Long before he became the stuff of nostalgia and t-shirts, Count Homogenized debuted on this pilot episode of A Haunting We Will Go. Made in 1977 but unscreened till 1979, this pilot follows Major Tooms and his long-suffering butler as they take the audience on an extended tour of their haunted house. In the second half, scene-stealing Homogenized (Russell Smith) appears, a vampire whose raison d'etre - an endless quest for milk - proves as ridiculous as it is delightful.
Programmes featuring the immortal Count Homogenized are among the most-requested by visitors to NZ On Screen. Homogenized - a vampire with a white afro and cape and a lust for milk - made his debut in this children's show, ultimately going on to star in his own series. In this early episode the Count turns up at Major Toom's haunted house on his unending search for bovine liquid sustenance, and befriends Toom over some wine. Shark in the Park actor Russell Smith's mischievous Count has lodged itself in the hearts of many Kiwis of a certain vintage.
Haunting Douglas is a documentary portrait of dancer and choreographer Douglas Wright. It weaves interviews with footage of past performances, and extracts from his autobiography; from drug addiction and illness, to determination and triumph on the New York stage with the Paul Taylor Dance Company. Award-winning director Leanne Pooley captures Wright's resilience: "I need to make things to feel that I can cope with whatever reality is. For me, dancing, performing for people, is the ultimate mystery and the ultimate joy." Wright passed away in November 2018.
Count Homogenized, the vanilla-clad vampire with a lust for milk made his debut on this ghost-flavoured children's series, before moving on to star in his own show. Russell Smith's portrayal of the mischievous The Count has lodged itself in the hearts of many Kiwi kids of a certain vintage and has become an — absolute original — icon of NZ TV. True Blood has nothing on The Count and his unending search for bovine liquid sustenance!
Based on a classic novel by Margaret Mahy, The Haunting of Barney Palmer is a fantasy about a young boy who is haunted by his great uncle. Young Barney fears that he has inherited the Scholar family curse; a suite of 80s-era effects ramp up the supernatural suspense. The TV movie was a co-production between PBS (United States) and Wellington's Gibson Group. American actor Ned Beatty (Deliverance, Network) was part of the cast. Mahy based it on her Carnegie Award-winning novel The Haunting; it marked an early fruitful collaboration between her and director Yvonne Mackay.
This animated series follows the adventures of Tamatoa, his cousin Moana and their animal mates Manu the moa, Moko the tuatara and Kereru the kereru. In this episode Tamatoa sets out with Moko and Kereru after his uncle tells him about an island where the pipi grow "as big as flax bushes", and the kina are bigger than his appetite. They arrive in search of giant kaimoana and stumble upon an army of giant hermit crabs ... it seems Tamatoa may have bitten off more than he can chew. Set in pre-colonial times, the series was made by Auckland company Flux Animation.
Haunted Love specialise in dark, enigmatic folk-pop and describe themselves as “a comic book of the Dunedin music scene - for nerds, cool kids and connoisseurs”. Formed in 2005, they are a duo comprised of Geva Downey (organ, vocals, percussion) and Rainy McMaster (guitar, vocals). At one point Logan Valentine (from The Tweeks) was a third member. In 2007, they had an internet hit with the video for their song ‘Librarian’; and, in 2009, they released a five song EP called ‘Darkness in Diamond City’.
This collection showcases Aotearoa Lesbian, Gay, Bisexual and Transgender screen production. The journey to Shortland Street civil unions, rainbows in Parliament and the Big Gay Out is one of pride, but also one of secrets, shame and discrimination. As Peter Wells writes in this introduction, the titles are testament to a — joyful, defiant — struggle to "fight to exist".
This selection — in partnership with the NZ Film Commission — showcases award-winning examples of Kiwi short filmmaking. From the the tale of two men and a Cow, to the sleazy charms of The Lounge Bar, from Cannes to Ngawi; this collection is a celebration of "a beautiful medium for nailing an idea to the fence post with a piece of No.8 wire."
As a showcase history of Christchurch on screen this collection is backwards looking; but the devastation caused by the earthquakes gives it much more than nostalgic poignancy. As Russell Brown reflects in his introduction, the clips are mementos from, "a place whose face has changed". They testify to the buildings, culture and life of a city now lost, but sure to rise.