this NZ Screen Award-nominated 2005 TVNZ series looks at Aotearoa’s diverse weather. This first episode (of three) explores "the main driving force behind all our weather" — the wind — from the science behind where it comes from, to its impact on people (from sport to the economy). Presenter Gus Roxburgh contends with Wellington’s infamous wind, and with Auckland’s tornadoes and cyclones. He looks at when weather is good (wind farms, windsurfing) and when weather goes bad (the Wahine disaster, Cyclone Bola, landing at Wellington Airport).
This special report from late 80s/early 90s current affairs show Frontline looks at the Wahine disaster, on its 25th anniversary. Fifty-one people died on 10 April 1968 after the interisland ferry struck Barrett Reef near Wellington, in a huge storm. The first part ('From Reef to Ruin') features archive footage and interviews with survivors and rescuers. In the second part ('Fatal Shores'), reporter Rob Harley examines whether the ferry could have been better equipped, and more lives saved. A third part ('Strait Answers') is not shown here due to copyright issues with some of the footage.
Made in 2008, this documentary chronicles the Wahine disaster, from the ship leaving Lyttelton to the last survivor being pulled out of the water. Interviewees share their experiences — some make it ashore in life rafts at Seatoun, others are washed up on the “battlefield” of the Pencarrow coast. The Wahine’s crew offer insight into the conditions the ship was sailing in, and of their gradual realisation that it couldn’t be saved. The TV One programme also features animated scenes of the ill-fated journey, which mimic the black and white news footage of the disaster unfolding.
The focus of this short film is a memorial service on Seatoun Beach, five years after the sinking of interisland ferry Wahine on 10 April 1968. More than 50 people died when the ship keeled over just inside Wellington Harbour, after hitting a reef during a ferocious cyclone. The ferry had been in service just 20 months. National Film Unit director Sam Pillsbury uses archive footage of the sinking, along with reconstructions and recreations of radio reports. The memorial service itself was recreated for the film. There are also images the attempted salvage operation.
Producer Matthew Metcalfe began his career making short films and music videos. He moved into feature films with Nemesis Game, The Ferryman, Dean Spanley and Love Birds. Metcalfe has also made documentaries including Vietnam – My Father's War and Soldiers of Fortune.
Staunch follows the politicisation of Ariana (Once Were Warriors’ Mamaengaroa Kerr-Bell) a young Māori woman who’s run into trouble with the law. Guided by a sympathetic social worker (Tamati Patuwai) she defends herself against assault charges following a police raid on her home. The Auckland-set TV3 drama was inspired by fact, and co-written by director Keith Hunter and playwright Toa Fraser; it won multiple gongs at the 2002 NZ TV Awards. Staunch was an early screen credit for Fraser (director of feature films No. 2, Dean Spanley, and ballet doco Giselle).
After learning the ropes making short films and music videos, ex-soldier Matthew Metcalfe has made films in Antarctica and Iraq, and produced movies and TV movies with partners in Canada (Nemesis Game), England (Dean Spanley) and France (Capital in the 21st Century). His projects range from tutus (ballet feature Giselle) to war (animated film 25 April).
Playwright turned director Toa Fraser grabbed the theatre world with award-winning play No.2, which he then directed for the screen. At the 2006 Sundance Festival it won the coveted audience award. Follow-up Dean Spanley won seven gongs at the 2009 Qantas Film Awards, including best director. Fraser went on to helm ballet documentary Giselle, te reo action movie The Dead Lands, and hostage drama 6 Days.
Bruno Barrett-Garnier calls his company soundnut for good reason. Barrett-Garnier began playing around with audio equipment as a child, and has gone on to work on sound for movies, TV shows, shorts and commercials. The sometime screen composer was one of the key soundies over four seasons of Spartacus; his CV also includes Fish Skin Suit, Giselle and Edmund Hillary movie Beyond the Edge.