This 1982 film, made for the New Zealand Council for Recreation and Sport, is an impressionistic exploration of play. Child narrators talk about what play means to them, while the images capture young people engaged in recreation. The focus is on informal play: kids and teenagers at playgrounds, hunting for frogs, reading, skylarking in the snow, doing cartwheels on the beach, fixing motorbikes, skipping, stargazing and playing Space Attack. Seagulls inspire dreams of flight for a young girl, and a fancy dress ball for adults shows the enduring spirit of play.
Pirate radio hit Kiwi airwaves on 4 December 1966 when Radio Hauraki broadcast from the Colville Channel aboard the vessel Tiri. Made by Sally Aitken, this film reunited the original pirates for the first time in 30 years to recall their battle to bring rock’n’roll to the youth of NZ. Featuring rare archive footage, the tale of radio rebels, conservative stooges, stoners, ship-wrecks and lost-at-sea DJs was originally made as a student film. It was bought by TVNZ and screened in primetime to praise: “Top of the dial, top of the class” (Greg Dixon, NZ Herald).
“There are one million passionless moments in your neighbourhood; each has a fragile presence which fades as it forms.” So says a voice in this early Jane Campion collaboration with Gerard Lee (Sweetie, Top of the Lake). Made — without permission — while both were students at Australian Film, Television and Radio School, the short eulogises 10 such moments to wry effect, from ‘Sleepy Jeans’ (misheard lyrics), to ‘Sex ... Thing’ (idle yoga thoughts). The celebration of the micro-absurdity of suburban life showed in the Un Certain Regard slot at the 1996 Cannes Film Festival.
On 4 December 1966 pirate radio hit Kiwi airwaves when Radio Hauraki broadcast from the Colville Channel aboard the vessel Tiri. In this feature, rookie director Craig Newland and writer Andrew Gunn fictionalise the true life story of the station’s battle to get to air — overcoming courtroom rulings and a conservative state broadcasting monopoly, as well as storms at sea. Go Girls actor Matt Whelan (who was Moa-nominated for the role) plays young rebel journo Richard Davis, fighting for free speech, the freedom to choose, the woman he loves … and rock’n’roll!
This headline-grabbing 1979 documentary examines inequality via interviews with an unemployed student, a young widow and a Porirua family of eight; plus visits to a Fijian village and a Hong Kong housing estate. The film's arguments that business and government monopolies had caused poverty in “egalitarian New Zealand”, and that NZ trade practices had added to it elsewhere, displeased Prime Minister Robert Muldoon. State television refused to screen the Greg Stitt-directed documentary; CORSO, the charity who commissioned it, was removed from the government’s funding list.
Andrew Niccol is one of the rare Kiwis to have made a career in Hollywood, and to boot he has done so largely with films based on his original ideas. His directing debut was dystopic GE future tale Gattaca, and he wrote one of the most acclaimed films of the 90s, reality TV saga The Truman Show. He has directed A-list actors Al Pacino, Ethan Hawke, Uma Thurman, Nicolas Cage, and Justin Timberlake.
John Terris, QSO, moved from radio into television when the new medium hit New Zealand in the early 60s. Starting as a continuity announcer, he went behind the scenes, directing on the first seasons of TV staples Country Calendar and Town and Around. In 1978 the one time Hutt City mayor began 12 years as Labour MP for Western Hutt, including time as the deputy speaker. These days Terris heads advocacy group Media Matters.
After time in print and television news, and nine years commanding the Wellington Film Festival, Shelton began his dream job — selling local films for the New Zealand Film Commission. During a 22 year run as the commission's first marketing director he handled sales for more than 60 feature films, including Goodbye Pork Pie, An Angel at My Table and Once Were Warriors.
Roger Donaldson is notable for spearheading the New Zealand film renaissance with Sleeping Dogs (1977). He has been busy directing in Hollywood for much of the period since. Donaldson's first Kiwi story since acclaimed drama Smash Palace (1981) was Burt Munro biopic The World’s Fastest Indian (2005) — the most successful New Zealand film on home soil until the arrival of Taika Waititi's Boy in 2010.
After 19 years working in news and current affairs at the BBC, Paul Norris returned to New Zealand in 1987 to lead TVNZ’s news and current affairs team during a period of major change (including the launch of hit show Holmes). Nine years later he left to head the NZ Broadcasting School in Christchurch. A widely respected and passionate advocate for public broadcasting, Norris died in February 2014.