In late 2012, an unusual world first got overseas media looking in Aotearoa's direction: Campbell Live followed two rescue dogs as they learned to drive a car. The magical dog moment was an example of a story involving New Zealand going viral around the globe, as this Spotlight collection demonst...
In this highlights special culled from the first four years of Eating Media Lunch, presenter Jeremy Wells manages to keep a straight face while mercilessly satirising all manner of mainstream media. Leaping channels and barriers of taste, the episode shows the fine line between send-up and target. The 'Worst of EML' tests the patience of talkback radio hosts and goes behind the demise of celebrity merino Shrek; plus terrorist blooper reels, Destiny Church protests, Target hijinks, and our first indigenous porno flick (you have been warned: not suitable for children).
Eating Media Lunch satirised mainstream media, from "issues of the day" journalism to reality TV to the society pages (lampooned in the "celebrity share market index index"). No fish was too big or barrel too small. Presenter Jeremy Wells kept a straight face over seven seasons of often controversial episodes, while investigating issues inexplicably missed by other media (eg the porno film made in Taranaki and shot in te reo, or ritalin-fueled reality programme Medswap). EML's seventh season won Best Comedy Programme at the 2008 Qantas Film and Television Awards.
This short film by Clare O'Leary interviews New Zealand women at the forefront of new media design and development around the turn of the millenium. Among those on screen are Emily Loughnan, who moved from televison to co-founding company Click Suite, musician Jordan Reyne, and academic and author Lalita Rajasingham. Many agree that new developments in technology mean increased opportunity for women. The documentary first screened on the BBC World, Life series, as part of the Women Broadcasting for Change network.
These CGI short films are the product of Auckland's Media Design School; combining the expertise of lecturer James Cunningham (director of award-winning shorts Poppy and Infection) with the raw smarts and hard work of his 3D animation students. With established industry talents (eg writer Nick Ward and cameraman Simon Riera) helping guide the students, the results have won awards and selection to impressive international festivals, including SIGGRAPH. 2011's effort saw the screen debut of alien hunter Dr. Grordbort, originally created by Weta Workshop's Greg Broadmore.
Weekly media commentary show Media Take focuses on the week's news and new media developments. Frontman Russell Brown and a team of panellists analyse how certain issues are presented. In front of a live studio audience they cover traditional outlets (TV, radio and newspapers) and also look at the internet, advertising, PR and new technology. The show began life as Media7 on digital channel TVNZ 7; it shifted networks to TV3 after TVNZ 7's 2012 shut down, and was reborn on Māori Television as Media Take in 2014.
Some television moments stay in mind, years after they were seen. There can be many reasons why they’re remembered: it could be about emotion, laugh value, or because the moment revealed something about NZ that we didn't already know. But let’s not forget the saucy moments: the time a famous news...
This collection, launched to honour 10 years of NZ Fashion Week, celebrates Kiwi fashion on screen. From TV showpieces (B&H, Corbans) to docos on designers; Gloss to archive gold, from Swannies to Split Enz, taniko to foot fetish ... take a stroll down the catwalk of our sartorial screen past. Beauties include ex-Miss Universe Lorraine Downes and a teenage Rachel Hunter.
This collection celebrates more of the legendary TV moments that Kiwis gawked at, chortled with, and choked on our tea over. In the collection primer Paul (Eating Media Lunch) Casserly chews on rapper Redhead Kingpin’s equine advice to 3:45 LIVE! and mo’ memorable moments: from a NSFW Angela D'Audney to screen folk heroes Colin McKenzie and the Ingham twins.
Das Tub kickstarted an award-winning run of CGI short films for Media Design School students working under their 3D animation tutor, director James Cunningham. Part live-action, part CGI, its tale of a German U-boat crew facing danger under the ocean pays homage to submarine classic Das Boot — before a Pythonesque twist which features a cameo from writer Nick Ward. Short, sharp and lovingly rendered, the film won 'best short short' at the 2011 Aspen Shortsfest, while Cunningham (Poppy, Infection) took Best Director at the Honolulu Film Awards.