For this screen showcase of NZ visual arts talent, critic Mark Amery selects his top documentaries profiling artists. From the icons (Hotere, McCahon, Lye) to the unheralded (Edith Collier) to Takis the Greek, each portrait shines light on the person behind the canvas. "Naturally inquisitive, with an open wonder about the world, they make for inspiring onscreen company."
Brian Brake is regarded as New Zealand's most successful international photographer. But before heading overseas to work for photo agency Magnum and snapping iconic shots of Picasso and the Monsoon series for Life magazine, he was also an accomplished composer of moving images. He shot or directed many classic films for the NFU, including NZ's first Oscar-nominated film.
To celebrate NZ's unique natural taonga, Peter Hayden has curated a highlights collection from three decades of NHNZ productions. Aotearoa's landforms and its magnificent menagerie of natural oddities - birds, insects, trees like nowhere else on the planet - are showcased in 15 award-winning titles. From Discovery Channel and David Bellamy, to Wild South and Our World classics.
As a showcase history of Christchurch on screen this collection is backwards looking; but the devastation caused by the earthquakes gives it much more than nostalgic poignancy. As Russell Brown reflects in his introduction, the clips are mementos from, "a place whose face has changed". They testify to the buildings, culture and life of a city now lost, but sure to rise.
This selection — in partnership with the NZ Film Commission — showcases award-winning examples of Kiwi short filmmaking. From the the tale of two men and a Cow, to the sleazy charms of The Lounge Bar, from Cannes to Ngawi; this collection is a celebration of "a beautiful medium for nailing an idea to the fence post with a piece of No.8 wire."
Arm yourself with jaffas and get set for debate: NZ On Screen has gone out on a limb and selected an all-time NZ feature film Top 10. Starring the icons of the Kiwi big screen — Blondini, Ada, Beth, Boy. Whet your appetite for our finest features via choice 10-minute excerpts of the movies. Cook the man some eggs, we're taking this Top 10 to Invercargill!
Wedding photographs are attempts to create and preserve perfection, taken under pressure. Can the results be art as well as personal history, or are they neither? Such questions are the focus of this Artsville doco, which benefits from insights by a multi-cultural cast of wedding photographers. Geoffrey Heath questions the reality of glamour and romance in some of his own art photography, while labouring to capture beauty in his wedding work. Others recall the challenges of getting good shots amidst drunkenness, dysfunctional families, and grooms in their undies.
This second series leg of The Big Art Trip kicks off in Wellington with a visit to artist John Walsh, who chats about his Māori myth paintings and children’s book Nanny Mango. Douglas and Fiona also talk about Washday at the Pa with photographer Ans Westra and pop-in on jewellery designer Steph Lusted. They visit the Massey Memorial, explain typography and check out the Wellington Writers Walk before meeting architect Nicholas Stevens and viewing a cliff top house he designed. The episode winds up with a look at kinetic sculpture Pacific Grass, by Kon Dimopoulos.
This documentary turns the lens on acclaimed photographer Andris Apse. The Latvian war refugee later joined the Forest Service, where he was inspired by lensman John Johns and Fiordland; a chance break taking scenic shots for Air New Zealand empowered Apse to pursue his passion: wilderness photography. From his Okarito home and in the wild, Apse muses on the rugged demands of capturing an image and the "stubborn determination" of his craft. From Time to National Geographic, his photos have helped define Aotearoa as a theatre country of epic, elemental landscapes.
John Reynolds is one of New Zealand's most talked-about contemporary artists. His diverse practice takes in painting, photography, clothing, tattooing and landscaping. Director Shirley Horrocks frames the film as a series of questions. The answers reflect Reynold's exuberant personality, his strong family life, his sense of humour, and his adventurous art-making. Following a year in his life, the film observes him as he makes and debuts a work (Cloud) at the 2006 Biennale of Sydney, and takes time out to appear in an episode of bro'Town.