Phillip Gordon began his screen career with 70s soap Close to Home, then won fame in the mid 80s with two different roles: playing conman Cyril Kidman in hit period comedy Came a Hot Friday, and starring in Wellington-set TV series Inside Straight. He went on to act on both sides of the Tasman.
Actor Phillip Gordon began his television acting career playing bad boy Hugh Clifford on the long-running soap Close to Home. He then played small roles in many New Zealand films, before winning the lead role in the TV series Inside Straight. He played a conman in the hit film Came a Hot Friday, then returned to television in the kidult show Terry and the Gunrunners. More recently he has appeared on television in Shortland Street and Street Legal, and on film in The Returning.
This half-hour portrait of actor and director Ian Mune kicks off at a family wedding. In-between clips illustrating his career, Mune reflects on life as a storyteller, "bullshitter" and goat farmer. He reveals his adaptation process, his loss of confidence after directing Bridge to Nowhere, and how had no idea what he was doing on Sleeping Dogs. He also warns of the dangers of being boring, and the challenges of pulling off a decent commercial. Two years after this documentary aired, Mune returned to glory with the release of his passion project The End of the Golden Weather.
This pirates of the South Seas tale stars Tommy Lee Jones (Men in Black, The Fugitive) as rogue Bully Hayes, who helps a missionary save his kidnapped-by-savages wife. Produced by Kiwis Rob Whitehouse and Lloyd Phillips (12 Monkeys, Inglorious Basterds), the film was made in the 80s ‘tax-break’ feature surge and filmed in Fiji and New Zealand (with an NZ crew and supporting cast). John Hughes (Breakfast Club) and David Odell (Dark Crystal) scripted the old-fashioned swashbuckler from a Phillips story. It was released by Paramount in the US as Nate and Hayes.
Blam Blam Blam’s second hit from 1981 was angular and artsy, hook-filled but unsettling: all qualities captured in a theatrical video, directed by Andrew Shaw. Clowns, magicians, fire-eaters and trick cyclists join the band, while actors play out the saga of ‘Don’t Fight It, Marsha’. The actors — including Phillip Gordon (Came a Hot Friday), Michael Hurst and Donogh Rees (Constance) — were directed by Harry Sinclair, who would later join Blam band member Don McGlashan in The Front Lawn. The Len Lye-style scratch effects were by Jenny Pullar, the Blams’ lighting designer.
After their house explodes and they bump into a gunman, journalist Alf (Temuera Morrision) and his American girlfriend (Beverly Hills Cop’s Lisa Eilbacher) head to the West Coast, on the run from the cops and mysterious forces. The conspiracy plot is mostly an excuse for chases, capers and crashes galore, all imbued with plenty of pell-mell shenanigans (this time heading north in a red Falcon) by Goodbye Pork Pie director Geoff Murphy. The movie marked Temuera Morrison's first big screen starring role. This excerpt sees John Clarke cameo as a used car salesman.
Wild Man is the missing link between 1970s musical legends Blerta, and the burgeoning of Blerta trumpeter Geoff Murphy as a director whose talents knew few bounds. The Blerta ensemble relocated to the mud-soaked West Coast to create this tale of pioneer con men and silent movie style pratfalls. Bruno Lawrence and Ian Watkin arrange a fight — and betting — in each town they arrive in, while Bruno channels his inner wild man from under a leopard skin. Wild Man was released in cinemas alongside John Clarke and Geoff Murphy’s Fred Dagg comedy Dagg Day Afternoon.
Set in a Rogernomics-era 'New Auckland' world of property deals and horse racing, the second part of this 1989 mini-series sees the brassy odd couple Tammy (Annie Whittle) and Joanna (Miranda Harcourt) in deep water. The working class battler and the art consultant have done up their inherited greasy spoon, but they're the "only fly in the ointment" of the 'Vision 2000' scheme of a nefarious developer (Brit import James Faulkner). Girl power meets utopian unitary planning as the duo find bones in the basement, and get too close to the secrets of Huntercorp HQ.
This is the first of a two-part "money and greed" morality tale set in a Rogernomics-era 'New Auckland' of property deals and horse racing. Working class lass Tammy (Annie Whittle) and art consultant Joanna (Miranda Harcourt, fresh from Gloss) are an unlikely duo who inherit a racehorse and a greasy spoon cafe (instant coffee rather than cappuccino). Brit import James Faulkner plays a shady developer whose scheme is blocked by the duo. Murder, underhand unitary plans, yuppie love and old gambling debts complicate life for Tammy and Joanna.
This epic Lee Tamahori-directed promo for the 1990 Auckland Commonwealth Games imagines the stirrings of Games spirit in the mud of the Western Front, 1917. Behind the lines, soldiers from various 'British Empire' nations (Bruno Lawrence, Tony Barry and a young Joel Tobeck) lay bets to see who is the fastest. After racing they pledge to "do this again sometime eh brother" (referring no doubt to the shared joy of competition, as opposed to 1,115,597 Commonwealth war dead). The first Commonwealth Games were held in Hamilton, Ontario (Canada), in 1930.