In this 60s TV series Selwyn Toogood headed to the heartland to explore six Kiwi towns; it was one of the legendary presenter's first TV slots. In this fifth episode Toogood heads to Motueka to check out the hops, orchards and tobacco crops, and the impact of the seasonal workers on pubs and policing in the Tasman district. Toogood muses on machinery, and interviews pickers about their motives. Women pickers exalt the chance to meet some "jokers" and save for an OE. Toogood also asks a couple of Australian blokes “what do you think of New Zealand girls?”
The enormous significance to Māori of marae, as places of belonging where ritual and culture can be preserved, is explored in this Pita Turei-directed documentary. Made in conjunction with the NZ Historic Places Trust, it chronicles the programme to restore marae buildings and taonga around the country — and the challenge of maintaining the tribal heritages expressed in them. As well as visiting some of NZ's oldest marae, one of the newest also features — Tapu Te Ranga, in Wellington’s Island Bay, which is being built from recycled demolition wood.
This documentary series was presented by the legendary Selwyn Toogood. These New Zealanders was one of Toogood's first appearances for television, having previously become a household name as a radio host. The National Film Unit production was part-documentary, part-magazine, and part-travelogue, and took Toogood to six towns to capture their character and people. The towns visited were Gore, Benmore, Motueka, Huntly, Gisborne and Taupō. It provides a fascinating perspective of New Zealand life in the 1960s.
When a man is found dead in the petrol station run by Horace Jones (Mark Hadlow), a surprising opportunity arises to get rid of some debt. But things get complicated when a menacing customer (Jed Brophy from The Hobbit ) shows up looking for the dead man’s money. Shot entirely on an iPhone at a petrol station in Motueka, Blue Moon is the third feature from writer/director Stefen Harris, who used his years as a police officer as inspiration for what goes on in the wee small hours. The film debuted in the Christchurch leg of the 2018 NZ International Film Festival.
From an early role as a teen bully in Children of Fire Mountain, Mark Hadlow, ONZM, has gone on to work beside Billy T James, Peter Jackson, talking hedgehogs and mutant huhu grubs. The veteran actor/comedian is fondly remembered for playing a wide-eyed farmer on hit TV series Willy Nilly; in Jackson’s three-part adaptation of The Hobbit, he was grey-bearded Dori the dwarf.
Peter Blake introduced more local content to popular music shows Ready to Roll and Radio with Pictures at a time when covers of overseas songs were the norm. The longtime musician began in television via 1970s music programme; Grunt Machine, and ended up in charge of a stable of shows. He has also composed music for everything from TV One's nightly News theme to drama Shark in the Park.
As manager of the National Film Unit, David Henry Fowler oversaw the organisation's move from Miramar to Lower Hutt. In 35 years of filmmaking he worked in both government and private sectors: writing, directing, and producing memorable films ranging from commercials to features. After his career at the top was cut short by ill-health, he continued to pass on his knowledge and experience in advisory roles. Image credit: Archives New Zealand, ref AAQT 6421 B57
Geoffrey Scott, MBE and OBE, oversaw the Government's National Film Unit for over 20 years, until his retirement in 1973. Scott began his film career playing piano over silent movies. During his command of the unit, the organisation won 141 awards.
Claude Wickstead started working at the Government Film Studios in 1938. After serving in WWll, he joined the National Film Unit’s sound department, where he contributed to the soundtracks of a great many films including the long-running series Weekly Review and Pictorial Parade. He was in charge of the NFU Sound Department from 1951 until his retirement in 1977.
Director and producer Oxley Hughan began directing for the Government's National Film Unit during World War II. In the 60s he moved into producing, working on another 120 plus films before his retirement in 1967. Hughan passed away in January 1992.