“This song is called ‘Medicine Man’ because music is my medicine, and failing all else in life, music remains the constant no matter who else is there.” So said Tama Waipara of the first single from his third album Fill Up the Silence, which was rated Best Roots Album at the 2014 NZ Music Awards. The song’s beat is credited to a Papua New Guinean influence, but Jessica Sanderson’s video roams widely: from Pasifika and colonial drummers to carpark breakdancing and getting lost inside headphones in a laundromat, from poi to pop and lock — to where “love is in the music”.
Coup D'Etat were a short-lived band featuring Harry Lyon (during a Hello Sailor sabbatical) and Jan Preston (from travelling theatre act Red Mole). The band's second single is an ode to "the dangers of having too much fun". The bright, breezy number was written by Lyon, with the familiar Ponsonby reggae beat favoured by Hello Sailor. Peaking at nine on the charts, it won Best Single at the 1981 NZ Music Awards. The pedestrians in Leon Narbey’s video are near Auckland's Civic Theatre on Queen Street. In the same period, Narbey shot the short film of the same name.
This 1983 documentary looks at the (then booming) export of deer antler velvet from New Zealand farms to Asia where the “horns of gold” are highly valued as an aphrodisiac and cure-all tonic. The doco captures the hazards of the trade: from bulldogging (hunters leaping from helicopter skids onto wild deer), to volatile markets in Hong Kong and Korea. The players include a triad of Asian middlemen “who make the millions”, and Kiwi deer entrepreneur Tim Wallis, who led a delegation of farmers to China in 1981 to discover the secret of the Eastern love potion.
This feature film follows Māori medicine woman Paraiti (played by singer Whirimako Black) on a rare visit to Auckland from her Urewera home. She meets a Māori servant (Rachel House) and is drawn into helping a wealthy Pākehā woman (Outrageous Fortune’s Antonia Prebble) with a scandalous, life-threatening secret. The tale of culture clash and deception in settler Aotearoa was directed by Mexican Dana Rotberg (Otlia Rauda), who adapted the story from Witi Ihimaera novella Medicine Woman. Producer John Barnett was also involved in the adaptation of Ihimaera’s Whale Rider.
Aged 101 when interviewed for this series, Auckland-born Laurence Reynolds was a Major in the British Army during World War II. Reynolds was studying medicine in the UK when war broke out. Here he recounts his wartime service, from running a hospital in Iraq and dealing with malaria (almost dying of it himself), to romance on home leave, and facing polio and ambushes while working as a doctor in Quetta and Bannu (in what is now Pakistan). Post-war, Reynolds went on to pioneer coronary rehabilitation, including helping establish the first coronary care unit at Greenlane Hospital.
This 65 minute long documentary looks at the treatment of New Zealand children born with cerebral palsy (a set of conditions which affect motor control, caused by brain defects that typically occur around pregnancy and birth). Made for the Department of Health, the National Film Unit production visits a specialist unit in Rotorua, to praise the understanding and care applied to help the ‘cerebral palsied’ live full lives. Director Frank Chilton was made an OBE for services to handicapped children. This film won a Diploma of Merit at the 1957 Edinburgh Film Festival.
This edition of New Zealand Stories follows a group of Australasian and German medical teams who make an annual charity trip to the Philippines. Over six intensive days they examine and operate on roughly 100 children who can't afford medical care — children for whom a single operation can be life-changing. As Auckland plastic surgeon Tristan de Chalain explains, the treatment typically involves fusing together parts of the lips and/or roof of the mouth which failed to join before birth. In this backgrounder, producer Amanda Evans writes about a mission born from kindness.
The trenches of World War I represented warfare on a new scale and produced facial wounds in numbers never seen before. This Top Shelf doco examines the legacy of Sir Harold Gillies and Henry Pickerill — NZ surgeons who founded modern reconstructive plastic surgery while treating these injuries — and of Sir Archibald McIndoe and Rainsford Mowlem who continued this work during World War II. This excerpt focuses on Gillies and Pickerill, and the rediscovery of the remarkable surgical models, and watercolour paintings of their patients, they used as teaching aids.
This National Film Unit production was made to celebrate the golden jubilee of the Plunket Society. Plunket — aka ‘Karitane’ — nursing is a New Zealand system of ante-natal and post-natal care for mothers and infants, founded by Sir Truby King: “the man who saved the babies”. Featuring original nurse Joanne MacKinnon, the film follows Plunket from a time of high infant mortality to providing contemporary nursing to a New Zealand flush with postwar optimism: “a family country, where children grow happily in the fresh air and sunshine.”
Narrated by Hilary Barry and screening on 3 News, this series of short documentaries profiles New Zealanders involved in World War I. This episode looks at sexual health campaigner Ettie Rout, who was determined to tackle the high venereal disease rate amongst Kiwi soldiers. Her biographer Jane Tolerton tells of Rout advocating for prophylactic kits, and setting up a safe sex brothel in France. Rout attracted controversy and censorship, and was scorned by the establishment as immoral. But soldiers and doctors thanked her as the "guardian angel of the ANZACs".