A group of leading NZ musicians (including Goldenhorse's Kirsten Morrell, Che Fu, Anika Moa, Pluto's Milan Borich, Adeaze, Hinewehi Mohi and Nesian Mystik's David Atai and Donald McNulty) combined to record a one off single to mark the 20th anniversary of the bombing of the Greenpeace vessel Rainbow Warrior in Auckland harbour on July 10th 1985. They covered ‘Anchor Me’, a song written by Don McGlashan and recorded with his band The Mutton Birds on their Salty album in 1993 (with the cause and project supported by McGlashan).
On 8 June 1987 Nuclear-free New Zealand became law. This collection honours the principles and people behind the policy. Prime Minister Norman Kirk put it like this: "I don't think New Zealand's a doormat. I think we've got rights — we're a small country but we've got equal rights, and we're going to assert them." In the backgrounder, journalist Tim Watkin explores the twists and turns of Aotearoa's nuclear history.
This all star cover of Mutton Birds classic ‘Anchor Me’ was made to mark the 20th anniversary of the sinking of Greenpeace ship Rainbow Warrior. After Hinewehi Mohi’s haunting introduction, singers including Anika Moa, Kirsten Morrell (Goldenhorse) Che Fu, and Milan Borich (Pluto) walk towards the camera across a washed out landscape. Nuclear blasts, pollution and Greenpeace vessels can all be seen, while doves pull rainbows across the screen.
This 1995 documentary comprehensively plots New Zealand's progress from enthusiastic supporter of the atomic bomb in the 1940s to becoming proudly nuclear free by the late 1980s. The birthplace of "father of the atom" Ernest Rutherford willingly participated in British tests at Christmas Island in the 1950s (and looked eagerly for uranium in the Buller Gorge). But as testing increased in the Pacific, Prime Ministers Holyoake, Kirk and Lange voiced opposition. Moruroa, nuclear ship visit protests and the Rainbow Warrior bombing fuelled the anti-nuclear cause.
The capture and release of the French agents who bombed the Greenpeace ship, Rainbow Warrior was not the end of the affair. This film documents the circumstances of the crime, but is focused on efforts by Greenpeace, and artist Chris Booth to create a sense of emotional closure. Booth worked with the Ngāti Kura people of Matauri Bay to create a sculpture marking the Warrior's last resting place. The film interweaves the back story of the bombing with sequences showing the efforts to finish the sculpture in time for commemorations.
Blackmail, lies and secrecy feature heavily in this TV3 documentary, which follows the teenage daughter of the photographer killed in the 1985 bombing of Greenpeace ship Rainbow Warrior. Marelle Pereira was just eight when her father Fernando died after French Secret Service agents set off two bombs in Auckland. The boat was set to protest nuclear testing in French Polynesia. Now 18, Pereira and her mum travel to French Polynesia, France and Aotearoa to ask why the French carried out the attack. Pereira interviews Rainbow Warrior crew and former Kiwi PM David Lange.
Pita Turei's wide-ranging documentary explores the history of nuclear testing in the Pacific — and its relationship with French colonialism in Tahiti (which locals claim has made them strangers or "Hotu Painu" in their own land). There is compelling testimony of serious health effects from previous tests; and Turei's cameras follow a Greenpeace protest flotilla to Moruroa as the French keep watch. Interwoven throughout is the bombing of the Rainbow Warrior and its aftermath, as DGSE agents are tried and the ship finds a final resting place at Matauri Bay.
The video for this 1986 synth-pop song sees Everything that Flies singer Dianne Swann – seen in a changing palette of colour tones – striding on the waterfront past a Greenpeace ship; intense in a restaurant, after hours; and singing in a studio with the band. An early credit for music video director Kerry Brown, the clip won Best Video at the 1986 NZ Music Awards. Song trivia: the single’s sleeve won Best Cover, and was designed by future Oscar-winning costume designer Ngila Dickson. Swann would soon join female Kiwi supergroup When the Cats Away.
In 1973 Alister Barry joined the crew of a protest boat (The Fri) to Mururoa Atoll, where the French Government were testing nuclear weapons. Barry records the assembly of the crew, the long journey from Northland, and their reception in the test zone; when The Fri was boarded and impounded by French military he had to hide his camera in a barrel of oranges. The Fri was a key part of activism that was formative for environmental group Greenpeace, and anti-nuclear sentiment in NZ. Barry's debut film screened primetime on NZ TV and gained international attention.
The birth of television in the 1960s meant that suddenly protests and civil unrest could be broadcast directly into Kiwi homes. This episode of 50 Years of New Zealand Television looks at many of those events — involving everything from the Vietnam War and the Springbok tour, to Bastion Point and the Homosexual Law Reform Act. It also examines how being televised altered their impact. Interviews with both protestors and reporters provide a unique insight into what it was like to be living through extraordinary periods of New Zealand history.