Gwen Stevens was one of the last survivors of World War ll's top secret Auckland Combined Military Headquarters. There she plotted grid references from New Zealand’s coastal radar, tracking the coming and goings of ships and aircraft. The threat of a Japanese invasion had everyone on edge. At one point there was panic when it was believed an aircraft carrier had been detected off the coast. All services were mobilised, but it turned out to be a mistaken reading of the Three Kings Islands. Over 70 years later, Stevens' recall remains clear. Stevens passed away on 1 January 2018.
In this cult surf film — this excerpt is the first seven minutes — Andrew McAlpine gets in the Chevy, chucks the longboard on the roof and follows a group of pioneering riders on a mission around New Zealand and Australian coastlines, from Piha to Noosa. Filmed from 1965 - 1967, the Kiwi Endless Summer evoked a laid-back era where the ride was the prize. The classic surfing scenes — some filmed from an onboard camera housed in a DIY perspex case — are scored to surf rock and interspersed with sunburnt, bikini-clad relics of 60s beach culture.
In the third episode of The Big Art Trip the little green car heads first to Piha, where hosts Nick Ward and Douglas Lloyd-Jenkins interview hip-hop artist King Kapisi. After that they visit jewellery and multimedia artist Lisa Reihana at her K Road apartment, discuss contemporary furniture with designer Kim Martinengo and drop in on hot glass artist Stephen Bradbourne. They also check out art in a corporate setting before meeting sculptor Emily Siddell, and finish up by visiting painter Andy Leleisi’uao at his home studio in Mangere.
In this award-winning tourism promo, an easy-going narrator guides us through a land of contrasts — “where else would you find golf and geysers?”. The sights range from frozen to boiling lakes, characterful cities to odd natives (kiwi, takahē, carnivorous snails). Visual highlights include quirky road-signs (“beware of wind”, “slow workmen ahead”), toheroa digging and a flotilla of capsizing optimists. Directed by NFU veteran Ron Bowie, the film won an award at the 1963 Venice Film Festival, before headlining a special Amazing New Zealand season of shorts in NZ cinemas.
"Pitch Perfect meets Modern Family set on a marae" was the tagline for this 2017 Māori Television comedy/drama, about a kapa haka group that fluke their way to the national championships. This first episode shows that with seven weeks to prepare, whānaungatanga (family) will be as much of a challenge as getting it together onstage. Hori Ahipene plays dual roles as worried coach Teepz and Aunty Mavis. Roimata Fox plays kapa princess Koakoa, and actor turned director Katie Wolfe is Nanny Fanny. Press the CC box below the screen to translate occasional te reo dialogue.
Bros meets The Bachelor in this hit Māori Television reality show, which was billed as a "hunt for the ultimate Polynesian warrior". The contestants' muscles might look good, but do the personal trainers and dancers have their ancestors’ skills? This first episode tests the 12 entrants in spear throwing, waka portage and hakamoa (Hawaiian wrestling). The show swapped po-faced reality TV conventions for Polynesian humour: dropped lavalavas and tattooed torsos are slathered with innuendo by hosts Pani and Pani (Goretti Chadwick and Anapela Polataivao).
Once Were Warriors star Temuera Morrison plays another bully in this episode of te reo series Aroha. Morrison is arrogant mechanic Steam, who verbally abuses an overweight young employee nicknamed Meat Pie (Vince Ata). Steam also has the hots for Meat Pie's mother (Mere Boynton) — his cousin. The story follows the obese young man as he's manipulated by his mum, mocked by his workmates, and pushed around by strangers. One day Meat Pie snaps. The cast also includes Pio Terei (as a woman!), Mika (as a mechanic) and Tame Iti. Puhi Rangiaho (Waka Huia) directs.
Supposedly shot in five days on a budget of $423, the first season of award-winning web series High Road introduced audiences to lovable loser Terry Huffer, an ex rocker who DJs from a caravan in Piha. Writer/director Justin Harwood created the role of Huffer for his Piha neighbour Mark Mitchinson (Siege). Two further seasons were funded by NZ On Air. Video on Demand site Lightbox then compiled them into half-hour episodes, and commissioned a fourth. Harwood has played in indie bands The Chills and Luna, and the show's soundtrack offers fans of classic rock much to savour.
A 'waka huia' is traditionally a treasure box to hold the revered huia feather. The multi award-winning television series of the same name records and preserves Māori culture and customs. It is presented completely in Te Reo Māori. The long-running series travels extensively to retell tribal histories, and sets a high standard of reo, seeking to interview only fluent speakers. Waka Huia also covers some of the social and political concerns of the day, taking a snapshot of Māori history. Created by the late Whai Ngata, Waka Huia is a tāonga for future generations.
Te Karere is a long-running daily news programme in te reo Māori. Based in the TVNZ newsroom, Te Karere covers key events and stories in the Māori world as well as bringing a Māori perspective to the day's news. Significant for pioneering Māori news on mainstream TV, for three decades it has been a platform for Māori to comment on issues and events. Founded by Derek Fox, it first went to air during Māori Language Week in 1982, before getting its own regular slot the folowing year. Te Karere initially ran for only four minutes, then 15; in 2009 it was expanded to half an hour.