In this fifth season episode of Māori Television’s long-running hunting show, presenter Howie Morrison Junior heads to the Central North Island’s Rangitikei region. First Howie pulls on the moleskins and tweeds and goes shooting at Rathmoy for pheasant. Then it’s off to Whio Lodge with Dan Steele, where they try to source the main ingredient in goat curry, throw axes, meet cave wētā and whistle up the lodge’s namesake. Howie also meets trapper Leon Stratford, helping protect whio and kiwi. Adam Rowbotham's tip of the week is bacon and eggs cooked in a brown paper bag.
White Water Ride scoffs a fry-up, zips up a life jacket, straps on a helmet and joins a guided rafting trip down the Mohaka River (with extra scenes shot on the Tongaririo and Rangitikei). There’s a rafter overboard and 70s era wetsuits, but no menacing locals or duelling banjos here (à la backwoods rafting classic Deliverance) — just a jaunty guitar and harmonica soundtrack, and the thrills and spills of a white water paddling trip, with a friendly splash war to finish. The narration-free NFU short played in NZ cinemas alongside Bond movie For Your Eyes Only.
Enjoying sex, drugs and rock'n'roll is difficult when you have to be up early to shear sheep. Country Calendar visited Rangitikei to investigate the Dickheads phenomenon, and found the Taihape band ready to mumble when it came to discussing the hazards of mixing music with farming. The Dickheads are seen rehearsing at Dickheadquarters, in the stockyards, and yarning at the New Taihape Hotel as they head for the big time: an afternoon slot at Sweetwaters, 1982. As a former shearer, TVNZ director Keith Slater identified with the Dickheads' dilemmas.
This edition of Great War Stories follows the experiences of Kiwi horses in World War I by recounting the story of Bess, the thoroughbred stead of Colonel CG Powles of the Wellington Mounted Rifles Regiment. The two would serve in the Middle East, and on the Western Front. Over 10,000 horses were sent to war; Bess was one of only four to return home. The clip finishes with an Anzac Day remembrance at Bess’s Rangitikei grave. The first series of seven short documentaries screened during TV3's primetime news in 2014; another series followed in 2015.
Sam Neill weaves portions of autobiography into an idiosyncratic, acclaimed yet controversial analysis of Kiwi cinema — from its crude beginnings, to the dark flowering of achievement seen in the breakthrough films of Peter Jackson, Lee Tamahori, and Jane Campion. Directed by Neill and Judy Rymer, as one of 18 films commissioned for the British Film Institute's Century of Cinema series, the award-winning documentary debuted at the 1995 Cannes Film Festival. The New York Times' Janet Maslin rated it a series highlight. The opening sequence looks at the role of the road in Kiwi film.
The broadcasting career of so-called 'Mr Country Calendar' Frank Torley spanned almost half a century. He worked on the iconic rural series as reporter, producer and narrator, and a number of other programmes besides. In 2002, he was awarded the ONZM for services to broadcasting. Torley died of cancer on 27 March 2016, just weeks after Country Calendar celebrated its 50th year on air.