This collection celebrates more of the legendary TV moments that Kiwis gawked at, chortled with, and choked on our tea over. In the collection primer Paul (Eating Media Lunch) Casserly chews on rapper Redhead Kingpin’s equine advice to 3:45 LIVE! and mo’ memorable moments: from a NSFW Angela D'Audney to screen folk heroes Colin McKenzie and the Ingham twins.

In this film, late choreographer Douglas Wright's work Gloria is captured on camera by Alun Bollinger, in a rare directorial effort from the legendary Kiwi cinematographer. Antonio Vivaldi's Gloria RV589, a hymn praising the birth of Christ, plays behind a yellow and black flurry of limbs and gestures. The journey from gymnastic leaps to rest, marks the cycle of life. The work was shot soon after Wright returned from his dance OE and formed the Douglas Wright Dance Company. The screening attracted attention from morals groups worried about nudity on television.

In the third episode of this drama based on the 1888-89 tour of Great Britain by the NZ Natives rugby team, the romance between Pony and Charlotte is gathering momentum. Charlotte’s grandfather — the Earl — might be alarmed by the tryst, but the Cambridge University rugby team has a far blunter way of expressing their displeasure with a Māori rugby player trying to cross class and racial lines. In the face of such opposition, Charlotte and Pony attempt to follow their hearts, but can they resist the pressures now being exerted by both of their cultures?

After her husband is jailed, matriarch Cheryl West (Robyn Malcolm) decides the time has come to set her family on the straight and narrow. But can the Wests change old habits? So begins the six-series long saga of the Westie dynasty. Hugely popular at home (beloved by public, critics and awards-nights alike), and imitated overseas, Outrageous Fortune has been a flag-bearer for TV3 and contemporary NZ telly drama; the series proved — in all its grow-your-own glory — that genre TV in NZ could be so much more than overseas stories pasted to a local setting.

This first episode of NZ's most popular and critically acclaimed drama series revolves around Wolf West being sentenced to four years in prison — and his wife, Cheryl, deciding it's time for her and her children to get out of the "family business". Wolf and the local police are dubious. But even this early in proceedings, it would be foolish to underestimate Cheryl. Whether she can take her daughters (ditzy wannabe-model Pascalle and the cunning Loretta) and sons (yin and yang twins Van and Jethro) with her is another matter altogether. And so begins a dynasty.  

In this tribute to veteran broadcaster Angela D'Audney — broadcast soon after her death in 2002 — colleagues and friends recall her tenacity and confidence. After nearly 40 years working in television, D'Audney earned the title of New Zealand's "first lady of broadcasting". D'Audney was 18 when she joined the NZ Broadcasting Corporation as an announcer in 1962; she went onto become one of the country's first female TV newsreaders. She recalls losing jobs, the thrill of reading live news and the scandal she faced when she appeared topless in 1982 TV drama The Venus Touch. 

The concept for this 2004 reality series involved 10 bachelors trying to succeed on the Auckland dating scene, while overcoming specially set challenges. Hosted by model Nicky Watson, and produced by Touchdown supremo Julie Christie, this first episode sees Watson pick the 10 (from 15 who began) who will move into the bachelor pad. It introduces the lewd lines, lingerie and phallic fruit that saw The Spinoff’s Duncan Greive describe the show as "an affront to humanity – but man, was it ever fun to watch". Caution: the content from the ‘lads' mag’ era is PC free.

In the second episode of this drama based on the 1888-89 tour of Great Britain by the NZ Natives rugby team, Pony — one of the side’s stars — is courted by society and invited to shoot with the Prince of Wales; and his Māori blood is also a novelty in the music halls. He’s hoping to renew his acquaintance with Charlotte — the granddaughter of a rugby loving Earl — but there are matches to be played in London. Locating his English father is far from heart warming, but his disappointment is more than compensated for as Charlotte follows him to the city.

In director Geoff Murphy's cult sci fi feature, a global energy project has malfunctioned and scientist Zac Hobson (Bruno Lawrence) awakes to find himself the only living being left on earth. At first he lives out his fantasies, helping himself to cars and clothes, before the implications of being 'man alone' sink in. As this awareness sends him to the brink of madness — see the excerpt above — he discovers two other survivors. One of them is a woman. The Los Angeles Daily News called the movie “quite simply the best science-fiction film of the 80s”. Read more about it here.