“This song is called ‘Medicine Man’ because music is my medicine, and failing all else in life, music remains the constant no matter who else is there.” So said Tama Waipara of the first single from his third album Fill Up the Silence, which was rated Best Roots Album at the 2014 NZ Music Awards. The song’s beat is credited to a Papua New Guinean influence, but Jessica Sanderson’s video roams widely: from Pasifika and colonial drummers to carpark breakdancing and getting lost inside headphones in a laundromat, from poi to pop and lock — to where “love is in the music”.
Coup D'Etat were a short-lived band featuring Harry Lyon (during a Hello Sailor sabbatical) and Jan Preston (from travelling theatre act Red Mole). The band's second single is an ode to "the dangers of having too much fun". The bright, breezy number was written by Lyon, with the familiar Ponsonby reggae beat favoured by Hello Sailor. Peaking at nine on the charts, it won Best Single at the 1981 NZ Music Awards. The pedestrians in Leon Narbey’s video are near Auckland's Civic Theatre on Queen Street. In the same period, Narbey shot the short film of the same name.
This 1983 documentary looks at the (then booming) export of deer antler velvet from New Zealand farms to Asia where the “horns of gold” are highly valued as an aphrodisiac and cure-all tonic. The doco captures the hazards of the trade: from bulldogging (hunters leaping from helicopter skids onto wild deer), to volatile markets in Hong Kong and Korea. The players include a triad of Asian middlemen “who make the millions”, and Kiwi deer entrepreneur Tim Wallis, who led a delegation of farmers to China in 1981 to discover the secret of the Eastern love potion.
This feature film follows Māori medicine woman Paraiti (played by singer Whirimako Black) on a rare visit to Auckland from her Urewera home. She meets a Māori servant (Rachel House) and is drawn into helping a wealthy Pākehā woman (Outrageous Fortune’s Antonia Prebble) with a scandalous, life-threatening secret. The tale of culture clash and deception in settler Aotearoa was directed by Mexican Dana Rotberg (Otlia Rauda), who adapted the story from Witi Ihimaera novella Medicine Woman. Producer John Barnett was also involved in the adaptation of Ihimaera’s Whale Rider.
For this five year global inquiry into "who owns our seeds", director Barry Barclay used the 'marae approach' that he’d honed on TV series Tangata Whenua — canvassing the views of corporates (vying to profit by owning the DNA of major crop seeds), scientists, and farmers in the developing world. Barclay later argued that big business effectively suppressed the resulting film. NZ Herald’s Peter Calder called Miracle "chillingly prescient" in 2006. A 1988 screening helped spur the Wai 262 Treaty claim, for Māori intellectual property rights involving indigenous flora and fauna.
Aged 101 when interviewed for this series, Auckland-born Laurence Reynolds was a Major in the British Army during World War II. Reynolds was studying medicine in the UK when war broke out. Here he recounts his wartime service, from running a hospital in Iraq and dealing with malaria (almost dying of it himself), to romance on home leave, and facing polio and ambushes while working as a doctor in Quetta and Bannu (in what is now Pakistan). Post-war, Reynolds went on to pioneer coronary rehabilitation, including helping establish the first coronary care unit at Greenlane Hospital.
"I hope you're braver than your brother." A young schoolboy (James Ordish) finds his day plunging into nightmare, when he gets called in for a session with the school dental nurse. The nurse (a sly performance by future casting director Tina Cleary) seems to take pleasure in other people's pain. Directed by cinematographer Warrick ‘Waka' Attewell (Starlight Hotel), this short film for the dental wary was written by Ken Hammon, who was part of the team behind Peter Jackson's debut feature, splatter flick Bad Taste.
This National Film Unit production was made to celebrate the golden jubilee of the Plunket Society. Plunket — aka ‘Karitane’ — nursing is a New Zealand system of ante-natal and post-natal care for mothers and infants, founded by Sir Truby King: “the man who saved the babies”. Featuring original nurse Joanne MacKinnon, the film follows Plunket from a time of high infant mortality to providing contemporary nursing to a New Zealand flush with postwar optimism: “a family country, where children grow happily in the fresh air and sunshine.”
This 1976 TV2 report covers the launch of Gordon McLauchlan’s book Passionless People in Eketahuna, a town he had derided in newspaper columns as an epicentre of New Zealand conformity. Within the book’s pages the author infamously called Kiwis "smiling zombies" – lazy, smug, and a bunch of moaners. McLauchlan bravely visits the local pub, and stands in front of the 'hot pies' sign to muse about sexuality. Ex-All Black Brian Lochore is MC at the launch, where McLauchlan is put on mock trial in stocks at the town hall. Passionless People was a runaway best seller.
This short documentary observes a day in the life of Auckland’s David Lange Care Home. Near wordless, the impressionistic film tracks the residents, workers, sounds and rhythms of a world many New Zealanders inhabit: aged care accommodation. Directors Nick Mayow and French-born Prisca Bouchet met while working as editors; both have grandparents in rest homes. Today follows on from their award-winning doco Le Taxidermiste. Chosen for the London Short Film Festival, Today was made as part of Loading Docs, a series of shorts created for online screening.