This full-length documentary gives warm-spirited context to the song that has been the soundtrack to countless back lawn crate parties and freezing works chains (watch the credits). It was released as the B-side of singer Engelbert Humperdinck's Please Release Me, and became an unlikely hit in Aotearoa with fans who have done the "dance, dance, dance ...": including Dalvanius (who discusses its "pop-schlock" charms), Bunny Walters, The Topp Twins, and a special group of ten guitarists. The documentary also explores why "the national anthem of Patea" is so appealing to Māori.

This Land of Birds edition sees Kiwi naturalist Sir Robert Falla train his binoculars on the black-backed gull, or karoro. Familiar to most New Zealanders from stealing their hot chips, it's one of the few natives to have boomed in numbers since humans arrived in NZ, after adapting to feeding in “the effluent of human affluence”. The film follows the large bird's life cycle and examines its relationship with people, from airports (birdstrike risk) to farms (where they help control insects but also scavenge lambs). Falla died soon after the film was completed.

In this award-winning short film Michael is a 17-year-old who gets the abattoir blues during his first day at 'the works'. Fitting in turns out to be the least of Michael’s worries as young blood is welcomed on the line in the old fashioned way, and rite of passage is interpreted literally to meaty effect. Meathead was filmed at the Wallace Meat plant in Waitoa. Based on the true story of a mate of his, director Sam Holst’s debut short was selected for Cannes and won the Crystal Bear in the Generation (14plus) section of the 2012 Berlin Film Festival.

Made by Philip McDonald (Such a Stupid Way to Die) for the National Water and Soil Conservation Authority, this award-winning short explores the impact of people on New Zealand’s water cycle. Shots of irrigation, industrial waste and run-off from dairy farming show Godzone’s 1972 waterways to be far short of 100% pure — the closing national anthem played over polluted rivers underlines the point. A young Sam Neill (then working at the National Film Unit) cameos as an eau-so-suave drinker in a scene showing the disconnection between water use and where it comes from.