A NZ Herald assertion that women’s music is just “gentle, political folk songs” leads off this report for TVNZ’s mid-80s rock show. It’s presented by Dick Driver from a showcase for women songwriters at Auckland’s much loved and missed Gluepot in Ponsonby. Featured musicians are singer/songwriter Mahinarangi Tocker, blues singer Mahia Blackmore and then member of When the Cat’s Away Dianne Swann. Those sensitive folksongs are in short supply but the same can’t be said for the obstacles encountered in dealing with a male dominated music industry.
This film documents the influential 1979 New Zealand tour of a black theatre group from London arts centre Keskidee. They visit marae, perform at The Gluepot, prisons and youth centres; meet gang members, Ratana ministers and a young Tame Iti; and korero about roots and fights for rights. The made-for-TV film was directed by Merata Mita and Martyn Sanderson. On the tour Sanderson met his future wife, Kenyan actor Wanjiku Kairie. Tour instigator Denis O’Reilly argued in 2009 that the doco is “full of insights at a time of huge social and cultural shifts in Aotearoa.”
Subtitled 'Waiting for Summer', this Radio with Pictures report looks at live pop music in Auckland in 1982. Chris Knox, Graham Brazier, Hammond Gamble, Ian Morris, Peter Urlich, Michael O'Neill (The Screaming Meemees) and Tony Waine (The Narcs) muse on everything from Auckland vs Wellington, oldies vs youth, to the weather’s impact on songs, and the lack of venues. There are visits to The Gluepot and Urlich’s A Certain Bar. Label directors, booking agents and managers give their (mostly downbeat) take on the state of the scene. Rip It Up editor Murray Cammick talks lyrics.
Roving reporter Simon Morris talks to music movers and shakers in this special report from the 1980s cult music rock show. Auckland is on the cusp of the club boom and live music is waning. A youthful club promoter Russ Le Roq (aka Russell Crowe) flies the flag for the kids, Colin Hogg is unimpressed and a fresh faced Graeme Humphreys (aka Graeme Hill) fronts the Able Tasmans. Meanwhile, local acts are in short supply in Wellington. The live scene is healthier but radio certainly isn’t. The Pelicans (with a young Nick Bollinger) and Strikemaster perform.
Dunedin music historian Roy Colbert once described Toy Love as "The Stooges with better melodies'" The nervy brilliance of Chris Knox, Paul Kean, Jane Walker, Alec Bathgate and Mike Dooley made it onto the Kiwi singles charts three times between 1978 and 1980. Here they are in 1980 — probably at Wellington's Rock Theatre — charging through Green Walls and three chord stomper Pull Down the Shades back to back. Green Walls was first composed by The Enemy, the band from whose ashes Toy Love rose.
All female stand-up show A Girl's Gotta Eat took Auckland by storm in 1990. The show gave women a chance to laugh at themselves in a supportive environment. Actors Vicki Walker (Away Laughing, Braindead), Fiona Edgar (Brokenwood Mysteries, Vermillion) and Brenda Kendall (Double Booking) share their memories in this Funny As interview, including: Queues around the block for the monthly show — "everyone felt safe laughing their heads off. There was no boorish heckling, none of that stuff" How the involvement of The Topp Twins helped draw crowds to the venue, Ponsonby pub The Gluepot How one male performer per show was allowed — including Kevin Smith Brenda Kendall recalls how she started in stand-up at Sweetwaters music festival How Fanny Business, another female-only group, followed after A Girl's Gotta Eat
Lancashire-born Hammond Gamble moved to Whangarei as a 12-year-old in the early 60s. He formed Street Talk in Auckland in 1974. They regularly sold out venues like the Windsor Castle and The Gluepot, and were a major drawcard in a burgeoning late 70s live scene. Despite high profile producers — Chris Hillman of the Byrds for their first single and Los Angeles svengali Kim Fowley for their debut album — they failed to make a major impression beyond Auckland. Gamble went on to become a NZ music institution as a songwriter and blues performer.
The Neighbours were formed when Wellingtonian Rick Bryant packed his saxophone and headed north to jam with Sam Ford-led Ponsonby outfit Local Heroes. The band toured their sweaty soul sound extensively from their Gluepot Tavern base. ‘The Only One You Need’ was from the 1982 EP of the same name. Directed by Gaylene Preston, the Keystone Cops-style video has Bryant (somewhat slyly) playing a police constable under the spell of vocalist Trudi Green; Green foils Bryant’s bar raid and his efforts to guard a Greymouth bank. Bryant later formed the Jive Bombers.
This final episode of pioneering A Week of It ("NZ's longest running comedy programme — discounting parliament") features a three wise men parody (lost without a Shell road map); pirate Radio Hauraki; and a parliament-themed Cinderella Christmas pantomine, with David McPhail's Muldoon playing the stepmother. Jon Gadsby appears as Dr Groper, an un-PC GP; and God is a guest at an Anglican church in Fendalton. British comic legend Dudley Moore appears briefly in the extended 'best of' credits reel, alongside (Jeez) Wayne and the rest of the Gluepot Tavern lads.
Spats are better known as the band they soon became: The Crocodiles. Formed in mid 1977, originally as Les Hots, the eclectic act performed everything from jazz to doo-wop, as well as sellout shows at the Gluepot with Limbs Dance Company. In 1979 visiting US producer Kim Fowley (The Runaways) was won over by the band, especially the energetic 'New Wave Goodbye'. He encouraged singer Fane Flaws and company to change their name, and concentrate on more original material.