This documentary explores the stories of the people who live at Waiorua Bay on bird sanctuary Kāpiti Island. John Barrett talks about his Kāpiti tīpuna, from bloody iwi battles, whaling and farming, to his whānau's consciousness of their kaitiakitanga (guardianship) role. It looks at DIY island life (exercycle-powered water pumps) and its development as an unique eco-tourism destination where kākā parrots and kererū flock, and kiwi and dodo-like takahē wander freely. Says Amo Barrett: "we've got a treasure here that we should share with others".
This 1973 film sees poet Alistair Te Ariki Campbell explore the history of Kāpiti Island — from being a stronghold for Māori chief Te Rauparaha, to whaling station and its present form as a bird sanctuary. The film chronicles Campbell’s first visit to the legendary motu, where he feeds a kākā parrot a date from his mouth, and witnesses a remarkable scene where a weka kills a Norway rat. With impressionistic sequences set to verse, director Peter Coates’ ‘poetic realisation’ of the island was called “a remarkable contribution to NZ television” by Listener critic David Weatherall.
The Hum is about sailing legend Geoff Stagg, and his yacht Whispers. Directed by Tony Williams and written by Martyn Sanderson, the doco is a paean to the lure of sailing, focusing on Stagg’s colourful personality, and his veteran ocean-racing crew, as they take on the Wellington to Kapiti Island and down to the Sounds race. Fortunately for the film they deliver on reputation. Dolphins, Strait squalls, streaking, ciggies, and some fierce 70s moustaches are all in a weekend’s sailing. Stagg would go on to head renowned Farr Yacht Design (now Stagg Yachts).
New Zealand Mirror was an National Film Unit 'magazine-film' series geared towards the British market. Accompanied by nationalistic, upbeat narration, this first episode covers 'New Zealand Birds', and efforts to harness "Rotorua's Natural Heat". It visits a game park to see Kiwi ("definitely queer birds") where, in a Disney-esque scene, two children meet a one-legged Kiwi with a bamboo peg-leg; and boats over to Kāpiti Island to meet rockhopper penguin, tui, kaka and weka. In Rotorua, geothermal cooking, backyard geysers, and heated baths and pools are explored.
Predators (possums, rats, rabbits, deer) forced much of the cargo of 'Moa's Ark' to abandon ship and live on off-shore island lifeboats. Moa's Ark presenter David Bellamy visits them (and recently-established mainland 'islands'), and tells some of New Zealand's most dramatic conservation stories. In the fourth clip, he praises the pioneering leadership of Don Merton. The episode includes footage of kōkako and its haunting song, cheeky kaka parrots, tieke (saddleback), hoiho (yellow-eyed penguin), black robins, fierce-looking giant wētā, and the Castle Hill buttercup (the world's rarest).
This Simmonds Brothers short zips through five generations of their family history, from Croatia to the Kapiti Coast, plus a shipwreck near Auckland. Described as a 'documation', the voices of yarning family members are married to their cartoon likenesses, to comic and ultimately moving effect. The film opens with Mariano and Elizabeth Vella's great great granddaughter and moves to a dramatic re-enactment of the Dalmatian settlers' so-called "very nice honeymoon" on the steamer SS Wairarapa, when it was wrecked off Great Barrier Island in 1894 (131 people died).
Poet Sam Hunt goes "between islands" on a home turf tour. To a backdrop of languid 'good day' Strait's scenery, he yarns with locals about stories of land and sea, and recites poetry: "[it's all about just] standing back and listening ... or watching". He chats with poet Alistair Te Ariki Campbell, goes groper fishing off Mana, and hears of a plan to float on a flax flutterboard across the Strait. Hunt then gets himself across via ferry for whaling stories at Oxley's Rock pub and meets boatbuilders and Cape Jackson farmers. The Costa Botes film includes (brutal) archival whaling footage.
At any one time between mid 1942 and mid 1944, between 15,000 and 45,000 US servicemen were camped in NZ preparing for, and recovering from, war in the Pacific. The marines brought colour and drama to the austerity of home front life. Fifty years later this TV documentary used interviews, reenactments and archive material to explore the “American invasion”. Sonja Davies recalls a Wellington street fight kicked off by a racist insult directed at Māori, and her wartime pregnancy and romance (1,500 marriages ensued from “when the Americans were here”).
In the first of this two-part documentary about Kiwis and cars, actor Rima Te Wiata sets off on a road tour of New Zealand. Starting in the South Island, Te Wiata learns about the first bus tours to Aoraki, which were handled by the Mount Cook Motor Company. Then she travels to Westport via the infamous Hawks Crag, and hears from locals about the difficulties and dangers of transit before the introduction of cars. A trip back up the country takes Te Wiata to Northland, where the locals suggest they may have been better off when the primary mode of transport was by boat.
This NFU mini-biopic eulogises the 19th Century Māori leader Te Rauparaha. The Ngāti Toa chief led his people on an exodus from Kāwhia, to a stronghold on Kāpiti Island where he ruled — via musket, flax trade and diplomacy — over a Cook Strait empire extending south to Akaroa. The free-ranging film includes recreations of the 'Wairau Incident' which stirred fears of Māori uprising amidst settlers; Te Rauparaha’s ignominious 1846 arrest by Governor Grey; and the 1849 reburial on Kapiti of the "cannibal statesman" (evocatively rendered using inverted colours).