In this 1971 film pianist Barry Margan ‘humps’ his grand piano around NZ, on a mission to bring classical piano to places where it might not typically be heard. Aiming to break down barriers to enjoying live chamber music, Margan plays his pop-up piano (including Douglas Lilburn’s ‘Sonatina’) at coffee bars, libraries and art galleries. The trailer-borne grand is not easy to set up, but the audiences (from soldiers to children) are willing. Narrated by Margan, this was the last film in the National Film Unit's three decade-spanning Pictorial Parade magazine series.
Dame Catherine Tizard has been many things: mother, marriage celebrant, civic leader and Her Majesty's rep in NZ. Here Tizard takes reporter Marcia Russell through her life, from a Waikato town (where she was wary of becoming a farmer's wife); through marrying her uni lecturer; leading Auckland as mayor; to her Governor-General role. Her front-running story parallels societal changes that presented increased opportunities for Kiwi women. A roll-call of Governors-General outlines how for over 100 years the position was held exclusively by white British males.
Sam Neill moved from directing at the National Film Unit, to becoming one of New Zealand's most internationally successful actors. His resume of 60+ features includes lead roles in a number of local movies, from a man alone in breakout feature Sleeping Dogs to an unusual reverend in Dean Spanley.
Katie Wolfe made her small screen acting debut in the early 90s. Fresh from drama school she played the daughter of Andy Anderson's character on TV series Marlin Bay. Many acting roles later, Wolfe moved into directing, including well-travelled short film This is Her and TV movie Nights in the Gardens of Spain.
Samoan-born, New Zealand-raised director Sima Urale is our first prominent Samoan female director. Urale has brought touching stories of Pacific people to the screen, often from an NZ outsider’s point of view. Urale credits her film success to determination and dealing with social issues close to her heart.
After winning attention both in The Thomas Oliver Band and with his solo lap steel guitar work, Thomas Oliver took away the 2016 APRA Silver Scroll songwriting award with 'If I Move to Mars'. The video makes the most of the intragalactic theme, with a Gravity inspired/gravity-defying video made by a pair of effects wizards from Weta Workshop. The visually impressive result sees Oliver in a spacesuit, peacefully orbiting the Earth playing a custom space-guitar as the sun slowly rises behind him.
Set in cowboy bar/truckstop 'The Cask Cleaver Rodeo Restaurant and Cabaret' and opening with a woman riding a mechanical bull, this clip is classier than a Kylie Minogue lingerie commercial. Minogue's people obviously drew the line at drunken bar room brawls complete with smashing glassware and a stage cage. Later the partying moves to a limousine. James Barr's clip is simple yet slick, and lit with a warm golden palette. Even the violent bar brawl seems somehow mellow.
This collection celebrates women and feminism in New Zealand — the first country in the world to give all women the vote. We shine the light on a line of female achievers: suffrage pioneers, educators, unionists, politicians, writers, musicians, mothers and feminist warriors — from Kate Sheppard to Sonja Davies to Shona Laing. In her backgrounder, TV veteran and journalism tutor Allison Webber writes how the collection helps us understand and honour our past, asks why feminism gets a bad rap, and considers the challenges faced by feminism in connecting past and present.
In the beginning — of both movies and books — is the word. Many classic Kiwi films and television dramas have come from books (Sleeping Dogs, Whale Rider); and many writers have found new readers, through being celebrated and adapted on screen. This collection showcases Kiwi books and authors on screen. Plus check out booklover Finlay Macdonald's backgrounder.
Brian Brake is regarded as New Zealand's most successful international photographer. But before heading overseas to work for photo agency Magnum and snapping iconic shots of Picasso and the Monsoon series for Life magazine, he was also an accomplished composer of moving images. He shot or directed many classic films for the NFU, including NZ's first Oscar-nominated film.