Canadian-born to New Zealand parents, writer and director Alison Maclean helmed one of the most successful NZ Film Commission-funded short films of all time, Kitchen Sink, which debuted at Cannes and won eight international awards. A graduate of Elam School of Fine Arts, she has directed feature films Crush (which she also wrote) and Jesus’ Son. A director of commercials and television series including Sex and the City and Gossip Girl, Maclean divides her time between New York, Canada and New Zealand, and she is developing several feature films.
Long before Ghost Chips, even before "don't use your back like a crane", life in Godzone was fraught with hazards. This collection shows public safety awareness films spanning from the 50s to the 70s. If there's kitsch enjoyment to be had in the looking back (chimps on bikes?!) the lessons remain timeless. Remember: It's better to be safe than sorry.
This episode of the long-running religious programme focuses on Auckland's Anglican Cathedral of the Holy Trinity. It features hymns from the Holy Trinity Choir and Auckland Choral Federation. The Graeme Thomson-hosted show also discusses the history and architecture of the cathedral following the completion of its nave in 1995. Built on land bought by Bishop Selwyn in 1859, the completed cathedral reflects the undulating landscape of Auckland, combining Gothic and Polynesian elements.
After taking over the retirement home formerly run by her late mother, a young woman (Jackie Kerin) starts to worry that a pattern of unexplained deaths and strange visitations is repeating itself. Tony Williams’ cult feature began development as a black comedy about murderous Kiwi caterers, before morphing into this moody gothic mystery — the first horror film directed and written by Kiwis (though it was ultimately shot and set in Australia). Years after winning best film at fantasy festivals in Sitges (Spain) and Paris, fanboy Quentin Tarantino praised it as “mesmerising”.
In director Garth Maxwell’s 1993 gothic horror twins Jack and Dora (late US actor Alexis Arquette and Kiwi Sarah Smuts-Kennedy) are separated while young; their adult reunion sees them battling the trauma of their past while being pursued by Jack’s sadistic step sisters. Complete with ESP,and a steam-driven hypnosis machine, Maxwell makes an exuberant and surreal contribution to the cinema of unease. New York Times’ Stephen Holden lauded the heady head-spinner as “a superior genre film” with a “feverish intensity that recalls scenes from Hitchcock and De Palma.”
This stylishly high camp melodrama from directors Stewart Main and Peter Wells won acclaim, after debuting at the 1993 Cannes Film Festival. In the imaginary 19th-century town of Hope, draper Dorothea Brooks (Jennifer Ward-Lealand) is desperate to save her sister from the clutches of opium, sex and the dastardly Fraser. She begs hunky migrant Lawrence Hayes to help; but complications ensue. Inspired partly by 1930s and 40s Hollywood melodramas, Desperate Remedies was sumptously shot by Leon Narbey (Whale Rider). Richard King writes about the film here.
There have been many royal visits since Prince Alfred first came to NZ in 1867 for pig hunting and picnicking. Made for TV (it screened in March 1970), this NFU title surveys tours from George V in 1901 to Queen Elizabeth II in 1963, via archive footage and photos. It also looks at NZ’s changing relationship to the “distant mother country”. Tours include the Prince of Wales in 1920 (he is said to have shaken 20,000 hands), the Duke and Duchess of York in 1927 (the footage is silent so there’s no speech from the future King George VI), and Queen Elizabeth II’s 1953-54 Coronation Tour.
Innocent Gert, who works in a rubbish dump, can't believe his luck when he's ordered by his boss to take his beautiful mute daughter, Princess Plum, to meet her prospective husband. The two set off on a mythical quest through a fairytale Far North landscape. On the way they encounter freaks and monsters, and experience danger and romance. In an unusual reversal, the voices and music for Woodenhead were all recorded before filming. This surreal second feature from Elam art school grad Florian Habicht took Aotearoa to the arthouse with unprecedented weirdness and wonder.
Gregor Nicholas explores the outer edges of obsession in this deliciously fruity comedy. The syncopated medley of music, strange noises and varied eccentrics doing their special thing shares similarities with a fondly-recalled scene in cult film Delicatessen; though Delicatessen was yet to emerge when this short film first debuted. Rushes played in multiple festivals, including the prestigious Clermont-Ferrand. The soundtrack is by ex Techtones guitarist Steve Roach. Director Nicholas followed this with another oddball romp: his feature debut User Friendly.
Toss is an 11-year old girl living on a remote hill country farm. While out with her father herding sheep, he falls and is killed. Ethan, a bearded stranger appears, carrying his body, and plants himself on the farm. Toss fears he’s Lucifer and is confused when he and her mother become lovers. It is through Ethan, however, that Toss comes to terms with her father’s death and the first stirrings of womanhood. Vincent Ward’s debut feature was the first NZ film selected for competition at Cannes; LA Times’ critic Kevin Thomas lauded it as “a work of awesome beauty”.