Created by Dave Armstrong and Kerry Jimson, The Semisis was a satirical take on a contemporary Samoan-Kiwi family. In this opening episode, the Semisis handle eviction by heading to a campground with all their belongings. There romance buds, the palagi next door neighbour (Brian Sergent) proves unwelcoming, and the South African camp commander is even worse. The over the top Semisis family began as part of 90s TV sketch show Skitz; Armstrong consulted with cast members and a group of young Samoans from Porirua, while writing the scripts.
This 2005 documentary tells the story of four New Zealand-born women whose parents come from villages in Samoa, Tonga and Niue. Social worker and photographer Emily Mafile'o, students and mothers Pule Puletaua and Lanni Liuvaie, and playwright Louise Tu’u face the challenges of combining two cultures to forge an identity in Aotearoa — from family, language, food and religion, to flatting and hair cutting rituals. As narrator Sandra Kailali says, "to be true to both is hard work: success in one often comes at a cost to the other."
Sons for the Return Home tells the story of a Romeo and Juliet romance between students Sione, a NZ-raised Samoan, and Sarah, a middle class palagi. Director Paul Maunder shifts between time and setting (London, Wellington, Samoa) in adapting Albert Wendt's landmark 1973 novel. Sons was the first feature film attentive to Samoan experience in NZ — alongside themes of identity, racism and social and sexual consciousness. In this excerpt Sione meets Sarah's parents, and his tin'a has him scrubbing their Newtown pavement prior to Sarah's reciprocal visit.
This infectious hip hop hit marked Savage’s solo debut, after his previous recordings with The Deceptikonz. A NZ chart-topper for five weeks, it went platinum in the USA (helped by its placement in Hollywood comedy Knocked Up and as the soundtrack for its DVD menu). For her video, director Sophie Findlay created a laundromat from scratch in an empty Otahuhu shop. In it she intersperses an undersized Savage and 70s-themed dancing girls with darker, more contemporary hip hop imagery. It must be all a dream, because the pimply palagi teenager is the tough guy.
In this music-heavy web series, a South Auckland family competes in a local talent quest. Alongside battles over performing the traditional Samoan music favoured by their grandfather, the Saumalus have to deal with a dodgy competitor and some last minute changes of tune. There's also romance, heartbreak, and a shifty Palagi factory boss. The final episode (of 20) features behind the scenes bloopers. Directed by music video veteran Joe Lonie, The Factory began as a highly successful stage musical from South Auckland-based theatre group Kila Kokonut Krew.
Faifua Amiga won acclaim with Kingpin - his first film role - at the age of 14. Four years later, he took centre stage in the Samoan feature film Flying Fox in a Freedom Tree.
Writer and director Damon Fepulea'i trained as an editor before turning to directing. His credits include Dawn Raids and Life After Footy, two documentaries exploring Pacific Islanders experiences in New Zealand, and comedies Jono and Ben, Funny Girls and Mean Mums. His short film Watermark was invited to 20 international film festivals.
Kiwi-Samoan Robbie Magasiva was performing in a primary school talent quest when he fell in love with acting. At age 16 he made his first screen appearance, playing a police cadet in a TV commercial. Since then Magasiva has honed his skills in television (Aussie series Wentworth, Shortland Street, The Semisis), film (Stickmen and Sione's Wedding) and stage (comedy group The Naked Samoans).
An iconoclast with a bent for experimentation, director Paul Maunder brought the mixed flavours of social realism and the arthouse to New Zealand screens in the 1960s and 70s, before shifting stages and leaving the government's National Film Unit, to concentrate on theatre. His second feature Sons for the Return Home (1979) as the first film to dramatise the experience of Pacific Islanders living in contemporary New Zealand.
Dave Armstrong writes plays, books, award-winning comedy shows (Spin Doctors) and dramas (quake tale Hope and Wire). He also plays trumpet. Armstrong has been creating comedy alongside director Danny Mulheron since childhood, including Seven Periods with Mr Gormsby — the tale of an un PC teacher — and Samoan family comedy The Semisis. Armstrong also co-wrote award-winning play Niu Sila with bro'Town's Oscar Kightley, which chronicles the friendship between a polynesian and a palagi.