Sixty-five years of life are condensed into three minutes in this 2016 Loading Doc, which profiles two pioneering kumara growers and Kiwi characters: Fay and Joe Gock. The Gocks were refugees from the Japanese invasion of China, who met in 1953. It was then illegal for Chinese to own land, but they went on to became the largest market gardeners in Mangere. In 2013 they won Horticulture New Zealand’s highest honour. Told as a poem, narrated by Ian Mune, the film was directed by commercials director and ex Cassandra's Ears bass player, Felicity Morgan-Rhind.
Celebrate iconic Māori television, film and music with this collection, in time for Māori New Year. Watch everything from haka to hip hop, Billy T to the birth of Māori Television. Two backgrounders by former TVNZ Head of Māori Programming Whai Ngata (Koha, Marae) look at Matariki, and the history of Māori programming on New Zealand television.
Tamatoa the Brave Warrior follows the adventures of a young Māori adventurer and his talkative pals Moko (the tuatara), Manu (the moa) and Kereru (the kereru). In this episode Tamatoa's chances of entering the great river race look dim after Aunty Hana forces him to guard the kumara patch instead. Tamatoa reluctantly obeys, and finds himself caught up battling some crazed pukeko who want to use the kumara as a rugby ball. There may still be time to race... The series of ten minute episodes was created by the prolific Flux Animation Studios.
This award-winning series took Wellington chefs Al Brown and Steve Logan out of their fine-dining restaurant, to experience the local in 'locally sourced' kai. In this second episode, Al and Steve head to Tangahoe up the Whanganui River, looking for wild pig with a couple of good keen men — Baldy and Moon. Logan is with the dogs on the boar hunt; while Al's on veggies at the markets, before hitching a flying fox to sample some freshly baked organic kumara bread en route up river. The bush tucker result? Cider braised pork belly with kumara and corn mash.
In 1991 six tribes took a major claim to the Waitangi Tribunal, encompassing everything from intellectual rights to management of indigenous fauna. Law professor David Williams describes Wai 262 as “the most important claim the tribunal is ever going to hear”. This backgrounder interviews key claimants from three Northland tribes. In 2011 the Tribunal’s Wai 262 report recommended major law reform, arguing for Crown and Māori to shift to a forward-thinking relationship of “mutual advantage in which, through joint and agreed action, both sides end up better off”.
This 1951 National Film Unit production looks at the Cook Islands, and marks the 50th anniversary of the islands’ annexation in 1901. Unusually long (half an hour) for an NFU film, it shows history ("Vikings of the Pacific" through Captain Cook to New Zealand administration) and island life: spear-fishing, catamaran sailing, breadfruit gathering, weaving, dancing and singing. The islands are depicted as paradise guided by NZ paternalism, with the Islanders grateful recipients of modern communication, technology, health services, education, and... tinned meat.
With character names befitting an episode of Country Calendar, there’s something distinctly Kiwi about this animated children's show. This episode sees Murray the farmer take his friendly tractor Massey Ferguson out to the swamp for duck-hunting season. But things go awry when Massey backfires, scaring the ducks away. Back at the farm, Massey and his farm vehicle friends have to solve the problem. The culprit 's apology leads to another opportunity for Kiwi flavour. The apology: “Sorry mate”.
For this five year global inquiry into "who owns our seeds", director Barry Barclay used the 'marae approach' that he’d honed on TV series Tangata Whenua — canvassing the views of corporates (vying to profit by owning the DNA of major crop seeds), scientists, and farmers in the developing world. Barclay later argued that big business effectively suppressed the resulting film. NZ Herald’s Peter Calder called Miracle "chillingly prescient" in 2006. A 1988 screening helped spur the Wai 262 Treaty claim, for Māori intellectual property rights involving indigenous flora and fauna.
Aotearoa is the last big land mass on earth discovered and settled by people (orthodox history suggests Māori arrived around 1280). Directed by Mark McNeill, this Greenstone TV documentary examines controversial evidence put forward to claim an alternative pre-Māori settlement — from cave drawings and carvings, to rock formations and statues. Historians, scientists, museum curators, and amateur archaeologists weigh up the arguments, DNA, carbon, and oral stories of the early Waitaha people, to sift hard fact from mysticism and hope.
Australian Idol winner Stan Walker made his acting debut in this hit feature, as aspiring singer Turei. Part of a whānau of Māori potato pickers from Pukekohe, he has to choose between duty to job and family (Temuera Morrison plays his hard-working Dad) and letting the music play. His dilemma takes place as reggae star Bob Marley performs in Aotearoa in 1979, offering the chance for Turei's band Small Axe to win a supporting slot at Marley's Western Springs concert. Released on Waitangi Day 2013, Tearepa Kahi's debut feature became the most successful local release of the year.