Auckland Museum's Volume exhibition told the story of Kiwi pop music. It's time to turn the speakers up to 11, for NZ On Screen's biggest collection yet. Turning Up the Volume showcases NZ music and musicians. Drill down into playlists of favourite artists and topics (look for the orange labels). Plus NZOS Content Director Kathryn Quirk on NZ music on screen.
In 1995 Flying Nun released compilation CD Abbasalutely, made up of ABBA covers from their stable of artists. Headless Chickens contributed with this decidedly heavy cover of 'Super Trouper', ABBA’s ninth and final UK chart topper. The monochrome music video for the remake takes place at the RNZAF Base at Whenuapai, with the Chickens adopting many precarious positions on top of aircraft. It was directed by Jonathan Ogilvie, who helmed numerous Flying Nun music videos. The song's title was inspired by a popular concert spotlight.
"My name is Mr Larry Woods and they call me Mr Sunshine." This 2016 Loading Doc offers a mini portrait of the colourful shoeshine man famous for spreading goodwill and cheer on Auckland’s streets. The documentary charts Wood’s journey from chauffeur-driven millionaire making headlines for his lush lifestyle, to street-working ambassador pushing the creed of “just being nice”. Directed by Eldon Booth in stylish monochrome, the documentary was shared by Atlantic and Aeon magazines and website Short of the Week, and screened at England's Sheffield Doc/Fest.
In the 1990s Maree Sheehan was one of a small number of Māori women who used Māori instrumentation to create their own special flavour of dance music, hip hop and R'n'B. The video for this highly percussive R’n’B track from 1995 features performances by kapa haka group Te Ao Hurihanga. The stylish monochrome clip was partially shot on Auckland's One Tree Hill, before it lost its famous tree. Josh Frizzell, who directed this, had recently helmed one of the most played Kiwi music videos of 1994 — System Virtue, for Māori singer Emma Paki.
A heartwarming tribute to the spirit of togetherness, this Dave Dobbyn classic celebrates Aotearoa's many colours. Forklift drivers, shop owners, children and (then) asylum seeker Ahmed Zaoui lend weight to the welcome, as does the declaration at the end: "We come from everywhere. Speak peace and welcome home." Taken from 2005 album Available Light, Dobbyn's song became an unofficial anthem to many expats. Dobbyn went on to sing it at the 2006 launch of a NZ memorial in London, at concerts after the 2019 Christchurch mosque attacks — and in te reo version 'Nau Mai Rā'.
Awash with off-kilter angles and some highly unusual noises, The Hole centres around a man and a woman who react in very different ways to the unexpected. Dean (Scott Wills from Apron Strings) and Jenny (Magik and Rose’s Nicola Murphy) are digging a well when Jenny hears voices from the bottom of the hole. The irascible Dean starts thinking about exploitation; Jenny thinks about helping. Inspired by a tale told by his grandmother, Brian Challis’ first film was invited to the prestigious Clermont-Ferrand Short Film Festival, plus more than a dozen others.
Made by off-duty Lord of the Rings crew and directed by James Barr, this video won The Knack Award at the 2001 Flying Fish Music Awards, and was a Handle the Jandal award-winner the same year. Shot in black and white, the clip is visually strong, but contains lots of shots of the band falling from buildings, so don’t watch it if you suffer from vertigo. And please don’t try this at home! Onetime band member Bret McKenzie (Flight of the Conchords) turns up in the final stages, with an emergency bucket.
In 2006 photographer Greg Semu was offered the first residency at indigenous museum Quai Branly in Paris. Just over a decade earlier his debut exhibition was on at Auckland Art Gallery — and he was making an award-nominated music video for the Sisters Underground, with veteran video director Kerry Brown. Set around Mangere Bridge, their clip exudes a palpable warmth, even if the lyrical references to MAC-10s and a hot and cruel June morning are nods to MC Hassanah’s Nigerian origins, rather than the South Auckland suburb. The song got to number six on the Kiwi charts.
The video for Shihad’s 'Wait And See' has the band shot in sepia, and trapped in industrial landscapes. Caught in the confines of a factory, the band face tentacles growing out of the walls and a mystery typewriter that seems central to proceedings. Mimicking surveillance footage, the video is made up of fast cuts and shaky shots. The song features on their EP Blue Light Disco, and was later rerecorded for number one album The General Electric. In 2000 the clip won director Reuben Sutherland the first of two consecutive Best Music Video gongs, at the Coca-Cola NZ Music Awards.
Set in the 1920s, this quirky short starts by taking the black and white cinema of the time literally. Then photographer Charlie Floyd (Adam Joseph Browne) stumbles across the technology to turn the drab grey world into full colour; a future of fame and fortune surely awaits. But when a potential romance with the florist across the road does not go as planned, Charlie learns that perhaps black and white isn't so dull after all. Directed by Southern Institute of Technology student Emma Schranz, the film was a finalist at short film festival Tropfest in 2015.