This 1977 film looks at the meeting of the 'two rivers' (Māori and Pākehā, oral and written) of the Aotearoa literary tradition. Rowley Habib is a guide as hui take place and readings of contemporary Māori poetry are set to images of Māori life, from Parihaka and land march photos to Bastion Point, urban scenes and a Black Power hangi. Poets include Mana Cracknell, Peter Croucher, Robin Kora, (a young) Keri Hulme, Brian King, Apirana Taylor, Katarina Mataira, Don Selwyn, Henare Dewes, Rangi Faith, Dinah Rawiri, Haare Williams, Hone Tuwhare, and Arapera Blank.
For this documentary director Gaylene Preston goes behind the scenes during the making of Geoff Murphy's Utu — his ambitious 'puha western' set during the 1870s land wars. “It’s like football innit? You set up the event and cover it…” says Murphy, as he prepares to shoot a battle scene. In this excerpt, the film’s insistence on cultural respect is conveyed: Merata Mita discusses the beauty of ta moko as star Anzac Wallace is transformed into Te Wheke in the makeup chair, and Martyn Sanderson reflects on having his head remade to be blown off: “What’s the time Mr Wolf?”.
A passionate advocate for Māori creative control, director Merata Mita (1942 — 2010) chronicled landmark moments of protest and division in Aotearoa. Her work included Patu!, a documentary on the 1981 Springbok tour, and Mauri (1988), only the second feature to have a Māori woman as director. She features in documentaries Merata: How Mum Decolonised the Screen and Merata Mita - Making Waves.
Sima Urale, Samoa’s first female filmmaker, has brought touching stories of Pacific peoples to the screen, often from an NZ outsider’s point of view. Urale credits her film success to determination and dealing with social issues close to her heart. Her lauded shorts (O Tamaiti, Still Life) were followed by her 2008 feature debut Apron Strings. Urale has also spent time as head tutor at Wellington's NZ Film and Television School.