Hastings-bred former All Black Josh Kronfeld returns to the 'fruitbowl' of New Zealand to meet immigrants, in this series celebrating diversity. Adversity and sadness are key themes in this episode; an Indian "untouchable" caste family face being separated, after the parents overstayed, while Bosnian rapper Genocide draws on his war-ravaged childhood for inspiration. On a lighter note, Zimbawee-born Sandy Densem creates art using a mollusc shell design popular in her home country, and a South African family keeps tradition alive by making and selling boerewors (sausages) at markets. 

In 1982 Eve Van Grafhorst contracted HIV via a blood transfusion she received after being born prematurely. Hysteria about the disease led to Van Grafhorst being cast as a pariah in her Australian community, and in 1986 she and her family fled to Hastings in New Zealand. She became an AIDS poster child and helped shift attitudes to the disease. This documentary, which screened on TVNZ eight months after her November 1993 death, tells her story through the eyes of her mother, who is interviewed by broadcaster Paul Holmes (a friend of Eve).

Some of the great names of international rugby can be seen both playing and reminiscing in this hour long history of British and Irish Lions tours of New Zealand. 1930 Lion Harry Bowcott is the oldest player here, conceding his side were surprised by the toughness of the New Zealand style of rugby; tough like 1950 All Black captain Ron Elvidge, who came back on to crash through a tackle and score a try, despite a fractured sternum and stitches in his head. The documentary concludes with Gavin Hastings’ 1993 Lions team. It was made as a preview for the 2005 tour.

This 1959 Pictorial Parade edition begins with the opening of the ‘Milson Deviation’: a rail bypass which diverted trains from the Palmerston North CBD. Then it’s to Hastings for the National Ploughing Championship, where the prize is a silver plough modelled on the first (Pākehā) plough used in NZ. Lastly, the Echo (a flat-bottomed Kauri scow that sailed between Wellington and Blenheim) turns a wetter furrow and sails up the Opawa River. With the onset of competition from ferries the Echo was retired in 1965; she’s now ‘on the hard’ on the Picton Foreshore.

This notorious film looks at '70s bikie culture, focusing on Auckland's Hells Angels (the first Angels chapter outside of California). These not-so-easy riders — with sideburns and swastikas and fuelled by pies and beer — rev up the Triumphs, defend the creed, beat up students, cruise on the Interislander, provoke civic censure, and attend the Hastings Blossom Festival. After a funeral, Aotearoa's sons of anarchy head back on the highway. Bikies was banned by the NZBC — possibly due to the public urination, lane-crossing, chauvinism and pig's head activity.

A bold reveal of a rose tattoo opens this 1980 documentary on contemporary Kiwi tattooing. Then, a potted history of the practice punctuates visits to parlours on K Road and Hastings, plus the studios of industry legends Steve Johnson and Roger Ingerton. Interviews with tattooists and their canvases roam from stigma, the perils of permanence, and motivations for inking; to design tropes (sailors, serpents, swallows) and tā moko. Commissioned by TVNZ for the Contact documentary slot, the Geoff Steven film chronicles a time when “folk art has become high art.” 

This 1983 episode of arts series Kaleidoscope profiles the life of Rita Angus, whose paintings won critical acclaim both in New Zealand and abroad. After growing up in Hastings and Palmerston North, Angus moved down to Christchurch, initially to study at Canterbury College School of Art. Later she spent more than a decade in the Wellington suburb of Thorndon. Featuring interviews with those who knew her at various stages of her life, and numerous examples of her work, this half-hour documentary provides a thorough overview of who Rita Angus was.

Backch@t was an award-winning magazine-style arts and culture show that appealed, right from the opening acid-jazz theme tune, to a literate late-90s arts audience. Fronted by media personality Bill Ralston, these excerpts from the first episode come out guns blazing with a debate by panellists about Tania Kovats's controversial artwork 'Virgin in a Condom', the sculpture that caused national upset when it was exhibited at Te Papa in 1998. Managing to keep a panel discussion convivial rather than confrontational, Ralston handles the catholic debate with aplomb.

On 27 July 1965, Auckland fish’n’chip shop owners Sam and Shirley Ann Lawson became parents of a boy — Samuel — and four girls — Deborah, Lisa, Shirlene and Selina. The birth made world headlines as the first set of quintuplets conceived using hormone treatment. But out of the public eye it wasn't happy families: Sam and Ann split up when the quins were six and in 1982 their mother was murdered by her abusive second husband. Director Mark Everton’s award-winning doco regathers the quins, who discuss the ‘quin bond’, tragedy, resilience and their tumultuous lives.

In this one-off documentary Te Radar takes his roving reporter skills to Takaka, and immerses himself in the groovy world of The Gathering. The New Year's dance music festival ran from 1996 to 2002. Radar proves the master of the quote, whether chatting to 'Lords of the Ping', electronic act Pitch Black or avoiding immolation from fire poi enthusiasts ("who doesn't love a fire poi", he says grimly). Watch out for Black Seed Bret McKenzie, laidback DJ star John Digweed and the earnest 'Jesus Food' crew, whose free dosh proves a bit too popular for rival food stalls.