Former schoolmates having babies were Finn Andrews' inspiration for this elegant, optimistic piece of chamber pop from the second Veils album Nux Vomica (named for the poison tree which produces strychnine and a homeopathic remedy). The delightfully wry video finds the band's performance in a pink-swathed set invaded by crawling babies and toddlers. The song celebrates a single mother's right to raise her child; the band's interactions with the babies suggests they'll be content to keep the next generation at arm's length for quite some time.
On Prince William’s first Royal Tour downunder his encounter with a native buzzy bee attracted worldwide press attention. This Spotlight collection is a drive-by of past Royal Tours to the south Commonwealth. It features the Queen Mother, the Queen, Prince Charles, Princess Diana, the baby Prince...
This Spotlight collection celebrates women and feminism in New Zealand - the country that was the first in the world to give women the vote. We shine the light on NZ wahine toa: suffrage pioneers, front-running politicans, educators, unionists, writers, musicians, mothers, and feminist warriors; ...
In the pre-Flying Nun era, Mother Goose was the most successful band to emerge from Dunedin. Their mad-cap image and on-stage antics blended mid-1970s rock'n'roll theatricality with a nursery sensibility built around characters that included a sailor, a bumble-bee, a ballerina and a nappy-clad baby. Their biggest hit, the novelty song 'Baked Beans', threatened to overwhelm their more serious music and a career which ran to three albums, extensive touring in Australia and the USA and an APRA Silver Scroll for their 1981 single 'I Can't Sing Very Well'.
This collection celebrates more of the legendary TV moments that Kiwis gawked at, chortled with, and choked on our tea over. In the collection primer Paul (Eating Media Lunch) Casserly chews on rapper Redhead Kingpin’s equine advice to 3:45 LIVE! and mo’ memorable moments: from a NSFW Angela D'Audney to screen folk heroes Colin McKenzie and the Ingham twins.
On 8 June 1987 Nuclear-free NZ became law. This collection honours the principles and people behind the policy. Norman Kirk: "Should I take the view that because they'll react against us that we shouldn't stand up for ourselves? I don't think New Zealand's a doormat. I think we've got rights — we're a small country but we've got equal rights, and we're going to assert them."
This collection celebrates the onscreen legacy of Sir Edmund Hillary — from triumphs of endurance (first atop Everest, tractors to the South Pole, boats up the Ganges) and a lifetime of humanitarian work, to priceless adventures in the NZ outdoors. Tom Scott and Mark Sainsbury — Ed’s TV biographers-turned-mates — offer their own memories of the man.
This collection, launched to honour 10 years of NZ Fashion Week, celebrates Kiwi fashion on screen. From TV showpieces (B&H, Corbans) to docos on designers; Gloss to archive gold, from Swannies to Split Enz, taniko to foot fetish ... take a stroll down the catwalk of our sartorial screen past. Beauties include ex-Miss Universe Lorraine Downes and a teenage Rachel Hunter.
Brian Brake is regarded as New Zealand's most successful international photographer. But before heading overseas to work for photo agency Magnum and snapping iconic shots of Picasso and the Monsoon series for Life magazine, he was also an accomplished composer of moving images. He shot or directed many classic films for the NFU, including NZ's first Oscar-nominated film.
Celebrating the 75th anniversary of government filmmakers the National Film Unit, this NFU collection pulls highlights from the 280+ wartime newsreels, tourism promos and Oscar nominees on NZ On Screen. Curated by NFU expert Clive Sowry, the collection includes backgrounders by Roger Horrocks, plus Film Unit alumni Sam Pillsbury, Paul Maunder, Arthur Everard and Lynton Diggle.