Two decades before the animals of Black Sheep run amok, comes this Sunday night horror about a couple trapped in the countryside as the sheep start getting restless. In between encounters with a cheerful butcher and a man of God, we learn that New Zealand has undergone revolution: anyone who farms or harms animals is now branded a criminal. Directed by Costa Botes; scripted by poet and lawyer Piers Davies, who co-wrote Skin Deep (plus cult movie The Cars that Ate Paris, with acclaimed Australian director Peter Weir).
In this short film, 14-year-old Jimmy (Waka Rowlands) faces a tough decision: stay in his abusive home to protect his younger siblings, or escape to start a new life of his own. Written and directed by Sam Kelly, Lambs was inspired by true stories. It competed at the 2012 Clermont-Ferrand and Berlin Film Festivals, and won the Jury Prize and Audience Award at the 2012 NZ Film Festival; judge Roger Donaldson raved: “It reminded me of Once Were Warriors in the best possible way.” Lambs was one of the first products of the NZ Film Commission’s ‘Fresh Shorts’ funding scheme.
The role of women in a traditionally male dominated profession is highlighted in this episode of Wellington police drama Shark in the Park. The episode was penned by Norelle Scott and directed by Ginette McDonald. New arrival 'Wally' (Joanna Briant) faces a baptism of fire from her colleagues — and a rough ride on the streets as a drunken couple's antics escalate into major problems for the thin blue line. The third episode of season one features Robyn Malcolm in her first screen role, while Mark Wright provides some late 80s colour as an inebriated yuppie.
On 8 June 1987 Nuclear-free New Zealand became law. This collection honours the principles and people behind the policy. Prime Minister Norman Kirk put it like this: "I don't think New Zealand's a doormat. I think we've got rights — we're a small country but we've got equal rights, and we're going to assert them." In the backgrounder, journalist Tim Watkin explores the twists and turns of Aotearoa's nuclear history.
In the final episode of the season, larrikin presenters Bill and Ben pretend to offend rugby league stars Monty Betham and Awen Guttenbeil (with a nod to American Beauty). The show's closing references the controversial finale of The Sopranos (complete with mocking soundtrack), and there are cameos from Karl Urban and Temuera Morrison. Ben revels in extended torture of Bill, while Auckland Blues coach Pat Lam concentrates on golfing. Elsewhere a shop dummy does some begging, and a unique interpretation of cross-training enrages a passing screen producer.
Need a good recipe for hot cross buns, or the perfect roasted crying leg of lamb? Jo Seagar is here to help. Recording from a house at Lake Taupō, Jo Seagar shares some of her crowd-pleasing Easter recipes. Along with the lamb and buns, Seagar shares a quick and easy eggs benedict, chocolate fudge torte and chocolate truffle Easter eggs. An ever popular cook, Seagar even has a portrait painted on an egg that a loyal viewer has sent in. Once the cooking is all taken care of, she finds time for a spot of trout fishing while workshopping some stand-up comedy.
The Waitomo Caves are a longtime tourist magnet, thanks to their bioluminescent glow-worms and spectacular stalagmite and stalactite formations. Aside from the glories of the caves, this National Film Unit tourism film mentions the surrounding countryside as “a good reason to stay another day”. Set to a laid-back jazz score, a tour from Waitomo Caves Hotel takes in lambing, limestone outcrops, scenic driving and a picnic by the Marokopa waterfalls. But "to float down the underground river as galaxies pass silently overhead is the crowning pleasure in the valley of Waitomo.”
Winter is going. This impressionistic take on spring in Aotearoa focuses on details of regeneration, from the mountains to the sea. Director Ron Bowie and cameraman Grant Foster capture signs of the season: ice melt like tadpoles under snow grass, gannets nesting on their Cape Kidnappers tenement, fern koru unfurling, kōtuku and royal spoonbills perched in Ōkārito trees like Dr Suess characters, willow buds and kōwhai flowers. And of course, lambs and daffodils. The camera aptly obeys the title to end. Patrick Flynn (Don’t Let it Get You) composed the score.
This NFU production covers the Shah of Iran’s first tour downunder, and uses the occasion to showcase New Zealand to international viewers: from scenery to topdressing, dental clinics and Wellington Girls’ College. The four day visit could be seen as a symbol of globalisation: NZ had been cut adrift by Britain and was looking for markets for its lamb, cheese and wool, and to secure oil supplies. The Shah needed food for his modernising petroleum exporting country. (The booming trade was to be curtailed by the 1979 Iranian Revolution, when the Shah was exiled.)
This post-war Weekly Review urges Kiwi farmers to grow more wheat in the face of a world shortage, and out of a patriotic duty to help Britain. Graphic images of global poverty (especially in the final minutes) are counterpointed with NZ wealth and agricultural ingenuity. The film features scientist Otto Frankel, who introduced new wheat varieties that were better suited to the local climate. This was director Alun Falconer's only on-screen credit while working at the National Film Unit. He and Roger Mirams soon left to found pioneering company Pacific Film Unit (later Pacific Films).