Future Shortland Streeter Craig Parker features in this tale centred on a group of young teens fascinated by radio-controlled car racing. Screening as a TV series, Hotshotz was also recut into this telefilm. The "swift and slick" tale (The Listener) sees the teens setting out to foil a criminal gang, as a kidnapping sets the scene for espionage and counterfeiting. In scenes that echo modern-day drone use, a remote controlled model helicopter equipped with a camera plays a key role in the story’s resolution. Veteran writer Ken Catran contributed to a title that sold in 25 territories.
By the mid 90s, popular TVNZ weatherman Jim Hickey had begun presenting things other than fronts and precipitation (e.g. Country Calendar, Shaky Beginnings). In 2000 he got his own series. This first episode of his TV One motoring show sees Marie Azcona report on the controversy surrounding the Model T Ford winning Car of the Century; Mark Leishman gives the lowdown on buying a car at an auction; guest Jim Mora vacuums his Audi; and host Hickey test drives the new Volkswagen with music journo and “old Beetle fan” Dylan Taite.
Great adverts are strange things: mini works of magic, with the power to make viewers smile, cry, and even buy. Kiwi directors have shown such a knack for making them, they've been invited to do so across the globe. But this collection is about local favourites; dogs on skateboards, choc bar robberies, ghost chips. NZ On Screen's Irene Gardiner backgrounds the top 10 here.
Mike Chunn's post-Split Enz band was formed as a vehicle for his brother Geoff's songs and this single from their second album is the one they are best remembered for (placing 97th in APRA's 'Nature's Best' Top 100 NZ songs in 2001). It's a classic car-as-metaphor-for-love song (although the model in question sounds like it needs some work). The line "come and come get you" is apparently a sly reference to the very continental VW Kharmen Ghia. This TVNZ studio video captured their live energy but inexplicably put them in a graveyard set much to the band's dismay.
Set in and around the fictional town of Kapua in 1948, Ngāti is the story of a Māori community. The film comprises three narrative threads: a boy, Ropata, is dying of leukaemia; the return of a young Australian doctor, Greg, and his discovery that he has Māori heritage; and the fight to keep the local freezing works open. Unique in tone and quietly powerful in its storytelling, Ngāti was Barry Barclay's first dramatic feature, and the first feature to be written and directed by Māori. Ngati screened in Critics' Week at the Cannes Film Festival
Gaylene Preston has been making feature films and documentaries with a distinctive New Zealand flavour and a strong social message for over 30 years. In 2001 she was the first filmmaker to be made a Laureate by the Arts Foundation, recognising her contribution to New Zealand film and television.
Alongside partner Shane Loader, Andrea Bosshard makes and distributes films through indie filmmaking initiative Torchlight Films. Dominion Post critic Graeme Tuckett called the pair's second feature Hook, Line and Sinker “likeable, admirable and hugely enjoyable”. Third feature The Great Maiden's Blush was released to acclaim — and awards — in 2016.
Rena Owen made her name playing the courageous battered wife in Kiwi blockbuster Once Were Warriors. The film won her a run of awards, and international acclaim from Newsweek, The Wall Street Journal, The Sydney Morning Herald, Vogue, and Entertainment Weekly. Since then Owen has worked on films in New Zealand, Fiji, Hungary and the United States.
Simon Riera (pronounced Re-air-ah) fell in love with filmmaking while studying geology at Otago University. Since then his work as a cinematographer has included five features — spanning everything from Hopeless to Housebound — award-winning work on TV thriller The Cult, and an array of noteworthy short films.
Globetrotting director Dean Cornish's credit reel ranges from Intrepid Journeys to bold buildings, Extreme Tribes to Rachel Hunter, sex trafficking to This Town. Trained at Christchurch's NZ Broadcasting School, Cornish has produced films in more than 90 countries and crafted a reputation as a go-to guy for travel stories. He shared a Best Director gong at the 2011 Aotearoa Film and TV Awards for Making Tracks.