Sex, Drugs and Soft Toys - The Making of Meet the Feebles
Screened on a TVNZ arts show, this documentary looks at how the strings were pulled on Peter Jackson's low-budget puppet movie Meet the Feebles. An old Wellington railway shed fizzes with energy and imagination as a team peppered with future Oscar-winners crafts the gleefully subversive Muppets parody. Jackson muses on his influences, processes and propensity for "savage humour" in a fascinating interview. Included is footage of his childhood films — war movies and stop motion animation made with his first 8mm camera. Richard King writes about Meet the Feebles here.
Her Hairagami Set
This award-winning puppetry/comic book creation follows a put upon heroine enduring jibes from the cool crowd about her hairstyle. She resolves to rectify her situation using a new 'Hairagami Set'. The video was created by duo Trophy Wife (Ian and Rebecca Hart), who later revealed that the Hairzilla monster was a late addition, after US record label Sub Pop felt uncomfortable with "school shooting imagery". The clip won Best Music Video at the 2008 Vodafone NZ Music Awards. Check out the true to life puppets of band members Jonathan Bree and Heather Mansfield.
The Big Art Trip - Series One, Episode Two
In episode two of The Big Art Trip hosts Douglas Lloyd-Jenkins and Nick Ward discover the art of crochet with sculptor Ani O’Neill and attend CAKE Collective’s roadside poster exhibition where they talk to photographer Deborah Smith. They also visit renowned sculptor Greer Twiss in his studio, talk with young multi-media artist Gerald Phillips about his music videos for band Betchadupa, drop in on painter and political activist Emily Karaka and head to Whangarei to see filmmaker Gregory King and the veteran star of his short film Junk, Rosalie Carey.
You and Me
The irrepressible Suzy Cato (who previously presented TV3's Early Bird Show and 3pm) presents a programme for pre-schoolers. From a set designed to look like a house with bathroom, bedroom and live garden, Suzy talks directly to her audience and makes extensive use of te reo. A multi-cultural focus also comes through in the show's stories, songs, animations and puppetry. Suzy's on-set companions are a doll, teddy bear, clown and scarecrow — and a sock puppet family makes regular appearances. More than 2000 episodes were made in eight years.
Larger Than Life
In Larger than Life Jo (Rebecca Hobbs, star of horror tale The Ugly) discovers her new house is inhabited by an array of mutant arachnids, each larger than the last. Kiwi writer/director Ellory Elkayem cleverly melds puppetry and digital effects to give his spiders maximum yuck factor, while the violin-fuelled soundtrack pays spirited homage to the 50s monster movies (Them!, Tarantula) which inspired the whole enterprise. After the success of this spider tale, Hollywood called: Elkayem answered with bug tale They Nest, and comical spider epic Eight Legged Freaks.
Bidibidi
Like the eponymous native plant this children's puppetry programme stuck to the socks of many kiwis of a certain vintage. Produced in Dunedin by TVNZ's Natural History Unit (now independent production company NHNZ) Bidibidi followed the adventures of a sheep on a South Island station for two series. Bidibidi was adapted from the children's book by Gavin Bishop. Each programme interspersed puppet scenes and musical numbers with the expected first-rate NHU-shot footage of birds and other animals that Bidibidi meets en route, from kea to skinks and bitterns.
Shoes
Shoes is a refugee's story told with rhythm and shoes. A woman seeking shelter in a new country arrives at a railway station troubled by turbulent thoughts of her past. Walking past a shop window, she sees some familiar-looking, worn-out shoes which trigger more memories. Pairs of dancing shoes eloquently recreate her journey from dance hall to war zone. Directed by Sally Rodwell, founding member of alternative theatre troupe Red Mole, Shoes screened at international festivals including Montreal and Hof.
Zane Holmes
Fascinated by every stage of the television process, Zane Holmes began in the backroom as an editor and has gone on to stints in producing, directing and visual effects. After getting his directing break on hit Being Eve, he later joined Jeremy Dillon as a partner in company Pop-Up Workshop,which specialises in shows for children. They followed series Pop-Up with The Moe Show, starring a friendly creature with big ears.
Ramon Rivero
After working in puppetry in his native Mexico, Ramon Rivero got his break co-commanding a menagerie of puppets on early Peter Jackson film Meet the Feebles. Later he spent four years at Weta Digital, developing real-time performance animation for Gollum and other motion captured characters. Rivero has since supervised animation and motion capture for companies in Australia and India, while developing his own projects.
Fred O'Neill
Dunedin businessman and artist, Fred O’Neill, whose hobby of making quirky animated films brought him international recognition, sent his Plasticine hero to Venus thirty years before Nick Park got Wallace and Gromit to the Moon. O’Neill’s films encouraged children not to take up smoking, brought Māori legends to the screen in a novel way, and entertained young viewers in the early years of New Zealand television. Image credit: Stills Collection, Ngā Taonga Sound & Vision. Courtesy of the Fred O'Neill collection.