In this documentary, artist Helen Pollock discusses her sculpture Falls the Shadow. Using clay from the Coromandel and the Passchendaele (Netherlands) battlefield, she created a grove of arms reaching up against a background of trees stripped bare by gunfire in World War I. The work was inspired by her father, a wartime signaller. Pollock discusses her installation and the effect of combat on New Zealand troops in the war (846 Kiwis died in two hours during the 1917 battle of Passchendaele). The work is now on permanent display at Passchendaele Memorial Museum.
Blackmail, lies and secrecy feature heavily in this TV3 documentary, which follows the teenage daughter of the photographer killed in the 1985 bombing of Greenpeace ship Rainbow Warrior. Marelle Pereira was just eight when her father Fernando died after French Secret Service agents set off two bombs in Auckland. The boat was set to protest nuclear testing in French Polynesia. Now 18, Pereira and her mum travel to French Polynesia, France and Aotearoa to ask why the French carried out the attack. Pereira interviews Rainbow Warrior crew and former Kiwi PM David Lange.
This 1978 National Film Unit documentary provides a potted history of settler groups that came to New Zealand from Europe. Archive material and narration covers the colonials. Then visits are paid to the German-descended Eggers, tobacco growers from Moutere, and newly arrived French bakers and Dutch dairy farmers. Aptly for a film directed by actor and future winemaker Sam Neill, the film drops in on an Italian play and the Babich family of Dalmatian winemakers. Neill worked at the NFU in his 20s, around the time of his breakout acting role in Sleeping Dogs (1977).
Here to Stay uses New Zealand personalities to examine key settler groups that make up the Kiwi tribe. Each show mixes personal stories with a wider view, as the presenter sets out to discover what traits and icons their ethnic group contributed to the NZ blend. In the first (of two) series Michael Hurst, Theresa Healey, Ewen Gilmour, Jackie Clarke, Frano Botica and Bernadine Lim explore the English, Irish, German, Scot, Croatian, and Chinese stories respectively. Each episode includes identity reflections from a chorus of well-known Kiwis.
A request from Holland's National Museum of Ethnology to acquire a Māori war canoe (waka taua) as a permanent exhibit resulted in master builder Hector Busby being commissioned to craft one. Jan Bieringa’s film looks at the history of waka, and follows the project from construction and launch, to the training of a Dutch crew and arrival in Holland. The first waka to permanently leave New Zealand shores makes a surreal sight on the canals of Abel Tasman’s birthplace. Onfilm reviewer Helen Martin praised it as "a special film about a very special project."
With the phrase “we were lucky to get away with it” and a ready laugh, 97-year-old Douglas Smith describes some of the close calls he had as a trainee and later bomber pilot during World War ll. Luck yes, but skill too, as he survived a 30 mission tour of duty. Douglas first tasted action flying a small, twin engine Dakota Boston over France and the Netherlands. Graduating to four engine Lancasters, he took part in huge raids over some of Germany’s biggest cities. Never afraid himself, he laments the vast loss of life among friends and enemies.
Private Journeys / Public Signposts turns the camera on photographer Ans Westra. Dutch emigree Westra has captured iconic images of New Zealanders since the late 1950s, expressively observing Aotearoa societal changes, particularly Māori urban drift. This film explores her remarkable life and work, and includes commentary from family and friends, fellow photographers, and colleagues, as well as discussion of the Washday at the Pa controversy. Luit Bieringa, curator of Westra's retrospective photo exhibition, directed the film, his first.
In a career spanning four decades, Alan Morris worked in radio and television in NZ, Australia, England and Europe. He turned his hand to announcing, copywriting, presenting and training, but at heart felt he was a producer and director. Morris was Director-General of TV One during the early days of two channel TV in NZ in the late 70s, and also held senior positions at the ABC and Associated-Rediffusion in the UK.