Blackmail, lies and secrecy feature heavily in this TV3 documentary, which follows the teenage daughter of the photographer killed in the 1985 bombing of Greenpeace ship Rainbow Warrior. Marelle Pereira was just eight when her father Fernando died after French Secret Service agents set off two bombs in Auckland. The boat was set to protest nuclear testing in French Polynesia. Now 18, Pereira and her mum travel to French Polynesia, France and Aotearoa to ask why the French carried out the attack. Pereira interviews Rainbow Warrior crew and former Kiwi PM David Lange.
The ‘OE’ is a Kiwi rite of passage, but for those travelling in a Kombi van, the trip can feel “like mixed flatting in a space the size of a ping-pong table” (Peter Calder). In Kombi Nation, Sal sets off to tour Europe with her older sister and friend; they’re joined by a dodgy male and a TV crew, recording the shenanigans. Shot guerilla style after workshopping with the young cast, Grant Lahood’s well-reviewed second feature anticipated the rise of observational ‘reality TV’, but its release was hindered by the collapse of production company Kahukura Films.
In the debut feature from writer/director Scott Reynolds, serial killer Simon (Paolo Rotondo) has been locked up for the last five years, and is being interviewed by psychologist Karen Schumaker (Rebecca Hobbs). Narrated flashbacks reveal Simon's past, the demons and bad treatment in his present, and the potential for more killing. The Ugly won rave reviews, awards at fantasy festivals in Italy and Portugal, and over 30 international sales: Variety called the film "a tricky, stylish horror", praising it's suspense, visuals, and casting. The Listener's Philip Matthews found it "genuinely creepy".
A group of 20-somethings revolving around pregnant Liz (Danielle Cormack) confront a Generation X medley of 'births, deaths, and marriages' in Harry Sinclair’s debut feature, developed from the eponymous TV3 series. They experience, "the agony of failed love and ambiguous love, the agony of loneliness, the ecstasy of sex and the discovery of maturity" (Australian critic Andrew L Urban). In this excerpt from the well-received film the cast faces vexing coathangers, skirts, rubber gloves and panic attacks. NSFW caution: features actual Teutonic topless women.
Former journalist Nevan Rowe made a high profile big screen acting debut as Gloria, the estranged wife of Sam Neill’s Smith in landmark feature Sleeping Dogs (1977). She also co-starred in 1980 kids movie Nutcase, as mad scientist Evil Eva. Rowe worked off-screen in casting and as a production manager, and in 1989 directed short film Gordon Bennett, starring Andy Anderson. She passed away in April 2016.
Harry Sinclair first won fame as a member of beloved 80s multimedia duo The Front Lawn; whose shorts included Walkshort, Linda's Body and The Lounge Bar. Starting with Topless Women Talk about Their Lives, the first of three features exploring 'modern love', Sinclair displayed his talent for offbeat humour and improvisation, and his belief in the creative importance of the actor.
David Blyth cemented his place in the Kiwi filmmaking renaissance with two films that left social realism far behind: 1978 experimental feature Angel Mine, and 1984's Death Warmed Up, New Zealand's first homegrown horror movie. Since then Blyth's work has included family friendly vampire film Moonrise, a number of documentaries on war, and varied works exploring sexuality.
Sarah Peirse is a multi-award winning actor on screen and stage, best known for her portrayals of two very different mothers — the kind-hearted Honorah Rieper in Heavenly Creatures, and the disaffected sophisticate in Rain. Peirse has also won awards for Vincent Ward’s The Navigator, and one of her earliest starring roles: A Woman of Good Character.
Though Michael Heath helped create a run of pioneering examples of the Kiwi cinema of unease, his contributions to our culture defy easy categorisation. His scripts include many films which have made a comfortable home between genres: children’s vampire tale Moonrise/Grampire, nostalgic Ronald Hugh Morrieson chiller The Scarecrow, Heath’s work with director Tony Williams, and his acclaimed song-cycle A Small Life.
David Brechin-Smith is an award-winning screenwriter. Nominated for Lovebites and The Strip, he won awards for The Insider's Guide to Happiness and prequel The Insiders Guide to Love. He created and wrote drama series The Hothouse and worked on thriller series The Cult. Teen comedy-drama series Paradise Café and movie The Hopes and Dreams of Gazza Snell are also among his credits.