This film investigates and captures the dramatic changes to Wellington's cityscape in the 70s and 80s. "To get in before nature's earthquake we created one of our own". As a result of mass demolition of buildings deemed to be earthquake risks and the subsequent building boom, graveyards make way for motorways, and wood and stone for steel, glass and concrete. There are interviews with the boosters (Bob Jones, Sir Michael Fowler), demo workers, and laments for the loss of heritage and local culture (Harry Seresin, Aro Valley protesters, and surprisingly, Rex Nicholls).
This 1994 ‘home front noir’ is set in World War II Wellington, where the plots — a murdered marine, exploited working girls and gonorrhea — spread amidst the invasion of US soldiers stationed at Paekakariki. Kerry Fox (An Angel at My Table) is a public health nurse who becomes romantically linked with the US investigating officer (Tony Goldwyn — Ghost, TV's Scandal) while pursuing the STDs and the truth. They’re supported by Oscar-winning US veterans Rod Steiger and Robert Loggia. John Reid (Middle Age Spread) directs, from a Keith Aberdein script.
This animated series for kids follows the adventures of germaphobic Stanley and feisty Mary-Jane. Sucked down a plughole into ‘Drainworld’, they help a plethora of plumbing creatures battle Dr Drain. Created by Jim Mora (Mucking In) and Brent Chambers, the series was NZ’s first official international animated co-production (between Chambers’ Flux Animation and Australian studio Flying Bark, run by Yoram Gross). The first series of 26 episodes screened on TV2 (NZ) and Channel Seven (Australia), and sold internationally. The NZ Herald called it “flush with fun”.
This first episode of the animated series for kids follows germaphobic Stanley and feisty Mary-Jane down a plughole into ‘Drainworld’. There they help a plethora of slimy mutated creatures battle the evil Dr Drain. Created by Jim Mora (Mucking In) and Flux Animation's Brent Chambers, Staines was NZ’s first official animation international co-production (with Australian studio Flying Bark). The 26 episode series debuted on Australia’s Seven in late 2006, on TV2 in early 2007, and sold globally. It opens with the award-winning theme tune composed by Australian Michael Lira.
This TVNZ ‘home show’ explores 90s grand designs and their architects, renovation dilemmas and Kiwi personalities in their houses. This debut episode is presented by actor Jennifer Ward-Lealand and builder (and future Dunedin mayor) Dave Cull. Ward-Lealand visits architect Roger Walker in his pastel pink and green Tinakori Road home, intros a “70s Cinderella” bathroom do-up, and drops in on DJ Kevin Black’s arts and crafts-style mariner’s cottage. Cull tests a non-stick frying pan and a barn house. Date stamps include denim shirts and a saxophone theme tune.
In this fascinating social experiment a 21st century Kiwi family is transported back in time to live as a typical family would've 100 years ago. Their house and garden is restored to its 1900 state with electrical fittings, modern plumbing and all traces of modern living removed; and the family have to deal with the challenges of turn-of-the-last-century manners, dress, morals, work and a lack of conveniences (which includes a regular outside trip to the longdrop toilet). Based on a UK format, the series was followed on in NZ by Colonial House (2003).
In this full-length Intrepid Journey, Paul Henry brings his straight-talking style to Tibet. Entering Tibet after three days in Kathmandu, Henry encounters dodgy plumbing and the occasional surveillance camera, though he finds a certain romance in the dirt. Henry makes no effort to hide his feelings on yak butter tea, fights altitude sickness en route to Mount Everest base camp, and visits Potala Palace — ex home to the Dalai Lama, now "a mausoleum to old Tibet". For Henry, now is the best time to visit, because "Tibet is being snuffed out. This is just going to be another corner of China."
Jeremy Wells brings Kenneth Cumberland-seque authority to this 'alternative' version of Kiwi history, which was made by many of the team that worked on Eating Media Lunch. The Unauthorised History plumbs TV and history archives to poke fun at the pretence of the past (and present). This episode examines artefacts to do with sex and Aotearoa. With tongue planted in check (and in other places) Wells revisits everything from pole-dancing in the "hellhole of the Pacific" — colonial-era Russell — to randy Hutt Valley teenagers "getting laid" in the 1950s.
The title track and first single from the debut Straitjacket Fits album displays the trademark epic, brooding menace they did so well. An old brass tap dripping rust (or blood) and a plumber threatening with a wrench are among the disquieting scenes in the accompanying video; there is also a reaper figure running through the tunnels on Waiheke Island. The video effects of the period get a good workout, as do the carnival/merry-go-round images which graced the cover of the original record album (but not the subsequent CD versions, which used completely different artwork).
This 'alternative' version of New Zealand history was made by the team behind Eating Media Lunch. Channelling Kenneth Cumberland —presenter of heavyweight 80s series Landmarks— Jeremy Wells plumbs the TV archives to poke fun at New Zealand, and its people. Some excruciating hilarity is mined from artifacts of visitation to southern shores, from Bill Clinton to the Beatles. Muhammad Ali's fast food tastes down under are examined; the Dalai Lama finds bad karma in Christchurch; Charles and Diana visit in 1981; and mirth is mined from all things ovine.