This 1962 National Film Unit production is a comprehensive survey of the history and (then) state of Māori carving. Many taonga are filmed on display at Wellington’s Dominion Museum, and the design aspects of ‘whakairo’ are examined, from the spiral motif to the origin of iconic black, red and white colouring. Finding reviving tradition in new “community halls”, the film shows the building of Waiwhetu Marae in Lower Hutt in 1960, recording the processes behind woven tukutuku panels and kowhaiwhai patterns, as the tapping of mallets provides a percussive presence.
Rangi Hetet was only 17 years old when he began working as an apprentice, carving the Tāpeka meeting house. Six decades later, his life and work are examined in this documentary, as his children prepare to exhibit his work at the Dowse Art Museum alongside that of their mother, the late Erenora Puketapu-Hetet. The feature-length documentary also explores the art of whakairo (carving), and its cultural significance within Māori communities. Mo Te Iwi director Robin Greenberg's earlier film Tu Tangata: Weaving for the People (2000) was about Erenora and her Māori weaving.
After kicking off with 'Poi-E' and the opening of landmark exhibition Te Māori in New York, this documentary sets out to summarise the key elements of Māori culture and history in a single hour. Narrator Don Selwyn ranges across past and (mid 80s) present: from early Māori settlement and moa-hunting, to the role of carvings in "telling countless stories". There are visits to Rotorua's Māori Arts and Crafts Institute and a Sonny Waru-led course aimed at getting youth in touch with their Māoritanga. The interviews include Napi Waaka and the late Sir James Hēnare.
NZ On Screen's Pacific Collection celebrates many things — many islands, many cultures, and the many Pasifika creatives who have enriched Aotearoa, by bringing their stories to the screen. The collection is curated by Stephen Stehlin, whose involvement in flagship Pacific magazine show Tagata Pasifika goes back to its very first season. In his backgrounder, Stehlin touches on sovereignty, diversity, Polyfest and bro'Town — and the relationship between Pacific peoples and Māori in Aotearoa.
It's hard to reduce legendary band Split Enz down to a single sound or image. Soon after forming in 1973, they began dressing like oddball circus performers, and their music straddled folk, vaudeville and art rock. Later the songs got shorter, poppier and — some say —better, and the visuals were toned down...but you could never accuse the Enz of looking biege. With Split Enz co-founder Tim Finn turning 65 in June 2017, this collection looks back at one of Aotearoa's most successful and eclectic bands. Writer Michael Higgins unravels the evolution of the Enz here.
This collection rounds up almost every music video for a number one hit by a Kiwi artist; everything from ballads to hip hop to glam rock. Press on the images below to find the hits for each decade — plus try this backgrounder by Michael Higgins, whose high speed history of local hits touches on the sometimes questionable ways past charts were created.
This collection celebrates more of the legendary TV moments that Kiwis gawked at, chortled with, and choked on our tea over. In the collection primer Paul (Eating Media Lunch) Casserly chews on rapper Redhead Kingpin’s equine advice to 3:45 LIVE! and mo’ memorable moments: from a NSFW Angela D'Audney to screen folk heroes Colin McKenzie and the Ingham twins.
Kete Aronui is a documentary series that features leading contemporary Māori artists. Screening on Māori Television, produced by KIWA Media, and funded through Te Māngai Pāho, its title translates as "basket of knowledge." Each episode provides a portrait: surveying the lives and practices of the artists, often with a focus on how they interact with their whanāu and community. The series surveys artists working in a diverse range of mediums, including dance, photography, theatre, film, poetry, music, tā moko, weaving, and sculpture.
This episode of Koha episode looks at the milestone Te Māori exhibition of Māori art. The exhibition toured the United States in 1984, opened up a world of Māori taonga to international audiences, and returned home to applause and swelling Māori pride. The episode features the powhiri at the New York Metropolitan Museum of Art, with future Māori Party co-leader Pita Sharples leading a kapa haka performance. Koha - a weekly, 30 minute programme broadcast in English - was the first regular Māori programme shown in primetime, and provided a window into te ao Māori.
In 2006 the two-year long Pasifika Styles exhibition launched at Cambridge University’s Museum of Archaeology and Anthropology. The show was ground-breaking for confronting the contentious origins of the museum's Pacific artefacts, by inviting 15 contemporary Māori and Pacific artists over to show works and "revitalise the taonga" already on display. Shown on Māori Television, this documentary follows two of the artists, George Nuku and Tracey Tawhiao, from K Road to the cloisters of Cambridge to collaborate with objects, curators, fellow artists and scholars.