In writer/director Max Currie’s debut feature, a magician conjures his greatest illusion – a little boy – to try to help return happiness to his wife and family after the loss of their son. But the trick falls apart when a child abduction hunt closes in on them. Everything We Loved was funded through the NZ Film Commission’s Escalator film scheme, and produced by Tom Hern (The Dark Horse, I’m Not Harry Jenson) and Luke Robinson. It was chosen for the ‘New Voices/New Visions’ section of the Palm Springs Film Festival and premieres locally at the 2014 International Film Festival.
Directed by Tony Williams, this documentary is a strong example of how to make engaging television out of a brief that might easily have been overly earnest. Nominally “a history of service clubs in New Zealand”, the footloose film explores a rich variety of organisations created to bring people together: from accordion players and air hostesses to flying saucer believers and Rotarians. The film celebrates a fundamental human need to ‘get together’. Poet Denis Glover provides sardonic commentary. It won the best programme of year Feltex Award.
Blam Blam Blam’s second hit from 1981 was angular and artsy, hook-filled but unsettling: all qualities captured in a theatrical video, directed by Andrew Shaw. Clowns, magicians, fire-eaters and trick cyclists join the band, while actors play out the saga of ‘Don’t Fight It, Marsha’. The actors — including Phillip Gordon (Came a Hot Friday), Michael Hurst and Donogh Rees (Constance) — were directed by Harry Sinclair, who would later join Blam band member Don McGlashan in The Front Lawn. The Len Lye-style scratch effects were by Jenny Pullar, the Blams’ lighting designer.
This kidult thriller features Martin Henderson (in his screen debut) and Hamish McFarlane (fresh from The Navigator) with a script by Margaret Mahy. Brothers and sisters Emma and Zane, and Kelsey and Morgan are friends, with their own clubhouse and secret society. Their lives change when Zane and Emma witness a jeweller’s shop robbery, and Morgan and Kelsey see two men escape their crashed car after a police chase. The friends find themselves plunged into a world of intrigue, questionable Special Branch agents and a mysterious fire eater and magician.
This classic kids’ adventure tale follows a 13-year-old boy on a quest to find his father, missing amidst the 1860s Otago gold rush. When it launched in September 1976, the 13 part series was the most expensive local TV drama yet made. Under the reins of director Tom Parkinson, the series brandished unprecedented production values, and panned the Central Otago vistas for all their worth. Its huge local popularity was matched abroad (BBC screened it multiple times); it showed that NZ-made kids’ drama could be exported, and helped establish the new second television channel.
Putting on magic and Punch and Judy shows as a child led Michael Woolf to a career as a broadcaster and performer. After joining the NZ Broadcasting Service he became an announcer, presenting TV in Wellington in the 60s and performing the country’s first televised puppet show. As an actor he appeared in Goodbye Pork Pie, and played a villain in Rangi’s Catch.
Cinematographer Duncan Cole has trained his lens on big screen hip hop wannabes (Born to Dance), stuntmen (The Devil Dared Me To), rapists (For Good) and strange magicians (The Last Magic Show). The last won Cole an NZ Screen Award. The movie credits sit atop a slate of shorts, commercials and music videos — including one-shot wonder Sophie, for Goodshirt (made with regular collaborator Joe Lonie).
Max Currie began his screen career in his early 20s, after joining the reporting team on groundbreaking LGBT show Queer Nation. He developed his scriptwriting skills during extended time in New York. Fresh from directing short films and writing for Shortland Street, Currie's feature debut was Moa-nominated for best director, writer and film: Everything We Loved, a psychological family drama featuring two magicians and a child.