Arm yourself with jaffas and get set for debate: NZ On Screen has gone out on a limb and selected an all-time NZ feature film Top 10. Starring the icons of the Kiwi big screen — Blondini, Ada, Beth, Boy. Whet your appetite for our finest features via choice 10-minute excerpts of the movies. Cook the man some eggs, we're taking this Top 10 to Invercargill!
From modest beginnings at informal sessions at Wellington institution Deluxe Cafe (beside Embassy Theatre on Kent Terrace), the Wellington International Ukulele Orchestra has ridden the crest of the diminutive instrument's revival. Live favourites around the country, they have recorded a string of EPs featuring massed ukulele renditions of 80s favourites along with the occasional dash of Kiwiana and more contemporary numbers. Flight of the Conchords' Bret McKenzie was a founder member of the accomplished strummers.
Lisa Harrow left New Zealand in the 1960s to study at the Royal Academy of Dramatic Arts in England – it was this move that cemented her love of theatre and later enabled her to build an international screen career. She has visited New Zealand periodically and starred in locally-shot movies Other Halves and Shaker Run. Nowadays Harrow lives in the US and is involved in environmental campaigning. Her most recent Kiwi project was a role as the grandmother in TV2’s Step Dave.
Pietra Brettkelly is an award-winning New Zealand filmmaker who travels the world to make her documentaries. The Art Star and the Sudanese Twins, her Sundance-selected film about international adoption, won best director and documentary at the 2009 Qantas Film and TV Awards. Māori Boy Genius was invited to the Berlin, Sydney and NZ Film Festivals.
John Toon is an award-winning cinematographer who has worked all over the world and in many genres. His early New Zealand TV jobs include The Governor and Moynihan, while his movie credits include Rain, Sylvia and Sunshine Cleaning (all shot for his wife, director Christine Jeffs), plus Broken English and Mr Pip.
Without the NZ Film Commission, the list of Kiwi features and short films would be far shorter. In celebration of the Commission turning 40, this collection gathers up movie clips, plus documentaries and news coverage of Kiwi films. Among the directors to have had a major leg up from the Commission are Geoff Murphy, Peter Jackson, Taika Waititi and Gaylene Preston. In the backgrounders, Preston remembers the days when the commission was up an old marble staircase, and producer John Barnett jumps 40 years and beyond, to an age when local stories were seen as fringe.
It's hard to reduce legendary band Split Enz down to a single sound or image. Soon after forming in 1973, they began dressing like oddball circus performers, and their music straddled folk, vaudeville and art rock. Later the songs got shorter, poppier and — some say —better, and the visuals were toned down...but you could never accuse the Enz of looking biege. With Split Enz co-founder Tim Finn turning 65 in June 2017, this collection looks back at one of Aotearoa's most successful and eclectic bands. Writer Michael Higgins unravels the evolution of the Enz here.
This selection — in partnership with the NZ Film Commission — showcases award-winning examples of Kiwi short filmmaking. From the the tale of two men and a Cow, to the sleazy charms of The Lounge Bar, from Cannes to Ngawi; this collection is a celebration of "a beautiful medium for nailing an idea to the fence post with a piece of No.8 wire."
In 2014 Ngāi Tūhoe completed construction on Te Uru Taumatua, a sustainable ‘living building’ built entirely out of materials sourced from Tūhoe land. Ever the Land captures the construction of the building, from its initial design stages through to its opening, and explores the history and values reflected in its design. Premiering at the 2015 New Zealand International Film Festival, Ever the Land is the debut feature as director for German-born editor Sarah Grohnert.
A profile of New Zealand artist Julia Morison, made in the year she became an Arts Laureate. Morison is filmed in her studio “forming order from the chaos of her materials”. She explains how her tools and materials guide her image making – which in her thirty-year career, has ranged across a variety of media. The film also features her lesser known work – her collaborations with fellow artist Heather Straka, which include a series of short films, and a project entitled Madame and the Bastard.