Jack Body, OMNZ, composed for everything from gamelan orchestras to the Kronos Quartet, and was a leading figure in awakening local interest in Asian and Pacific music. His soundtrack work ranged across children’s tales, te reo dramas and nature films. His collaborations with director Vincent Ward include classic film Vigil, and (with John Gibson), 2008’s Rain of the Children. Body passed away on 10 May 2015.
Close to Home made me famous really. People seemed to like it, and to recognise it. The money was nice too. Jack Body, in Sarah Shieff's book Talking Music: Conversations with New Zealand Musicians
This much praised documentary revisits the subject of a film Vincent Ward made in 1978, aged 21. That film, In Spring One Plants Alone, told the story of 80-year-old Puhi, who lived with her schizophrenic son in the isolated Urewera. The follow-up — part detective documentary, part historical reenactment — focuses on Puhi's life. She married the son of Māori prophet Rua Kenana, had 14 children, and after a run of tragedies, believed herself to be cursed. This excerpt goes “way out there in the bush” to the Maungapohatu community where Rua “made the city of God on Earth”.
Gamelan music has been taught and played at Victoria University (and later the NZ School of Music) since the mid 70s, when lecturer Allan Thomas purchased a set of gamelan instruments on the Indonesian island of Java. This magazine piece from arts show 10AM showcases Victoria’s gamelan orchestra in action. Thomas and fellow lecturer Jack Body provide eloquent testimony to the popularity of this age-old music, and the access point it offers into Asian culture for New Zealanders. Body also provides his own spin on a gamelan composition.
Toss is an 11-year old girl living on a remote hill country farm. While out with her father herding sheep, he falls and is killed. Ethan, a bearded stranger appears, carrying his body, and plants himself on the farm. Toss fears he’s Lucifer and is confused when he and her mother become lovers. It is through Ethan, however, that Toss comes to terms with her father’s death and the first stirrings of womanhood. Vincent Ward’s debut feature was the first NZ film selected for competition at Cannes; LA Times’ critic Kevin Thomas lauded it as “a work of awesome beauty”.
This award-winning NFU short focuses on the tuatara, the sole survivor of a reptile species extinct for 135 million years. An NZ Wildlife Service (now DoC) team search for the nocturnal reptiles on Stephens Island sanctuary (aka Takapourewa) as they hunt for insects. Voiceover is eschewed in favour of natural sound and composer Jack Body’s evocative soundtrack.The tuatara are weighed and measured; they can grow up to 80 centimetres, weigh over a kilogram and live 150 years. There were about 100,000 tuatara on Stephens Island when the documentary was made in 1981.
Barney Blackfoot (Ian Watkin) is a mean stepfather who married Billy and Lucy's mother under false pretenses, later revealing his evil nature. Barney is helped in his exploits by his friend (a moving wardrobe), and together they set out to destroy Lucy and Billy's happy home. Designed in soft sculpture (Cabbage Patch Kids style) and filmed in live action with special effects, this Yvonne Mackay-directed short film is aimed at children and is without dialogue or narration. The early Gibson Group film was scripted by Ian Mune and scored by Jack Body.
Pioneering soap opera Close To Home first screened in May 1975. For just over eight years (until August 1983) middle New Zealand found their mirror in the life and times of Wellington’s Hearte clan. At its peak in 1977 nearly one million viewers tuned in twice weekly to watch the series co-created by Michael Noonan and Tony Isaac. This first episode sees the family gathering for Grandfather’s 78th birthday. Vivian (Ilona Rodgers) moans to Tom (John Bach): “you’ve drunk all my cooking sherry”, then tenderises the beef with the empty bottle.
Geoff Murphy (Utu) directed this freewheeling adaptation of the Māori legend of Uenuku and his affair with mist maiden Hinepūkohurangi. The story of love, betrayal, and redemption was the first Māori myth adapted for TV — and the first TV drama performed entirely in te reo. The Listener softened viewers by printing a translation before it aired. Filmed at the Waimarama base of Murphy and cinematographer Alun Bollinger, Uenuku was produced by company Peach Wemyss Astor for the NZ Broadcasting Corporation — a rare independently produced TV drama in the 1970s.
Directed by Sam Pillsbury, this 1974 film observes Ralph Hotere — one of New Zealand’s greatest artists — at a moment when excitement is gathering about his work. Lauded as a “classic” by Ian Wedde, the documentary is framed around the execution of a watershed piece: a large mural Hotere was commissioned to paint for Hamilton’s Founders Theatre. Interviews with friends and associates — poets Hone Tuwhare and Bill Manhire, art critics, officials and dealers — are intercut with fascinating shots of Hotere working (including making art by photocopying or 'xerography').
New Zealand’s economy is in serious trouble in the first episode of this award-winning drama series about The Great Depression. An ailing Prime Minister and a weak government seem powerless in the face of a downward spiral caused by rising unemployment and falling export prices. Meanwhile, the plight of a boot maker seeking work while people are being laid off all around him, and a jeweller struggling to keep his business afloat and food on his family’s table bring home the human cost and social divisiveness being caused by the worsening crisis.
The Great Depression — the biggest social upheaval ever faced by New Zealand — is the subject of this very well-received three part NZBC drama series. Based on an award-winning script by Michael Noonan, The Longest Winter focuses on the experiences of politicians, the middle class family of a jewellery shop owner, a boot maker and an unemployed workers’ group. It examines the inter-related forces that combined in the early 30s to plunge New Zealand into some of its darkest days — and left the nation and many of its citizens scarred for decades after.
This award-winning 1973 TV drama follows the career of PM Richard 'King Dick' Seddon from the events leading to his premiership in 1893, until his death in 1906. Writer Michael Noonan intersperses speeches and cabinet discussions with vignettes of Seddon's interaction with pressure groups and voters. Tony Currie (Close to Home) won a Feltex Award as the colourful Seddon, who forced through groundbreaking legislation. Listener reviewer Roger Hall praised it as New Zealand's "best historical documentary" to date. Watch out for broadcaster Brian Edwards as an opposition MP.