Housing in New Zealand

Short Film, 1946 (Full Length)

This 1946 film surveys New Zealand housing: from settler huts to Ernest Plischke’s modernist flats. Architect William Page bemoans sun-spurning Victorian slums with their unneeded “elaboration”. But more fretful than fretwork is a housing crisis that sees 26,000 families needing homes, with owning or renting out of reach of many. Michael Savage’s pioneering (but war-stalled) state housing scheme and newly-planned suburbs offer hope. Fed by wood and cement, NZ can build again with brio: “For a home is the basis of the simple things that make victory worthwhile.”

The Red House

Film, 2012 (Trailer)

Director Alyx Duncan set out to make an experimental documentary about her childhood home. What eventually resulted was this acclaimed and award-winning "fictional essay", her first full length feature. Blurring the line between documentary and drama, she cast her conservationist father and Chinese born step-mother as characters partially based on themselves. As they journey from a small NZ island to a big Chinese city, Duncan examines their cross cultural relationship and explores nostalgia, childhood, dreams, environmentalism, globalisation and the meaning of home.

Pioneer House - Episode Two

Television, 2001 (Full Length Episode)

Planning and preparing dinner becomes a sweaty ordeal in the second episode of reality show/'social experiment', Pioneer House. The family have moved into 2 Elgin St and are dealing with the hands-on chores involved in running a typical lower middle class household in 1900. The summer heat makes a trip to the shops clad in corsets and petticoats "like running a marathon", and 17 year old Anneke feels stifled by the restrictions placed on young women of the day. On the plus side, Michael appreciates the extra 'family time' this new/old life is giving him.

Buck House - Escorts Unlimited Ltd

Television, 1974 (Full Length)

New Zealand television's first sitcom, Buck House centred on the antics of a group of university students sharing a flat in Wellington. In this sixth episode of the first series, Reg — played by a fast-talking, afro-headed Paul Holmes — gets embroiled in his flatmate Joe's latest illicit moneymaking scheme. 'Escorts Unlimited Ltd', as Joe (Tony Barry) tries to explain, is a surefire winner. That is, until Buck House's other flattie, the left-leaning Jo (Jacqui Dunn) invites a member of the local constabulary home for a cup of tea. The late night comedy was considered edgy when it debuted in 1974.

Open House - Happy Birthday (First Episode)

Television, 1986 (Full Length Episode)

Open House revolved around the ups and downs of a drop-in house run by Tony Van Der Berg (Frank Whitten, later Outrageous Fortune's Grandpa Ted). In this first episode there's money trouble, court trouble, domestics, a pregnant teenager and an abandoned baby ... but there's community spirit aplenty as the house's whānau prepares for its first birthday celebration, complete with Scottish brass band and Samoan drums. Tony's first lines to a raving old man on Petone Beach? "Good onya mate!". Features author Emily Perkins as Tony's idealistic stepdaughter.

Colonial House - First Episode

Television, 2003 (Full Length Episode)

This Touchdown reality series puts a Kiwi family in the shoes of a family of 1852 English immigrants to Canterbury. The challenge for the Huttons is to see if they have the 'pioneer spirit' and can live with colonial clothing, housing and food for 10 weeks. From a gentler, non-competitive era of reality TV, this first episode sees the Owaka family of six (including baby Neil) experience six days of life on a settler ship – seasickness, food rations, restrictive clothing and bedding and chamber pots – while relaying their personal reflections to the camera.

Pioneer House - First Episode

Television, 2001 (Full Length)

In the first episode of this reality series, groundwork is done to allow a 21st century family to live for 10 weeks as their ancestors did in 1900. The right house has been found — but the largely unmodernised Grey Lynn worker's cottage still needs an army of workers and consultants to muck in and turn it into a fully functioning home of the era. Meanwhile, the family search has produced the Feyens from Palmerston North. They appear ready for the challenge, but the realities of different standards of housework, hygiene, and clothing are slowly dawning.

Face Value - House Rules

Television, 1995 (Full Length)

Written by Fiona Samuel and produced by Ginette McDonald, Face Value is a series of monologues by three women with very different stories to tell, but who share a quest for inner happiness. In House Rules, the inimitable Davina Whitehouse gives a poignant performance as Miss Judd, a housekeeper of 22 years who is forced to reassess her life and situation after her employer’s death. Propriety at all costs is the rule of the day. House Rules is another example of Samuel’s ability to create memorable and subtly complex female characters.

Series

Pioneer House

Television, 2001

In this fascinating social experiment, a 21st century Kiwi family is transported back in time to live as a typical family would have — 100 years ago. Their house and garden is restored to its 1900 state with electrical fittings, modern plumbing and all traces of modern living removed. The family have to deal with the challenges of turn of the last century manners, dress, morals, work and a lack of conveniences (including a regular outside trip to the long drop toilet). Based on a UK format, the series was followed in New Zealand by Colonial House (2003).

Series

Buck House

Television, 1974–1975

Famous as New Zealand television's first ever sitcom, Buck House was a rollicking and relatively risqué series that centred on the comings and goings of university students in a dilapidated Wellington flat — the eponymous 'Buck House'. Stars of the show included John Clarke, Paul Holmes, and Tony Barry (Goodbye Pork Pie). Despite (or more likely because of) its bawdy humour, occasional coarse language and alcohol abuse, the pioneering comedy sated the needs of many Kiwi viewers desperate for TV with identifiable local content and flavour.