This award-winning short revolves around a Māori women’s rugby team. Rising star Phoenix (newcomer Ngawaea Taia) has to negotiate motherhood, her mateship with the crusty old coach (veteran Roy Billing), and her feelings for the captain (Maria Walker). Directed by Tim Worrall, and filmed in his Rotorua hometown, the short was one of six selected by director Christine Jeffs for 'New Zealand’s Best' at the 2015 NZ International Film Festival. Jeffs praised the film as "realistic and full of feeling". Worrall won Best Short Script at the 2015 SWANZ (NZ Writers Guild) Awards.
Movie Vermilion follows composer Darcy (Jennifer Ward-Lealand) over a summer month, as her daughter prepares to marry. Darcy sees colours when she plays musical notes, but after seeing the colour vermilion she is prompted to secretly make her own plans. The exploration of motherhood, family and female friendship marks the feature debut of director Dorthe Scheffmann (Cannes-selected 1995 short film The Beach). The ensemble cast includes Theresa Healey, Goretti Chadwick (Game of Bros), and newcomer Emily Campbell. The production team were 85 per cent female.
Directed by award-winning current affairs journalist Amanda Millar, this documentary celebrates the life of equality advocate Celia Lashlie. The first female prison officer in a male prison in New Zealand, Lashlie fought to get people the tools for making responsible decisions, from female prisoners to fatherless boys to impoverished children. Lashlie had a particular focus on empowering mothers. The documentary was filmed over the last months of her life, following a diagnosis of terminal cancer. Celia premiered at the 2018 New Zealand International Film Festival.
Advice show Dilemmas saw a doctor and a panel of guests responding to letters from viewers on a range of issues. In this episode, Australian GP Kerryn Phelps and guest panelists Jude Dobson, Philip Alpers and Liane Clarke deal with everything from a neighbour using a chainsaw at 6:30am on a Sunday, to violence in a relationship. The question of smacking kids as a disciplinary measure is given a children’s perspective, and Liane Clarke suggests a humorous way to deal with catcalling. Phelps went on to become the first woman elected to head the Australian Medical Association.
This documentary was made to mark the centenary of New Zealand women winning the right to vote, on 19 September 1893. It traces the history of Aotearoa’s world-leading suffrage movement, and interviews contemporary women in politics. They chart how far things have come, and reflect on the enduring double standards that women still face. Interviewees include Helen Clark (then leader of the Labour Party), Jenny Shipley, Dame Cath Tizard, Wellington Mayor Fran Wilde and visiting President of Ireland, Mary Robinson, plus mothers and high school students.
In Samoan-born director Sima Urale's first feature, two mothers from very different Aotearoa cultures find the courage to confront the secrets of the past, in order to set their sons free. Hard-working Lorna runs an old-fashioned cake shop and lives with her unemployed son. For Anita, star of an Indian cooking show, things come to a head when her son decides to meet her estranged sister Tara, who runs a no-frills curry house. Apron Strings debuted in the Discovery Section of the 2008 Toronto Film Festival. It won four Qantas awards, including for actors Jennifer Ludlam and Scott Wills.
In this 2012 series, media personality Jaquie Brown chronicles a year as a young mother, as she raises her first child Leo. With a single rule — not to offer advice — Brown aimed to document honestly the realities of modern parenting. This first episode looks at everything from worrying nipple advice to installing car seats, from the pelvic floor to the post-baby body. Brown's candid reflections (captured in video diary 'Little Brother') are mixed with experts (Plunket nurses, baby whisperers), and a look at Kiwi child-rearing social history. The show was produced by JAM TV for TV One.
Early teleplay The Evening Paper had the same rigid (theatre or radio-derived) format as other early TV dramas of the 60s, but it did something never before seen on local screens. Written by playwright Bruce Mason, the drama dared to expose a stifling NZ suburban existence. Jaded visiting Pom, Phillip; snivelling Winsome and her domineering mother Elfrida, and passive father Ernest, proved too much for viewers, who decried the drama as inaccurate and "unfair"; in other words, The Evening Paper gave Kiwis their first on-screen dose of cultural cringe.
This is the first of a six-part TVNZ series which follows seven couples from antenatal classes to the reality of childbirth and parenthood. Along the way they share their hopes and fears as they await the arrival of their first born. This episode focuses on antenatal classes, decisions that have to be made and practical adjustments, including jobs and budgeting. The fathers-to-be provide some of the most humorous lines, mostly displaying their naivety (one looks forward to the chance to "laze back a bit"). But all the participants show an honesty that makes for fascinating viewing.
This 2012 JAM TV series followed media personality Jaquie Brown as she confronted the travails of 21st Century motherhood, raising her first child Leo. Directed by Jane Andrews, the series mixed a video diary (sleep deprivation, poop and occasional joy), with reenactments, interviews, and archive material. Brown had earlier written a cheeseburger crotch n’all chronicle of her pregnancy, I’m Not Fat, I’m Pregnant. The six-part series was filmed for two half-days a week, over a year. It screened on TV One on Wednesdays at 8pm.