The Great Maiden's Blush hinges on two people from very different backgrounds: a girl-racer in prison for manslaughter (Hope and Wire's Miriama McDowell), who plans to adopt out her baby, and a failed classical pianist (Renee Lyons) whose own baby is due for a risky operation. Each must confront their own secrets in order to move forward. Andrea Bosshard and Shane Loader's acclaimed third movie continues an interest in character-rich stories where "big themes play out in modest circumstances". It won awards for McDowell and Best Self-Funded Film at the 2017 NZ Film Awards.
South Pacific Pictures marked its 30th anniversary in 2018. With drama production at its core, this collection highlights the production company’s prodigious output. The collection spans everything from Marlin Bay to Westside — including hit movies Sione's Wedding and Whale Rider — plus the long-running and beloved Shortland Street. In the backgrounder, longtime SPP boss John Barnett reminisces, and charts the company’s history.
From early teleplay The Evening Paper to the edgy Outrageous Fortune, this episode of 50 Years of New Zealand Television talks drama and comedy. Key players, from actors to executives, recall a host of signposts in the development of storytelling on Kiwi TV screens. John Clarke recalls 1970s sitcom Buck's House; Paul Maunder remembers the drama that likely helped introduce the DPB; and TV executive John McRae recalls worries about the projected cost of global hit Hunter's Gold, and mentioning the word 'placenta' on the first episode of Shortland Street.
In 2013 actor/director Peter Tait invited a team of actors to an Auckland bar to perform a read-through of a script, involving strange aquatic substances and opportunistic robbers. His plan: a film within a film where thespians and real-life bar owners play versions of themselves. At its heart, Not Set in Stone celebrates the actors — their talent, willingness to send themselves up, and generosity towards low budget projects like this one. The in-jokes include screen veteran Greg Johnson as a wannabe actor, and a final curtain cameo by Jacinda Ardern and Oscar Kightley.
Seven stand-alone contemporary dramas, collected together under one umbrella. The stories in this television series showcase a fresh wave of 1980s independent filmmakers. They cross the gamut from gritty kitchen sink dramas and oddball tales of Kiwi heroes, to Jewel's Darl, an acclaimed romance staring future transsexual MP Georgina Beyer. Five of the About Face directors went on to make feature films; 23-year-old Jennifer Ward-Lealand's performance in Danny and Raewyn won a GOFTA award.
This 2018 feature follows ex gang leader Logan (Josh Calles), who has ditched gang life to raise his daughter. When she is murdered by a rival gang, Logan is forced to choose between vengeance – and all-out gang warfare – or forgiveness. Also starring Dark Horse discovery Wayne Hapi, the Gisborne-shot drama marks the first feature directed by pastor Tarry Mortlock. It is a modern interpretation of a true story about a girl killed by a raiding party in the 1800s. Broken is presented by City Impact Church, although Mortlock says he "never set out to make a Christian movie for Christians".
This collection showcases Aotearoa Lesbian, Gay, Bisexual and Transgender screen production. The journey to Shortland Street civil unions, rainbows in Parliament and the Big Gay Out is one of pride, but also one of secrets, shame and discrimination. As Peter Wells writes in his introduction, the titles are testament to a — joyful, defiant — struggle to "fight to exist".
Launched on 5 April 1976, this television series heralded a new age in Kiwi screen drama. Indie talents Roger Donaldson and Ian Mune based their tales of success and failure on New Zealand short stories, after managing to negotiate funding from various government sources. Then the pair took the series to Europe, proving there was strong overseas demand for Kiwi stories. Winners & Losers became a perennial in local classrooms. In the backgrounders, Mune recalls the show's origins. There are also pieces on its place in local screen history, and its restoration in 2018.
Producer Grahame McLean was one of the pioneers of the New Zealand feature film industry. In his long career, he was worked in many roles - props manager, assistant director, production manager, line producer, director, scriptwriter and producer. His first job in the screen industry was on the early 70s independent TV drama The Games Affair, and he went on to produce films including Sons for the Return Home, A Woman of Good Character, and Should I be Good? The special guest interviewer is McLean's industry colleague John Barnett.
Geoff Murphy (Utu) directed this freewheeling adaptation of the Māori legend of Uenuku and his affair with mist maiden Hinepūkohurangi. The story of love, betrayal, and redemption was the first Māori myth adapted for TV — and the first TV drama performed entirely in te reo. The Listener softened viewers by printing a translation before it aired. Filmed at the Waimarama base of Murphy and cinematographer Alun Bollinger, Uenuku was produced by company Peach Wemyss Astor for the NZ Broadcasting Corporation — a rare independently produced TV drama in the 1970s.