Low-tech legend Chris Knox is an accomplished musician, cartoonist, critic, filmmaker, and jandal wearer. As this collection demonstrates, his genius takes flight in the DIY aesthetic of his music videos. As Flying Nun founder Roger Shepherd says in his backgrounder, “this is a unique and important collection of work perfectly illustrating what is possible with the barest of resources and a free-wheeling imagination”. Russell Brown adds his view here. Alongside music videos, the collection also includes interviews with Knox and profiles of bands Toy Love and Tall Dwarfs.
Brian Brake is regarded as New Zealand's most successful international photographer. But before heading overseas to work for photo agency Magnum and snapping iconic shots of Picasso and the Monsoon series for Life magazine, he was also an accomplished composer of moving images. He shot or directed many classic films for the NFU, including NZ's first Oscar-nominated film.
It's hard to reduce legendary band Split Enz down to a single sound or image. Soon after forming in 1973, they began dressing like oddball circus performers, and their music straddled folk, vaudeville and art rock. Later the songs got shorter, poppier and — some say —better, and the visuals were toned down...but you could never accuse the Enz of looking biege. With Split Enz co-founder Tim Finn turning 65 in June 2017, this collection looks back at one of Aotearoa's most successful and eclectic bands. Writer Michael Higgins unravels the evolution of the Enz here.
Richard Nunns is a renowned expert in taonga pūoro — traditional Māori instruments like wood and bone flutes. This 2007 episode of the Māori Television arts show sits down with him as he narrates his collaboration with Brian Flintoff and the late Hirini Melbourne — “a magic coalition of separate skills” — and the journey they’ve undertaken to resurrect lost sounds. Inspired by museum objects, literature and song, the trio led the revival of the form in contemporary Aotearoa. Nunns says the pūoro would’ve functioned as “a cellphone to the divine” for tohunga (experts).
Singer Moana Maniapoto discusses her evolution as a Māori musician in this episode from a series for high school music students. After first singing in public on the marae and learning to harmonise at school, she paid her way through university by singing in nightclubs. She describes her epiphany in a Detroit church as she realised that she needed to sing Māori songs rather than keep trying to emulate American soul and r'n'b divas. An acoustic performance of 'Hine Te Iwaiwa' (from her Toru album) is followed by a demonstration of traditional instruments.
Don McGlashan began his career as a restless teenage French horn player. He started to thrive in the post-punk era, writing iconic songs with Blam Blam Blam, mixing theatre and music with The Front Lawn and composing for film and TV, before forming The Mutton Birds in 1991. This episode of Sunday traverses McGlashan's life as he launches his belated solo career. Friends like Dave Dobbyn and Mike Chunn wax lyrical about McGlashan's talents, and snippets from his 2003 Auckland Festival show at the St James Theatre demonstrate why he is so beloved in Kiwi music history.
As the Operations Manager for Womad (World Of Music, Arts and Dance) in New Plymouth, Chris Herlihy performs the essential but often mundane jobs that make this large-scale outdoor event an annual success story. This half-hour documentary follows Herlihy and his crew as he oversees the pop-up city that is Womad 2011 — from looking after VIPs and fixing ticket problems, to mopping up the loos. New Plymouth has fully embraced Womad. Herlihy's love for the festival and his colleagues shines through as he power walks around the beautiful Brooklands Park site.
The late 60s saw globetrotting filmmaker Tony Williams shoot and edit two films for Iranian director Mahmoud Khosrowshahi. Here Williams chronicles an east meets west festival held in the Iranian city of Shiraz. Williams’ love affair with music and montage helps lend pace and life to a film whose sonic interests range from Iranian lutes and Indian oboes to American Cathy Berberian, who is busy turning comic strips into song. A glimpse of cosmopolitan Iran prior to the Iranian Revolution, it includes a rare interview with New Yorker classical music critic Andrew Porter.
Able Tasmans formed in 1984 (the name was a pun on Dutch explorer Abel Tasman). They released four albums and two EPs on Flying Nun, before splitting up in 1996. The band's primary songwriters were Peter Keen and Graeme Humphreys (who later found a second career on radio and TV, as Graeme Hill). The band's indie pop sound was defiantly adventurous, with keyboards and unexpected instruments often prominent. At one stage Able Tasman winningly described their sound as “Jethro Tull for young people”. In 2003 Keen and Humphreys reconvened for an album as a duo, The Overflow.
In this episode from a series made for high school music students, Dallas Tamaira and DJ Mu recall Fat Freddy's Drop's early history as a duo with just turntables and a microphone in a vibrant Wellington scene. They reveal an aversion to rehearsals, preferring to develop their music in a live setting and Mu demonstrates the component parts of their song 'Midnight Marauders' on his secret weapon — an Akai sampler capable of emulating all of the instruments in their sound. His verdict that every school should have one may not have gladdened principals' hearts.