He learnt kapa haka as a child. He learnt to smoulder on Shortland Street. He punched a country in the guts with Once Were Warriors. Temuera Morrison has starred in Māori westerns, adventure romps, and cannibal comedies. In the backgrounder to this special collection, NZ On Screen editor Ian Pryor traces Temuera Morrison's journey from haka to Hollywood.  

Jock Phillips begins his journey through our Waitangi collection by recalling an awkward encounter with a security guard at the treaty grounds. Wandering 50 years between the first film in this collection and the last, Phillips explores changing attitudes to the Treaty. Discover everything from Mike King on the treaty trail, to trench warfare, waka-building and epic drama.

This collection celebrates rugby in New Zealand as it has been seen onscreen: from classic bios and tour docos, to social history, dramas and protest. In the accompanying backgrounders, broadcaster Keith Quinn looks at the on air history of rugby in NZ; and playwright David Geary asks if rugby is a religion, and argues it is a good test of character.

This courtroom drama sets in conflict opinions about the proposed sale of a block of Māori ancestral land. The arguments are intercut with footage of the 1975 land march, and Jim Moriarty comments on proceedings as a tangata whenua conscience. The drama shows its stage origins (it was adapted by Rowley Habib from his 1976 play) but it is passionate and articulate, and is notable as the first TV drama to be written by a Māori scriptwriter. The grievances aired echoed contemporary events, particularly the Eva Rickard-led occupation of the Raglan Golf Course.

From the icons (Sky Tower, Otara Market, Rangitoto, The Bridge), celebs, clans and stereotypes (Jafas), to the streets (Queen St, K Road), and Super City suburbs (Ferndale, Mt Raskill, Morningside), this collection celebrates Auckland onscreen. Reel through the moods and the multicultural, metro, muggy charms of New Zealand’s largest city. In this backgrounder, No. 2 director Toa Fraser writes about Auckland as a place of myth, diversity and broken jaws.

Part concept film, part biopic, part historical record and part comedy, Leanne Pooley’s documentary was made to mark the Topp Twins' 50th birthday. New Zealand's favourite comedic, country singing, dancing and yodeling lesbian twin sisters tell their personal story: from their "coming out" to Jools' brush with breast cancer. The film features archive material, home movies and interviews with the Topps' alter-egos. Alongside local box office success and dozens of international awards, Girls won the People’s Choice best doco gong at 2009 Toronto Film Festival.

In 1977 protesters occupied Bastion Point, after the announcement of a housing development on land once belonging to Ngāti Whātua. 506 days later police and army arrived en masse to remove them. This documentary examines the rich and tragic history of Bastion Point/ Takaparawhau — including how questionable methods were used to gradually take the land from Māori, while basic amenities were withheld from those remaining. The documentary features extensive interviews with protest leader Joe Hawke, and footage from seminal documentary Bastion Point Day 507.   

While convalescing down under Sir Charles Pemberton (Terence Cooper) schemes to build a thermal spa in the town of Wainamu c.1900. Conflict ensues as the spa’s planned location is on Māori land. The action is seen through the eyes of youngsters: hotelier’s son Tom, and Pemberton’s granddaughter Sarah Jane; who — along with an erupting volcano — eventually impart on Sir Charles a lesson about colonial hubris. The 13-part series was a marquee title from a golden age of Kiwi kidult telly-making: it won multiple Feltex awards, and screened on the BBC in 1980.

This award-winning kidult series is set in the colonial town of Wainamu, amidst the North Island’s ‘thermal wonderland’, c.1900. It follows the challenges that Sir Charles Pemberton (Terence Cooper) faces in building a spa on Māori land. In this episode local lad Tom, son of the hotelier, is piqued by the arrival of Sir Charles and his aristocratic entourage, (particularly granddaughter Sarah Jane aka “Little Miss Prim”), whose train is late due to being spooked by natives. His gang of shanghai-toting scallywags also take on the mean local butcher.

“When old and young come together to do this, it shows the strength of their convictions.” This film is a detailed chronicle of a key moment in the Māori renaissance: the 1975 land march led by then 79-year-old Whina Cooper. A coalition of Māori groups set out from the far north for Wellington, opposed to further loss of their land. This early Geoff Steven documentary includes interviews with many on the march, including Eva Rickard, Tama Poata and Whina Cooper. There is stirring evidence of Cooper’s oratory skills. Steven writes about making the film in the backgrounder.