Rubbings from a Live Man is a semi-dramatised biography largely performed by the subject himself — legendary theatre actor and director Warwick Broadhead. He recounts his dramatic life story by adopting a number of personas. The collaboration with director Florian Habicht marked a rare time the camera-wary Broadhead performed on screen. He describes his troubled upbringing as a lot of cover-up and pretence. "Then I went into the world of theatre," he says, "which is cover-up and pretence." Broadhead passed away in January 2015, having predesigned a memorable funeral.
Lion Man Craig Busch, and his unlikely colleagues — African lions and white Bengal tigers — were a ratings and international sales success across three TV seasons. The Lion Man went behind the scenes at his Zion Wildlife Gardens animal park. In this first episode of the Great Southern TV show, Busch talks about his introduction to working with the big cats — and the scars that are part of the job. There's also a peek at the making of an award-winning Sky TV promo that featured his lions. Busch, and the park, were later to be the centre of regular controversy.
In this short James Rolleston (Boy) stars as a Kiwi lad who banters with an elderly bearded fulla (Bruce Allpress) who claims to be God; the 'BMX Kid' challenges him to a Lake Wakatipu bomb competition to prove it. Kiwi stuntman/director Tim McLachlan's film was a finalist in Your Big Break, a filmmaking contest run by Tourism New Zealand which attracted over 1000 scripts from around the globe. Five finalists were given the chance to turn their scripts into a short film. The brief was to "capture the spirit of 100% Pure New Zealand — the youngest country on earth".
Alone in his cell, a deeply disturbed old man delivers a psychotic monologue, and reveals an alarming secret in this darkly funny claymation short from the workshop of Tom Reilly. Reilly made his first claymation short in 2001 and is one of just a few New Zealand animators using this technique. Three more shorts and a children's TV series won him the SPADA New Filmmaker of the Year Award in 2003. He is now directing live action TV and commercials and his documentary on a wesitie misfit car-yard operator — Gordonia — was released to positive reviews in 2010.
Wild Man is the missing link between 1970s musical legends Blerta, and the burgeoning of Blerta trumpeter Geoff Murphy as a director whose talents knew few bounds. The Blerta ensemble relocated to the mud-soaked West Coast to create this tale of pioneer con men and silent movie style pratfalls. Bruno Lawrence and Ian Watkin arrange a fight — and betting — in each town they arrive in, while Bruno channels his inner wild man from under a leopard skin. Wild Man was released in cinemas alongside John Clarke and Geoff Murphy’s Fred Dagg comedy Dagg Day Afternoon.
For just one easy payment, you too can escape the disappointment and heartache of your existence. This quirky black comedy might make you think twice before hanging up on that next tele-marketer, as the Sunshine Man tries to help people to see what he sees. Actor Des Morgan puts in an appealing performance as the titular Sunshine Man, and Wellington electronica master Rhian Sheehan provides a haunting soundtrack to match the film’s dark style.
Writer-director Barry Prescott’s third short film might have been entitled Strictly Legless. Alge (Joe Taylor) is a double amputee with a photo of Fred Astaire above his bed, whose dreams of dancing appear unlikely until he gets some inventive help from his sister (Emma Kinane) and dance teacher (John Bach, in a nosy prosthetic). Featuring cameos from veteran actors Donna Akersten and Alice Fraser, the black comedy treads on some sensitive toes for humorous effect, while remaining warm-hearted. It won awards at festivals for the differently-abled worldwide.
With The Free Man, genre-hopping director Toa Fraser (The Dead Lands) takes on the world of extreme sport. The globetrotting documentary is built around encounters between Kiwi freestyle skier Jossi Wells and The Flying Frenchies, known for their base jumps, wingsuit flying and tightrope walks at terrifying heights. As Wells gets direct experience in the art of walking a highline, director Fraser investigates what adrenaline junkies gain — and lose — when putting their lives on the line. The Free Man got its Kiwi premiere during the 2017 NZ International Film Festival.
Craig Busch aka The Lion Man is a self-taught big cat handler who has brought Barbary lions and white Bengal tigers to New Zealand. With both species extinct in the wild, Busch launched a breeding programme to add to limited numbers remaining in captivity. Great Southern Television produced three series following the often controversial Busch and his giant feline charges, from the early days of his Zion Wildlife Gardens park near Whangarei (later relaunched as The Kingdom of Zion). An international sales success, the show has played in more than 120 countries.
This edition of the 1987 Inspiration series on Kiwi artists looks at potter James (Jim) Greig, and his search for the “spark of life” found in clay. The Peter Coates-directed documentary visits Greig’s Wairarapa studio to interview him and his wife Rhondda, also an artist. Greig’s influences are surveyed: the work of Kiwi potter Len Castle, nature, orphanhood, and Japan (where his work achieved renown). The film captures the visceral process of making large works for a Wellington City Gallery exhibition. Greig died of a heart attack, aged 50, while this film was being made.