Jock Phillips begins his journey through our Waitangi collection by recalling an awkward encounter with a security guard at the treaty grounds. Wandering 50 years between the first film in this collection and the last, Phillips explores changing attitudes to the Treaty. Discover everything from Mike King on the treaty trail, to trench warfare, waka-building and epic drama.
In the 1960s, parody songs like 'Rugby, Racing and Beer' and 'Pūha and Pākehā' were big hits for singer Rod Derrett. Un-PC lyrics such as "I don’t give a hāngī for the Treaty of Waitangi / You can’t get fat on that – give me some pūha and Pākehā" struck a popular chord, but were also subversive. Here the latter song is illustrated in a segment for popular NZBC Sunday show Looking at New Zealand. A Pākehā tourist who falls into a mud pool becomes an impromptu boil-up. The song (and some of the Looking at NZ footage) were rereleased in 2012 to promote cannibal comedy Fresh Meat.
Māori Television hit the airwaves on 28 March 2004. This collection demonstrates how the network has staked its place as Aotearoa's indigenous broadcaster. The kete is overflowing with tasty morsels — from comedy, waiata, hunting and language learning, to award-winning coverage of Anzac Day. Māori Television HOD of Content Development Nevak Rogers backgrounds some MTS highlights here, while Tainui Stephens unravels the history of Māori on television here: choose from te reo and English versions of each backgrounder.
This collection celebrates rugby in New Zealand as it has been seen onscreen: from classic bios and tour docos, to social history, dramas and protest. In the accompanying backgrounders, broadcaster Keith Quinn looks at the on air history of rugby in NZ; and playwright David Geary asks if rugby is a religion, and argues it is a good test of character.
For this screen showcase of NZ visual arts talent, critic Mark Amery selects his top documentaries profiling artists. From the icons (Hotere, McCahon, Lye) to the unheralded (Edith Collier) to Takis the Greek, each portrait shines light on the person behind the canvas. "Naturally inquisitive, with an open wonder about the world, they make for inspiring onscreen company."
This collection celebrates more of the legendary TV moments that Kiwis gawked at, chortled with, and choked on our tea over. In the collection primer Paul (Eating Media Lunch) Casserly chews on rapper Redhead Kingpin’s equine advice to 3:45 LIVE! and mo’ memorable moments: from a NSFW Angela D'Audney to screen folk heroes Colin McKenzie and the Ingham twins.
This collection, launched to honour 10 years of NZ Fashion Week, celebrates Kiwi fashion on screen. From TV showpieces (B&H, Corbans) to docos on designers; Gloss to archive gold, from Swannies to Split Enz, taniko to foot fetish ... take a stroll down the catwalk of our sartorial screen past. Beauties include ex-Miss Universe Lorraine Downes and a teenage Rachel Hunter.
He learnt kapa haka as a child. He learnt to smoulder on Shortland Street. He punched a country in the guts with Once Were Warriors. Temuera Morrison has starred in Māori westerns, adventure romps, and cannibal comedies. In the backgrounder to this special collection, NZ On Screen editor Ian Pryor traces Temuera Morrison's journey from haka to Hollywood.
In this short film, Māori kaumātua Laly Haddon and his Pākehā wife Sharley are interviewed about their relationship to each other and the land. The couple’s kōrero ranges from computers and tapu places, to horse breeding and racism, and provides a lens through which love, biculturalism and belonging are explored. Cathy Macdonald’s film was part of international documentary Other Than, made up of 11 short films touching on the theme of diversity. A 2013 Washington Post review said Turangawaewae was “capable of great feeling”. Ngāti Wai leader Haddon died in Pakiri in July 2013.
Historian Michael King's opus was a bridge between Māori and Pākehā; he turned Aotearoa's history into an unprecedented publishing bestseller. History Man traces King's own past, to understand the man and his passion for his work. This doco was commissioned only weeks before King and his wife were tragically killed in a car accident. Nevertheless it is a detailed portrait of a much loved and missed New Zealander. It is another collaboration from this producer/director team, whose subjects include Michael Houstoun, Ian Mune and Barry Crump.