I'm Taking Nana Home
Mintaha Beca hasn't seen Lebanon in 25 years. At the age of 86, she sets off from her adopted home of New Zealand to visit her birthplace, following two decades of war. After flying into Beirut with her daughter and grandson, filmmaker Steve La Hood, she is able to laugh about demands to pay a film equipment tax at Beirut's airport. Having witnessed destruction and construction in the former 'Paris of the Middle East', the group set off for the nearby city of Zahlé, where Beca was born. There she is reminded that some things stay the same, and others are no longer hers to own.
Daphne and Chloe
Daphne and Chloe offers a love triangle with a twist: here the couple under threat are two woman friends (despite rumours their relationship is romantic) who work at an advertising agency. Their friendship, based partly on warding off loneliness, is threatened when the cool, cultured Edith (Helena Ross), starts dating the new office boy (Michael Hurst) — a man 18 years her junior. The typing pool are abuzz. Daphne and Chloe was one of a trio of tele-plays that resulted after TVNZ gave legendary playwright Bruce Mason the chance to choose his themes.
Steve La Hood: Bruno, Lebanon and causing accidents on soap operas…
Steve La Hood began directing on soap opera Close to Home, and went on to direct tele-play Swimming Lessons, Bruno Lawrence documentary Numero Bruno and episodes of Shark in the Park and Shortland Street. He also produced ground-breaking series The Marching Girls. These days he creates multimedia attractions around the globe with company Story Inc, alongside James McLean.
Steve La Hood
A New Zealander of Lebanese descent, Steve La Hood joined TVNZ in the early 70s. He went on to direct on everything from Close to Home and Shortland Street, to an acclaimed documentary on Bruno Lawrence. He also produced The Marching Girls (1987), one of the first dramas to highlight contemporary women characters on NZ television. La Hood now creates museum exhibitions at company Story Inc.
Rowley Habib (Rore Hapipi)
Rowley Habib — also known as Rore Hapipi — was one of the first writers to bring a genuinely Māori perspective to New Zealand stage and screen. His play Death of the Land is seen as a landmark in the development of Māori theatre. In 1983 Habib won a Feltex Award for land rights drama The Protestors, part of a trio of pioneering one-off plays for television. Habib passed away on 3 April 2016.